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Bezig met laden... The Godfather (editie 1972)door Francis Ford Coppola (Director), Marlon Brando (Actor), Al Pacino (Actor), James Caan (Actor), Richard Castellano (Actor) — 3 meer, Albert S. Ruddy (Producer), Francis Ford Coppola (Writer), Mario Puzo (Writer)
Informatie over het werkThe Godfather [filmopname] door Francis Ford Coppola (Director & Screenwriter)
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Meld je aan bij LibraryThing om erachter te komen of je dit boek goed zult vinden. Op dit moment geen Discussie gesprekken over dit boek. Brandon & I went to the theater for the 50th anniversary remastered version. It's been years since I have watched it & I am so glad that we went. I liked it even more the second time around. Michael Corleone's ARC during the course of the movie is one of the greats of mob films & set a template for generations to come. One of the best movies that I have watched this year. An incredible movie, and all the more incredible for how it holds up even after the decades of its own influence turning virtually every scene into a trope -- something other groundbreaking films often suffer from. With very few exceptions, the exposition in particular is done beautifully and believably, the scenes where you learn who these people are usually even more engrossing than the scenes devoted to advancing the plot. My only slight complaint is that the middle of the film is not as captivating as the first half, and it takes it a bit too long to regain the momentum. But it sticks the landing as well as any movie ever has. Le Parrain, c'est la rencontre de deux monstres du cinéma (Brando, Al Pacino) pour un grand film, porté par la musique envoûtante de Nino Rota. Tous les autres rôles sont également excelllement joués. Il faut dire que la direction d'acteurs est de haut vol, tout comme le reste de ce film hors normes dans lequel souffle un supplément de vie, gronde le chaos de la violence et de toutes les colères exacerbées. Parmi les nombreuses scènes d'anthologie, citons bien entendu celle du baptême à la fin du film, pendant lequel sont perpétrés des meurtres en série qui déclareront une guerre totale entre les factions mafieuses. Mais à quoi bon décrire un tel film d'une telle puissance ? Il suffit de le regarder. The son of a gangster gets involved in "the family business" when his father is shot. Normally it wouldn't be possible for a gangster movie to be a favorite of mine, regardless of how exceptional the quality (and the quality here is crazy exceptional), but I'm making an exception. Sometime circa 2007, I re-watched this movie (I'd also seen it as a teenager, when I was too young to appreciate it). I don't remember why I watched it, since gangsters whacking each other is not my kind of thing, but I did, and movies haven't been the same for me since. This is the one that showed me what film as a medium is capable of, what I'd been missing by sticking mostly to Fun Movies. This is the one where I first realized how visceral a reaction to great movie making can be. And so I sought out more, eventually started in on IMDb's Top 250, watched so many movies I needed a blog to keep track of them, and here we are. Concept: B Story: B Characters: A Dialog: A Pacing: A Cinematography: B Special effects/design: A Acting: A Music: A Enjoyment: A plus GPA: 3.8/4 (Dec. 2011) geen besprekingen | voeg een bespreking toe
Is opgenomen inIs een bewerking vanDe peetvader door Mario Puzo Wordt geparodieerd inHeeft als studiegids voor studentenPrijzenErelijsten
The Corleone Family nearly falls from power in America but rises to observe the passage of rites from father to son. There is a balance between family life and the ugly business of crime in which they are engaged. Geen bibliotheekbeschrijvingen gevonden. |
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