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Pilgrimage III: Deadlock; Revolving Lights; The Trap

door Dorothy Richardson

Reeksen: Pilgrimage (III; 6-8)

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'Pilgrimage' was the first expression in English of what it is to be called 'stream of conciousness' technique, predating the work of both Joyce and Woolf, echoing that of Proust with whom Dorothy Richardson stands as one of the great innovatory figures of our time. These four volumes record in detail the life of Miriram Henderson. Through her experience - personal, spiritual, intellectual - Dorothy Richardson explores intensely what it means to be a woman, presenting feminine conciousness with a new voice, a new identity.… (meer)
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At the start of Deadlock we're a year or two further on from where we left Miriam at the end of Interim — judging from some passing references to "Chamberlain" and "the war" it's probably 1899 — but she is still lodging with Mrs Bailey and working for the Wimpole Street dentists. Most of this book is about her growing friendship with her Russian fellow-lodger, Michael Shatov. She starts off by giving him some English lessons, at Mrs Bailey's suggestion, but they soon progress to long discussions of philosophy and literature (he gets her to read "Tourgainyeff and Tolstoi"), walks around London, and visits to lectures and meetings. Inevitably there is a sexual attraction that catches them unawares, but Shatov tells her his Zionist principles won't allow him to marry a non-Jew, and Miriam soon realises that her feminist principles won't allow her to embrace any variety of Judaism that would be Jewish enough for Shatov. For once we don't have to puzzle too much to work out where she got the title of this part from!

Revolving Lights sees Miriam invited to join a prestigious socialist group, the Lycurgans (=Fabians) and getting more deeply involved with Hypo Wilson (=H.G. Wells), as she makes some tentative steps into literary journalism herself. It starts to become obvious to the reader (if not necessarily to Miriam herself yet) that Hypo means rather more to her than a respected writer and the husband of her friend Alma. When another woman writer comes to stay with the Wilsons, the knives are out...

In The Trap, Miriam leaves the pleasantly bohemian world of the Baileys behind at last, joins a women's club, and moves into a flat with a fellow-member, Selina Holland, who turns out to be alarmingly respectable and spinsterish. Miriam's not altogether sure if she's made the right move, or how she can resolve the different worlds she moves in, but she does seem to be growing up. ( )
  thorold | Apr 24, 2020 |
I liked the 3rd book in Pilgrimage the most so far. This book of three novels, Deadlock, Revolving Lights and The Trap focused on her relationship with Michael Shatov, a Russian student, as well the beginning of her relationship with Hypo, and with her new roommate. Miriam's love of London shines through, as we experience what it's like to live in London as an independent female in the early 20's. ( )
  LisaMorr | Jan 14, 2020 |
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Pilgrimage (III; 6-8)

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J. D. Beresford (Deadlock)
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Of the early twentieth-century English modernists, there is no one who has been more neglected than Dorothy Miller Richardson. (Introduction)
Miriam ran upstairs narrowly ahead of her thoughts. (Deadlock)
The building of the large hall had been brought about by people who gave no thought to the wonder of moving from one space to another and p and down stairs. (Revolving Lights)
A short by-street paved from side to side. (The Trap)
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This Work collects the sixth through eighth novels in Dorothy Richardson's "Pilgrimage" Series: Deadlock (1921), Revolving Lights (1923), and The Trap (1925). Please distinguish between this collection and individual novels (especially the third novel in the Series, Honeycomb, which might be described as "Pilgrimage 3"). Thank you.
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'Pilgrimage' was the first expression in English of what it is to be called 'stream of conciousness' technique, predating the work of both Joyce and Woolf, echoing that of Proust with whom Dorothy Richardson stands as one of the great innovatory figures of our time. These four volumes record in detail the life of Miriram Henderson. Through her experience - personal, spiritual, intellectual - Dorothy Richardson explores intensely what it means to be a woman, presenting feminine conciousness with a new voice, a new identity.

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