Published by OSMOS Books and edited by Cay Sophie Rabinowitz with color reproductions and in-depth critical essays by Mark Godfrey, Tom McDonough, and others, this book will survey Quinlan¿ use of Polaroid film from 2006-2017. Initially used as a tool for proofing, Quinlan¿s Polaroids can be seen as sketches, moments in which crucial formal and conceptual questions were explored and worked out. Moving through her extensive archive one can find the origins of almost every larger body of work, as well as many ideas that remained in the repository, evidencing the artist¿s desire to push beyond the constraints of her apparatus.