NEal Asher continues to write perfectly average books, and I'm still enjoying them. ( )

Just okay. It had flashbacks which I'm not fond of but I understand why they are included here.

I felt the story was too grim, graphic and brutal. Usually that doesn't bother me too much but here it didn't seem to be off set by any lightness in the story or wonderful use of language. The story lacked a certain concreteness also. The time line and the players were both unclear. There are other books with this character I guess and this is a back story written later I assume.

There was an overwhelming use of sci fi gadgetry. It seemed like the author had to throw in every futuristic idea he had ever heard of or considered and it really didn't contribute much to the actual story. There was also some save the earth preaching which, while an important topic, just seemed shoehorned in here obligatorily.

The hero was a bit unlikable he had an uncaring attitude that grated on me.

Will I try this author again? Maybe. I'd like to see how I like this character when he is being explained to me. ( )

Sometimes being the omniscient reader can be a bit of a pain. Especially when the author telegraphs the ending so early in the book. By then end you just want to smack our hero. All of the horror has dissipated. Save some surprises for us. I thought the technology was handled very well, which can be a problem in this genre. Very creative. ( )

This one is easily a better novel than the previous one, but I can't quite tell if that's just because the heavy lifting of the tech and aliens has already been long-established from within [b:Prador Moon|1060548|Prador Moon (Polity Universe, #1)|Neal Asher|https://d2arxad8u2l0g7.cloudfront.net/books/1388251982s/1060548.jpg|2175639].

This one moves well beyond a straight high-tech military porn and delves into the creation of Ian Cormac, of whom later novels are focused, and the reveals he slowly learns about his erased childhood, splitting the novel between his adulthood and his formation pretty equally, while also being embroiled in a techno-political thriller years after the main wars have already been waged.

Human separatists are still an issue, of course, as are the Prador.

More interestingly, for me, is the introduction of the new places and the titles of later books and a hint of their importance for later. It's these things that hook me and make me a fan. A good novel is still a good novel, with a full beginning, middle, and end, but without these juicy tidbits of a far-off adventure, I might have stopped here.

I'm not stopping, suffice to say. :)

I'm really getting into this now. It's no longer a fun and fast-paced pew pew popcorn, but a serious character tale, too. :) Yay! ( )

Asher, Neal. Shadow of the Scorpion. Polity Universe No. 2 (Chronological). Tor, 2008.
Here’s how I think it must have gone down. Neal Asher is reading Ian M. Banks’s Culture series in the 1990s and thinks, “That’s cool. I bet I could one-up that.” And maybe he did. In Asher’s Polity Universe there are more AIs in more kinds of machines, more humans, posthumans and aliens, more strange locales, badass beasts, selfish-gene viruses, and more biotech of all kinds. As of April 2020, the series has grown to 17 novels in several different subseries. By 2008, Asher concluded that the Agent Cormac series needed a prequel—Shadow of the Scorpion—that delves into the childhood of Earth Central Security’s super soldier, Agent Ian Cormac (the name has to be an homage). He finds that, because he was traumatized by war as a child, his memories were selectively deleted. It is a neat treatment for post-traumatic stress if you can make it work. But is it a good idea? If you want the trauma back, can the memories be retrieved? How should you feel about the people who did the editing? Which way has more survival value? Eventually, Cormac will have to find out. ( )