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Bezig met laden... Leave It To Beany! (origineel 1950; editie 2008)door Lenora Mattingly Weber
Informatie over het werkBonnie doet het zelf door Lenora Mattingly Weber (1950)
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Meld je aan bij LibraryThing om erachter te komen of je dit boek goed zult vinden. Op dit moment geen Discussie gesprekken over dit boek. Meh. Beany is obnoxious, Mary Fred is clueless, Johnny is abstracted, Dad is absent, the housekeeper is stupid, the cousin is stiff-necked but multiply-wronged, the advice columnist is a crusty old saint with a heart of gold, the old guy is a demented and pitiful thing except when he's being noble, the boyfriend is a dork, the girlfriend's mother is clueless, the plot is a cardboard cut-out. I knew exactly where we were going. Hell, I even knew where the confounded bracelet was. But still, I read the whole thing. geen besprekingen | voeg een bespreking toe
Onderdeel van de reeks(en)Beany Malone (3)
Beany has her hands full dispensing advice to the lovelorn through a newspaper column and helping her Irish cousin adjust to the hectic life of the Malone family. paperback Geen bibliotheekbeschrijvingen gevonden. |
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Originally published by Thomas Y. Crowell in 1950, and then reprinted in this paperback edition by Image Cascade Publishing in 1999, Leave It To Beany! is an engaging follow-up to its two predecessors. Although I wouldn't say I found it quite an appealing as Meet the Malones or Beany Malone—something about the wartime and immediate post-war settings of those earlier books lent them pathos—it was nevertheless quite fun to read. Of course, there were moments of discomfort here, chiefly in the way in which Beany and, to a lesser extent, the other Malone siblings were so oblivious to Sheila's unhappiness—but there were also plenty of moments of humor. One is never in much doubt as to the happy conclusion of each sub-plot, but it was still a pleasure to watch everything unfold, and to follow along as all of the quandaries into which Beany has gotten herself are eventually straightened out. My only critique, and it is a similar one to that I made in my review of Beany Malone, is that although the author depicts some very real emotional trauma here, in the form of Johnny's response to