The first time I picked up this book, I put it down after about 20 pages because I just couldn't get into it. Some months later, I picked it up again, started reading it and was so sucked into the story that I was sad to see the book end. I absolutely loved this book. ( )

I first read this book when it was released in 1989. I have re-read it many times over the years, and just finished reading it again. Those first two hundred pages are just so redolent of a lost era; one that happened before I was born, but I heard about from my parents who grew up in the same time, just considerably further north. Siddons telling of Shep Bondurant's childhood is so nostalgic and evocative; I just love the first 200 pages of this book.

So it isn't really like Gone With the Wind at all, except in the broadest sense that the world the main characters loved so well has disappeared. Yes, most of the action does take place in Atlanta, but you can't compare A Tree Grows In Brooklyn with Bonfire of the Vanities simply because the action takes place in the 5 boroughs of NYC.

Lucy Bondurant has nothing in common with Scarlett O'Hara.....in fact, she is the polar opposite of Scarlett. Lucy can't save her own self, let alone be responsible for anyone else. Scarlett was strong, manipulative and a realist. Lucy, too is manipulative, but she manipulates from the position of weakness, neediness and extreme idealism.

Few of the characters are noble; they are all flawed in some way; the reader doesn't have to like or admire any of them, it is interesting enough just to observe them.

After reading many reviews, it seems as though many readers didn't understand the ending. The bridge in question is the same bridge that Shep and Lucy's group of friends all jumped off from during their swimming excursions of the Chattahoochee River. In high school, Shep was too afraid of heights to jump from the bridge, and he was mocked for his inability. When Shep stands on the railing of the bridge and Sarah calls out to him; he is not attempting suicide, and she is not encouraging him. With Lucy dead he is finally free; his burden has been lifted and he is no longer responsible for his crazy, wonderful, troubled cousin. I kind of think that he and Sarah finally got together after the last scene of this book.

Oh, and for the people who complained that the book starts out with Lucy's funeral, creating a spoiler......bullshit! At the beginning of the book, the reader has no idea who Lucy is; you know nothing about her, so the fact that she is being buried is immaterial. You have to read the book, find out who Lucy was, and what her life was like. You need to know the details of her relationship with her cousin Shep. Something tells me that these people who complained about "knowing how it ended" are probably the same people who loved the movie Titanic......even though they knew it sank with hundreds of people on board.

I wouldn't recommend this to anyone who is seeking a great romance, because it isn't a romance novel at all. More tragic than anything else, as many of Siddons novels seem to be. I would recommend it to any open-minded person who enjoys a good, epic, slice of life novel. ( )

Popsugar 2021 - longest book on TBR

Popsugar 2021 - longest book on TBR

A sad, dark novel of family dysfunction, domestic violence, and insanity in a well-bred Southern family of the Buckhead neighborhood of Atlanta, Georgia spanning from the early 1950s to the 1970s and 80s.

Shep, a middle aged man who describes himself as a recluse and a hermit reflects on his childhood at the burial of his cousin Lucy. He and Lucy bonded as friends and confidants from the moment she moved into his family home when she was five years old and he was seven. The novel carries us through the adventures of their childhood, the risks of adolescence, and the angst of early adulthood, along with that of their families and close friends.
The fact that Lucy died is no spoiler, as the Prologue opens with her funeral. How she died is the surprise, and Shep's fate remains a mystery. ( )