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Panegyric: 1&2 (Radical Thinkers) door Guy…
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Panegyric: 1&2 (Radical Thinkers) (editie 2009)

door Guy Debord (Auteur)

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1974138,672 (3.7)3
Guy Debord's silver-tongue-in-cheek autobiography mixes precision and pastiche in a whirlwind account of philosophy, exploit, and inebriation. From the stark professions of Volume I to the illustrated sequences of Volume 2, Panegyric confronts us with a figure who strategically, demonically tried to wrest life from the disabling modern 'spectacle.'… (meer)
Lid:French-Inhaler
Titel:Panegyric: 1&2 (Radical Thinkers)
Auteurs:Guy Debord (Auteur)
Info:Verso Books (2009), 192 pages
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Panegyric, Volumes 1 and 2 door Guy Debord

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Toon 4 van 4
Feels a bit slight. Or perhaps in the years since I studied this stuff, I've lost the context.

Quite enjoyed the chapter on drinking, though. ( )
  3Oranges | Jun 24, 2023 |
Facturas de Mas Crisaran en el interior
  pjacas | May 22, 2023 |
This is something of a biography, though not perhaps in an entirely conventional sense. I hadn't heard of Guy Debord before coming across this in a book shop, so I will briefly describe why he might be of interest.
He is best known for his activities in the 50s to 70s, where he generally acted as something between a revolutionary, avant-garde intellectual, and drunk. For example, he set up a quasi-political group called the Situationist International, and was involved in leading the Paris uprising in 1968, occupying the Sorbonne and encouraging the strikes and civil unrest. However he also came up with influential concepts such as the "Society of the Spectacle", in his book of the same name, which is a diagnosis of an illness of society affected by mass media, consumer culture, cultural homogenisation, and marketing. These are some of the same issues noted ten years before in Hoggart's Uses of Literacy, but in this case exposed not in an academic, politically neutral manner, but with the intention to encourage revolution against this state of affairs. Debord was a keen observer of these issues when they were only a fraction as bad as they are today, so his thoughts on these matters are now of even greater importance. Debord was also among the first to be involved with the concept of "psycho-geography", which is having a bit of a resurgance in some circles at the moment. It's not worth describing what exactly "psycho-geography" is here, but it was initially a method influenced by the Surrealists, and partly involved wandering around cities at random using a map from another city, then describing the locales that were found.
However, neither of these things are the main topic of this book here, which is more of a justification or view into Debord's life. He writes in a slightly unusual way, and there was the odd phrase here and there where he conspicuously lacks modesty, which reminded of Nietzsche's strange biography, Ecce Homo. Generally his style of writing and its content are interesting though, and there are a lot of quotes.
While the first half of the book is written in chapters, the second half is more of a picture scrapbook. This won't be of interest to everyone, but might be of interest to those who have read some of Debord or are interested in related thinkers. ( )
  P_S_Patrick | Oct 30, 2017 |
I'm a little bit wary of reviewing these volumes. Guy Debord gave very precise instructions about its translation from French into other languages. I read it in English without the certainty that those instructions have been met. On the one hand it is a short, eclectic collections of musings by the author about himself, his place in society and society itself. On the other it is a memoir of an influential radical. And on yet another it is an enigmatic puzzle. It is something that can be skimmed through and enjoyed or taken word by word to provoke thought and ideas. Well worth the read any way you care to take it. ( )
  Steve38 | Sep 16, 2012 |
Toon 4 van 4
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Radical Thinkers (42 - Set 4(6))
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Guy Debord's silver-tongue-in-cheek autobiography mixes precision and pastiche in a whirlwind account of philosophy, exploit, and inebriation. From the stark professions of Volume I to the illustrated sequences of Volume 2, Panegyric confronts us with a figure who strategically, demonically tried to wrest life from the disabling modern 'spectacle.'

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