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Shigidi and the Brass Head of Obalufon door…
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Shigidi and the Brass Head of Obalufon (origineel 2023; editie 2023)

door Wole Talabi (Auteur)

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743361,112 (3.58)4
Shigidi is a disgruntled and demotivated nightmare god in the Orisha spirit company, reluctantly answering prayers of his few remaining believers to maintain his existence long enough to find his next drink. When he meets Nneoma, a sort-of succubus with a long and secretive past, everything changes for him. Together, they attempt to break free of his obligations and the restrictions that have bound him to his godhood and navigate the parameters of their new relationship in the shadow of her past. But the elder gods that run the Orisha spirit company have other plans for Shigidi, and they are not all aligned--or good. From the boisterous streets of Lagos to the swanky rooftop bars of Singapore and the secret spaces of London, Shigidi and Nneoma will encounter old acquaintances, rival gods, strange creatures, and manipulative magicians as they are drawn into a web of revenge, spirit business, and a spectacular heist across two worlds that will change Shigidi's understanding of himself forever and determine the fate of the Orisha spirit company.… (meer)
Lid:crankybookwyrm
Titel:Shigidi and the Brass Head of Obalufon
Auteurs:Wole Talabi (Auteur)
Info:DAW (2023), 322 pages
Verzamelingen:Jouw bibliotheek
Waardering:***
Trefwoorden:fiction, fantasy, contemporary, mythopoeia, action & adventure, read in 2024

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Shigidi and the Brass Head of Obalufon door Wole Talabi (2023)

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My expectation going into this novel was that I was going to be reading a kind of modern-day "sword and sorcery" type epic, and there is some of that as it's definitely a caper book and it's very hard-boiled; the main characters are far from nice and individual motivations tend to be "transactional" and expedient. That said, the characters grew on me and I thought that the flashback structure of the book worked, as it all eventually coalesces down to a really good climax of emotional and personal transcendence for the main characters. If Talabi intends to set more novels in this milieu I'll be happy to give them a try.

As for who I think might like this book, assuming you're coming to Talabi cold (I've had no exposure to his short fiction), if you've been reading Ben Aaronovitch ("Rivers of London") and Charlie Stross ('The Laundry"), this might scratch the same itch. ( )
  Shrike58 | Apr 26, 2024 |
https://fromtheheartofeurope.eu/shigidi-and-the-brass-head-of-obalufon-by-wole-t...

There is probably a whole subgenre out there of books about stealing items from the British museum. The only other one I have read is a Lovejoy novel, The Very Last Gambado. Both Lovejoy and the protagonist here, Shigidi, arbitrate between their own homelands and cultures (East Anglia and Nigeria respectively) and the symbolic centre of imperial cultural theft, the British Museum, and obviously we cheer for the insurgents both times.

It’s a richly imagined, sexy contemporary magical world, with the metaphors about colonialism and cultural appropriation text rather than subtext; and the sense of place is very good in both Nigeria and London. Entertaining to see Aleister Crowley still alive and taking an interest in contemporary affairs. I did feel that the system of magic and godhood was rather over-bureaucratised, using frankly Western concepts of management which are good for the 21st century in Nigeria or England but would hardly have been around for the millennia! Still, enjoyable and short. ( )
  nwhyte | Apr 4, 2024 |
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Shigidi is a disgruntled and demotivated nightmare god in the Orisha spirit company, reluctantly answering prayers of his few remaining believers to maintain his existence long enough to find his next drink. When he meets Nneoma, a sort-of succubus with a long and secretive past, everything changes for him. Together, they attempt to break free of his obligations and the restrictions that have bound him to his godhood and navigate the parameters of their new relationship in the shadow of her past. But the elder gods that run the Orisha spirit company have other plans for Shigidi, and they are not all aligned--or good. From the boisterous streets of Lagos to the swanky rooftop bars of Singapore and the secret spaces of London, Shigidi and Nneoma will encounter old acquaintances, rival gods, strange creatures, and manipulative magicians as they are drawn into a web of revenge, spirit business, and a spectacular heist across two worlds that will change Shigidi's understanding of himself forever and determine the fate of the Orisha spirit company.

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