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Half Life: A Novel door Shelley Jackson
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Half Life: A Novel (editie 2006)

door Shelley Jackson (Auteur)

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2981088,223 (3.51)19
“Ingenious, sensual, gleeful. . . . It demands of its readers only imagination, and rewards them with hilarity, terror, and marvels.”--Jonathan Lethem, author of Motherless Brooklyn Nora and Blanche are cojoined twins. Nora, the dominant twin, thirsts for love and adventure, while Blanche has been asleep for nearly 30 years. Determined to shed herself of her her sister's dead weight, Nora leaves for London in search of the mysterious Unity Foundation, which promises to make two one. But once Nora arrives in London, the past begins to surface, forcing her into a most reluctant voyage into memory--a search for meaning and understanding, that will push Nora to the brink of insanity. Grotesque, funny, and dazzlingly told, Shelley Jackson's first novel is an imaginative and touching portrait of two lives in a cleft world yearning for wholeness.… (meer)
Lid:soccerposeur
Titel:Half Life: A Novel
Auteurs:Shelley Jackson (Auteur)
Info:Harper (2006), Edition: First Edition, 448 pages
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Half Life door Shelley Jackson

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1-5 van 10 worden getoond (volgende | toon alle)
https://fromtheheartofeurope.eu/half-life-shelley-jackson-end-of-the-world-blues...

I really enjoyed this, and am somewhat stunned to find a host of much more negative online reviews. I’m used to not liking things that everyone else likes (for an example, see below), but it’s unusual for me to like something that a lot of people don’t. It’s a story about a conjoined twin in a world which is like ours except that, due to more nuclear testing, there are a lot more conjoined twins, giving rise to a whole subculture and liberation movement, and it gives Jackson the excuse to explore the politics of selfhood and medical intervention in a firm but ludic way. The sort of book that the Tiptree/Otherwise Award should be honouring. ( )
  nwhyte | Jul 23, 2022 |
This is the co-winner of the Tiptree this year, so I expected a lot more from it. The book is set in a world very similar to our own, except with more nuclear explosions and a population of conjoined twins large enough to have their own lobby groups. Nora is uncomfortable sharing her body with her conjoined (but perpetually unconscious) twin, Blanche, so she resolves to get Blanche surgically removed. I really love the idea of having two brains and thus, two personalities and two sexualities to a body, but the book doesn’t explore this. Instead, it focuses on Nora’s childhood in the desert, where she had quirky, twisted adventures in the radioactive dunes. By the end, Nora and the novel have lost all touch with reality—which is fun except for the fact that it’s completely unreadable. This book is the written equivalent of the last twenty minutes of “2001”—I’m sure *something* “deep” is going on, but I’m not sure what and mostly I just feel bored and nauseated.
I actually feel insulted that Jackson expected readers to slog through hundreds of pages of self-congratulatory cleverness, with no discernable plot and unlikeable, unrealistic characters. ( )
  wealhtheowwylfing | Feb 29, 2016 |
Okay, so this won the Tiptree award, which is usually a good indicator of something interesting.

And it is an interesting idea: that there are a lot more conjoined twins in the world (because of radioactivity or something), so they've become a vocal minority like gay people.

Except that this is pretty much the ONLY idea in the book, and sure it's fun to imagine all the many, many different aspects of gay culture that could apply to conjoined twins, but you can't write a symphony using just one note.

Also, she seems to be a victim of Look-At-Me-I'm-A-Writer! syndrome. For example:

"Once, I plunged my right hand wrist-deep in a red ant den. Blanche did not move or cry, though a sun boiled at the end of that arm. I was the one who yanked out the swollen pentapod, brushed off the myrmidons sleeving our forearm in fire."

Jeez, lady. Calm down. ( )
  JenneB | Apr 2, 2013 |
This book was a gift and as far as a book selection for me it was right on. I really enjoy reading experimental and surreal fiction. However, enjoying the genre and enjoying the individual work can be two different things. The book was interesting but not terribly good. I realized about half-way through that if I were to write a book it would probably be somewhat similar. I can write about a chapter worth of interesting material and I can write many vignettes that revolve around the same theme, idea or characters but I can never seem to get them to evolve into something coherent with a plot. This realization was nice for me because maybe there is a chance to be published someday but the final product is not necessarily so nice for the reader. I also agree with another reviewer that there was too much bodily functions related language and sometimes the book seemed to be offensive just for fun. That said; I don’t regret reading it. If you are a fan of experimental or surreal fiction, give it a go but if not, pass it right by.
  aspen42 | Jan 6, 2011 |
This was a very interesting book about identity and sharing. I liked how Blanche gradually woke up and how Nora learned the truth about their past. ( )
  krin5292 | Jan 13, 2009 |
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“Ingenious, sensual, gleeful. . . . It demands of its readers only imagination, and rewards them with hilarity, terror, and marvels.”--Jonathan Lethem, author of Motherless Brooklyn Nora and Blanche are cojoined twins. Nora, the dominant twin, thirsts for love and adventure, while Blanche has been asleep for nearly 30 years. Determined to shed herself of her her sister's dead weight, Nora leaves for London in search of the mysterious Unity Foundation, which promises to make two one. But once Nora arrives in London, the past begins to surface, forcing her into a most reluctant voyage into memory--a search for meaning and understanding, that will push Nora to the brink of insanity. Grotesque, funny, and dazzlingly told, Shelley Jackson's first novel is an imaginative and touching portrait of two lives in a cleft world yearning for wholeness.

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