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Bezig met laden... Beneath the Neon: Life and Death in the Tunnels of Las Vegasdoor Matthew O'Brien
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 Meld je aan bij LibraryThing om erachter te komen of je dit boek goed zult vinden. Op dit moment geen Discussie gesprekken over dit boek.  jetangen4571 | Aug 22, 2019 |    ) jeanie1 | Dec 4, 2009 |  ) SeriousGrace | Sep 27, 2008 | geen besprekingen | voeg een bespreking toe
The catacombs of ancient Rome served as houses of worship for Christians. When surveyed in the early 1800s, the sewers of Paris yielded gold, jewels, and relics of the revolution. And thousands of people lived in the subway and train tunnels of New York City in the 1980s and '90s. What secrets do the Las Vegas storm drains keep? What discoveries wait in the dark? What's beneath the neon? Armed with a flashlight, tape recorder, and expandable baton, Las Vegas CityLife writer-editor Matthew O'Brien explored the Las Vegas flood-control system for more than four years. Beneath the Neon: Life and Death in the Tunnels of Las Vegas chronicles O'Brien's adventures in subterranean Vegas. He follows the footsteps of a psycho killer. He braces against a flood. He parties with naked crack-heads. He learns how to make meth, that art is most beautiful where it's least expected, and that there are no pots of gold under the neon rainbow. Geen bibliotheekbeschrijvingen gevonden. |
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 Google Books — Bezig met laden...GenresDewey Decimale Classificatie (DDC)305.569209793135Social sciences Social Sciences; Sociology and anthropology Groups of people Class Lower, alienated, excluded classes Poor peopleLC-classificatieWaarderingGemiddelde: (2.92)
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Matt goes into the flood control drains beneath the surface of Las Vegas in 2004, originally to follow the trail of a convicted deranged murderer. It became something more for him as he met the men who lived down there, some of them for several years. Each chapter is the result of interviews and experiences in a particular drain. The descriptions of sights, sounds, and impressions are as clear as if drawn with more than pen and ink. Well done!
Alan Carlson narrates as convincingly as if he was the writer, and that's a very good thing. (