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Bezig met laden... Art and Architecture in France, 1500-1700 (1953)door Anthony Blunt
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Verwijzingen naar dit werk in externe bronnen. Wikipedia in het Engels (17)The sixteenth and seventeenth centuries in France were an epoch of spectacular artistic activity, exemplified by the chateaux of the Loire valley, the palace of Versailles, the paintings of Poussin and Claude, and the sculpture of Coysevox, which echo the political and cultural importance of France and the "Sun King." Anthony Blunt presents major artists and their principal works chronologically, provides an overview of the main projects of the period and of the artistic personalities behind them, and clearly sets the historical context. This new edition, of one of the classics of the Pelican History of Art series, has been revised and updated with color illustrations and a new bibliography. Geen bibliotheekbeschrijvingen gevonden. |
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Google Books — Bezig met laden... GenresDewey Decimale Classificatie (DDC)709.44The arts Modified subdivisions of the arts History, geographic treatment, biography Europe France & MonacoLC-classificatieWaarderingGemiddelde:
Ben jij dit?Word een LibraryThing Auteur. Yale University Press2 edities van dit boek werden gepubliceerd door Yale University Press. Edities: 0300077483, 0300077351 |
Considering that Blunt may have had some communist leanings, given his extracurricular activities, he certainly chose an interesting time period in which to specialize. The book covers the time frame from Charles VIII to Louis XIV, a time when the absolute monarchy in France was at its height. Aristocracy was failing while the merchant classes and the King divvied up the country. Blunt writes the book in eight chapters which roughly divide this time period into equal parts. Each chapter consists of a little historical and artistic context followed by sections on architecture, painting and sculpture. Being partial to architecture, I found those sections most entertaining, although I never could determine which of the two Mansarts (Francois or Hardouin) the Mansart Roof is named after. The various architectural developments of the Loire Chateaus including Blois, Chambord and Chenonceau, are particularly interesting, as Italian influence blends with French to yield a unique national style. The Palace at Versailles is well covered as is the Louvre and a multitude of other monumental buildings, while smaller, less well known but representative structures (Hotels in Paris, for example - not the kind with bell-boys but famous people's houses) are given significant coverage. Painting and sculpture is given equal footing with architecture although here the personalities and works are less well known. The movement from a gothic medieval style to classical renaissance styles in all the arts is well documented here.
The book, while written in an accessible fashion, is not for those completely new to the history of art and architecture. Some knowledge of basic architectural concepts (the classical orders - for example) is assumed and some knowledge of sculpture and painting is likewise useful. It could easily be used as a text for a course but should be accessible to the educated layperson. It contains a useful map of France and extensive end notes, bibliography and index.
This book is fantastic in the well-thought-out interplay between images and text. It would be impossible to read the text in isolation from its illustrations and the illustrations would seem pointless without the text. Don't buy it for your coffee table, buy it for your mind. ( )