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Bezig met laden... De fatale kust (1986)door Robert Hughes
Bezig met laden...
Meld je aan bij LibraryThing om erachter te komen of je dit boek goed zult vinden. Op dit moment geen Discussie gesprekken over dit boek. De fatale kust is de fascinerende geschiedenis van de geboorte van Australië, dat van een immense strafkolonie opbloeide tot een welvarende natie. In een allesomvattend drama tekent Robert Hughes het desperate bestaan van mannen, vrouwen en kinderen, de terreur, de moed, de wreedheid en de schoonheid. Robert Hughes heeft het vermogen de lezers terug te voeren in de tijd. De fatale kust is een historisch en literair meesterwerk, gebaseerd op honderden unieke documenten, dagboeken en brieven. ( )
Hughes' descriptions of sadism and suffering, desperate escape attempts, rape, murder, cannibalism, and forays into the bush to exterminate the aboriginal and other indigenous peoples, become, in their accumulation, wearying, mind-numbing. Yet it is the story of the founding of a modern nation whose development was coetaneous with the last century of America's slave period, if even more savage and barbaric. "The Fatal Shore" is an unexpected, original and important work of history. Hughes might have attempted this book in his youth, and got the story out of proportion, even if he had not skimped it. Fortunately, he has made The Fatal Shore the magnum opus of his maturity. By now his sense of historical scale is sound, as for this task it needed to be. It would have been easy to call the Australian system of penal settlements a Gulag Archipelago before the fact. The term ‘concentration camp’, in its full modern sense, would not have been out of place: at least one of the system’s satellites, Norfolk Island, was, if not an out-and-out extermination camp, certainly designed to make its victims long for death, like Dachau in those awful years before the war when the idea was not so much to kill people as to see how much they could suffer and still want to stay alive. And, indeed, Hughes draws these parallels. The analogies are inescapable. But he doesn’t let them do his thinking for him. He is able to bring out the full dimensions of the tragedy while keeping it in perspective. The penal colony surely prefigured the modern totalitarian catastrophe... When there was no one else left to absorb, the real Hughes might have emerged, as happened in his prose. In those years, you could always tell what he had been reading the day before. Even today, he is a magpie for vocables: no shimmering word he spots in any of the languages he understands, and in several more that he doesn’t, is safe from being plucked loose and flown back to his nest. Omnivorous rather than eclectic, that type of curiosity is the slowest to find coherence. But his fluency was always his own, and by persistence he has arrived at a solidity to match it: a disciplined style that controls without crippling all that early virtuosity, and blessedly also contains his keen glance, getting the whole picture into a phrase the way he once got his fellow-students’ faces into a single racing line. It is exactly right, as well as funny, to call a merino sheep ‘a pompous ambling peruke’. Scores of such felicities could be picked out, but only on the understanding that they are not the book’s decoration. They are its architecture. In the early 1970's, while filming a television program on Australian art in Port Arthur, Tasmania, the Australian-born art critic Robert Hughes became curious about the city's prisons, which date from the period (1788-1868) when criminals were shipped from the British Isles to Australia. The prisons are ''the monuments of Australia - the Paestums,'' he said recently in his New York apartment, and the period ''was an extraordinary time - an effort to exile en masse a whole class. The English felt that just as shoemakers make shoes, this class produced crime.'' Onderdeel van de uitgeversreeks(en)Rainbow pocketboeken (104) PrijzenOnderscheidingenErelijsten
Verwijzingen naar dit werk in externe bronnen. Wikipedia in het Engels (23)Tussen 1788 en 1868 werden Engelse veroordeelden naar Australië gebracht, waar ze als dwangarbeider werkten om het land te cultiveren. Hughes vertelt hun verhaal a.d.h.v. dagboeken, brieven en originele bronnen. Geen bibliotheekbeschrijvingen gevonden. |
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Google Books — Bezig met laden... GenresDewey Decimale Classificatie (DDC)994History and Geography Oceania and elsewhere AustraliaLC-classificatieWaarderingGemiddelde:
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