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If Ever I Return, Pretty Peggy-O door Sharyn…
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If Ever I Return, Pretty Peggy-O (origineel 1990; editie 1991)

door Sharyn McCrumb (Auteur)

Reeksen: Ballad Novels (1)

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6581435,232 (3.64)36
Sheriff Spencer Arrowood keeps the peace in his small Tennessee town most of the time. Every once in a while, though, something goes wrong. When 1960s folksinger Peggy Muryan moves to town seeking solitude and a career comeback, and she receives a postcard with a threatening message, her idyll is shattered. Then a local girl who looks like Peggy vanishes without a trace. Although she was once famous, Peggy has no fondness for the old times. Those days are best left forgotten for Spencer Arrowood, too. But sometimes the past can't rest, and those who try to forget it are doomed to relive it....… (meer)
Lid:MAR67
Titel:If Ever I Return, Pretty Peggy-O
Auteurs:Sharyn McCrumb (Auteur)
Info:Fawcett (1991), Edition: Reprint, 263 pages
Verzamelingen:Jouw bibliotheek
Waardering:***
Trefwoorden:2016

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If Ever I Return, Pretty Peggy-O door Sharyn McCrumb (1990)

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1-5 van 14 worden getoond (volgende | toon alle)
country singer harassed by mysterious killer, is he Vietnam vet returned from MIA?
  ritaer | Apr 16, 2021 |
The ending of this one veered away from what you'd expect (even once the mystery itself was solved), and I suppose I liked that. The writing didn't do much for me, though. It made me think that there are several types of writing, of which the list below is a subset:


  • Writing in which getting from point A to point B in the action is the main point and the author pulls it off fairly artfully or at least in a coherent way. I think some of the older hard-boiled mystery novesl I've read this year fit in this bucket pretty well. The point is the action, and the prose that gets us from A to B all makes sense, without much superfluity.

  • Writing in which A and B are less important than how the author writes about it (this tends to be my favorite).

  • Writing in which getting from A to be is what's important, and the author blunders through it kind of awkwardly, as if to fill time or pages between A and B.



This book felt like it had a lot of the latter in it. I see this most often in just bizarre statements or rationalizations for behaviors, or weird behaviors on the parts of the characters. I see it in incorrect facts. It's really annoying and makes me doubt in a way that the author is working in good faith. It feels in a way like padding out an essay to hit a word count when you've run out of stuff of substance to say. I didn't jot down any specific examples of this from McCrumb's book, but it's very much the feeling I had while reading it.

I also found it annoying that the author's introduction makes a fuss about how there's some intellectual heft to the book -- that you have to keep your brain turned on to read this one. Well, sure. There's some consideration of how we trat veterans; there's some consideration of our narratives around women. But none of it is terribly compelling or artfully done. A few literary quotes and what I guess she felt like were clever references in the text don't make a book intellectually hefty, and to suggest that they do seems a little self-aggrandizing and silly.

So, it's an ok book, but a bit disappointing given expectations the author set. It is at least a quick read. ( )
  dllh | Jan 6, 2021 |
Suppose to be a mystery about someone threatening Peggy, a folksinger visiting the town, but more time spent on the town residents and a 1966 class reunion. Descriptions of personalities, previous issues in their lives coming back to bother them especially side effects of Vietnam War are setting the stage for future books. Peggy is getting messages from a MIA former lover that involves killing animals and more. ( )
  kshydog | Dec 13, 2020 |
A great introduction to one of my favorite character-driven mystery series. Even though I’d read this before and knew who the culprit was, I thoroughly enjoyed re-visiting the folks and sheriff’s department regulars in the mountain community of Hamelin, Tennessee. What I’d forgotten was how well this paid homage to Vietnam veterans and the challenges they faced even years after returning home. ( )
  wandaly | Sep 22, 2020 |
I really like the author Sharyn McCrumb. I have read several of her books and think she is a very good writer. This book, although well written, was not one of her best. It was very slow paced, and too easy to figure out who the killer was. I never really cared that much about any of the characters. There was some beginning romances that never really went anywhere. ( )
  readingover50 | Jun 11, 2019 |
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» Andere auteurs toevoegen

AuteursnaamRolType auteurWerk?Status
Sharyn McCrumbprimaire auteuralle editiesberekend
Darling, SallyVertellerSecundaire auteursommige editiesbevestigd

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Sheriff Spencer Arrowood keeps the peace in his small Tennessee town most of the time. Every once in a while, though, something goes wrong. When 1960s folksinger Peggy Muryan moves to town seeking solitude and a career comeback, and she receives a postcard with a threatening message, her idyll is shattered. Then a local girl who looks like Peggy vanishes without a trace. Although she was once famous, Peggy has no fondness for the old times. Those days are best left forgotten for Spencer Arrowood, too. But sometimes the past can't rest, and those who try to forget it are doomed to relive it....

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