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Bezig met laden... Theatre (1937)door W. Somerset Maugham
Bezig met laden...
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Onderdeel van de uitgeversreeks(en)Is opgenomen inCakes and Ale / The Painted Veil / Liza of Lambeth / The Razor's Edge / Theatre / The Moon and Sixpence door W. Somerset Maugham THE SELECTED NOVELS OF W. SOMERSET MAUGHAM VOLUME ONE: LIZA OF LAMBETH; CAKES AND ALE; THEATRE door W. Somerset Maugham The Selected Novels - Volumes I, II, III door W. Somerset Maugham (indirect) Heeft de bewerking
In Theatre, W. Somerset Maugham–the author of the classic novels Of Human Bondage and Up at the Villa–introduces us to Julia Lambert, a woman of breathtaking poise and talent whose looks have stood by her forty-six years. She is one of the greatest actresses England–so good, in fact, that perhaps she never stops acting. It seems that noting can ruffle her satin feathers, until a quiet stranger who challenges Julia's very sense of self. As a result, she will endure rejection for the first time, her capacity as a mother will be affronted, and her ability to put on whatever face she desired for her public will prove limited. In Theatre, Maugham subtly exposes the tensions and triumphs that occur when acting and reality blend together, and–for Julia–ultimately reverse. From the Trade Paperback edition. Geen bibliotheekbeschrijvingen gevonden. |
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Google Books — Bezig met laden... GenresDewey Decimale Classificatie (DDC)823.914Literature English & Old English literatures English fiction Modern Period 1901-1999 1945-1999LC-classificatieWaarderingGemiddelde:
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Theatre or/and its 2004 literary adaptation, Being Julia (directed by director István Szabó), is the story of an exquisitely talented and alluring stage actress Julia Lambert, and her trysts with various men.
In Julia, Maugham creates a memorable and life and blood female character, who is as despicable as she is delightful, as artificial as she is alluring, and as capricious as she is charming. It's easy to read her as scheming and manipulative, but that would be a surface reading of this extremely complex woman. Linda Goodman would easily identify her as a Geminine - who is many women at the same time. Her airy superficiality and self-absorption make her difficult to like, and yet, Maugham does not condemn her. He writes her part with stunning constancy and depth, and even though he depicts what is truly pathetic about her state, one guesses Maugham is quite taken in by her spirit and allure to let her slip into being anything dismal. He allows her a grand comeback, from the brink of despair. ( )