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Time Enough for Love door Robert A. Heinlein
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Time Enough for Love (origineel 1973; editie 1988)

door Robert A. Heinlein

Reeksen: World As Myth (1), Lazarus Long (2)

LedenBesprekingenPopulariteitGemiddelde beoordelingAanhalingen
5,110621,627 (3.89)100
Time Enough for Love is the capstone and crowning achievement of Heinleins famous Future History series.
Titel:Time Enough for Love
Auteurs:Robert A. Heinlein
Info:Ace, Mass Market Paperback, 589 pages
Verzamelingen:Jouw bibliotheek

Informatie over het werk

Time Enough for Love door Robert A. Heinlein (1973)

  1. 70
    To Sail Beyond the Sunset door Robert A. Heinlein (sfcat)
    sfcat: These two books are my all time favorites. Both are fictional biographies from Heinlein's Lazarus Long series and will make readers laugh gasp and cry. Fascinating stories of a slightly alternate universe. No question, if a nuclear attack was imminent, I'd sit down and re-read the chapter of Dora's Story.… (meer)
  2. 10
    Dancing with Eternity door John Patrick Lowrie (viking2917)
    viking2917: One of the earliest and best explorations of immortality and it's impact on humans
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1-5 van 62 worden getoond (volgende | toon alle)
Heinlein's longest and most ambitious work, it is the stoy of a man so in love with Life that he refused to stop living it; and so in love with Time that he became his own ancestor.
  Daniel464 | Aug 19, 2021 |
It took a month to muddle through all the way to page 60. It just didn’t get me hooked. Inane dialogues, pretty boring. I’m a big Heinlein fan and this was a disappointment. ( )
  marzagao | Jun 1, 2021 |
It’s been almost a year since I reviewed the first volume of the Virgina Edition, I Will Fear No Evil. I didn’t intend for there to be such a long hiatus, but things got in the way. Also, there is the absurdity of having two of Heinlein’s longest novels at the front end of the series, which makes no sense so far as I can tell.

I liked the story of Time Enough For Love very much. It is the story of Lazarus Long, the oldest human in the galaxy. Introduced in Heinlein’s Future History tales, Long has lived some 23 centuries at the beginning of the novel. Being born in 1916 on Earth as Woodrow Wilson Smith, Long emigrated into space as humanity’s home planet became a Malthusian nightmare, and over the course of his life he took on many names and careers. Now, old and disillusioned, Lazarus is ready to die, having seen and experienced everything he cares to see and experience.

In addition to being the oldest human to ever live, Long is known as the Senior – i.e., the progenitor of nearly all of the various Howard Families, a society of people who have selectively bred (or, more accurately, inbred) over the centuries to reinforce genetic longevity. Due to his nature as a sort of Mitochondrial Adam, Long allows himself to be convinced by the current head of the Howard Families – Chairman Pro Tem Ira Weatheral – to remain alive long enough to tell stories that will, hopefully, impart some wisdom to his descendants.

William H. Patterson, Jr., (Heinlein's official biographer) calls the format of Time Enough For Love a “virtuoso turn” for Heinlein, noting comparisons between the novel’s opening and a portion of [b:Caleb Catlum’s America|1516006|Caleb Catlum's America|Vincent McHugh||1507729], as well as a section of blank verse “tucked away” in prose form at the beginning of one chapter (part one of "The Tale of the Adopted Daughter"), a la [a:James Branch Cabell|92665|James Branch Cabell|]. These allusions coupled with the interweaving of an introduction, frame story, backstory, correspondence, two preludes, two interludes, and four codas (the last of which each have musical headings), show that Time Enough For Love is not merely structurally complex – it may be the most complex of any of Heinlein’s works.

That complexity fits well the book's status a Menippean satire, as described by [a:Northrop Frye|58765|Northrop Frye|] in [b:Anatomy of Criticism|318116|Anatomy of Criticism Four Essays|Northrop Frye||1050194]. Nearly all of the characters in Time Enough For Love speak intellectually about their positions, although some of them might deny that’s what they are doing, and there are huge swaths of Socractic dialogue in which Lazarus (mainly) lays out his wisdom and knowledge to help others understand, as best as he can make them, where he is coming from. This “exhaustive erudition” that Lazarus provides, through parley and parable, is in a very real sense the core purpose of the book. The book is also replete with the idea of “evil and folly as diseases of the intellect,” showing not only how badly wrong-thinking individuals can screw things up for everyone else, but also how right-thinking individuals can outwit (or at least outrun) such screw-ups and pass their wit and wisdom on to others.

For a more in-depth analysis of this book, please see my full review at ( )
  octoberdad | Dec 16, 2020 |
I have a love-hate relationship with Heinlein. Some of his stuff is great. Some of it, like Farnham's Freehold, which I reviewed here, I simply hate. However, I like enough of his work that I seek more. This was a book that took me a long time to get through, but when I got done, it was well worth it. I read it back in 2002. From my journal back then:

>>I found it to be a book that makes you think. I thought the opening was a bit slow, but once the narrative was set up, it got interesting.... I found that reading the book in segments, a part here and a part there, worked better for me.One of my favorite parts was the Notebooks of Lazarus Long, a section of maxims full of common sense. I also enjoyed the tale of Dora very much, a moving tale of how Lazarus fell in love with an ephemeral woman and their life together til death did them part.
I also recall the ending for having a nice twist (I am not saying, go read it instead). This is a book about a rascal, a picaro to borrow the Spanish word, which is so much better than just saying "rascal," if nothing else. It integrates different genres. In some ways reminded me of works like One Thousand Nights and a Night and Don Quijote (not the Man of La Mancha's idealism, but the novel's integration of different genres and elements). This has become one of my favorite books. ( )
  bloodravenlib | Aug 17, 2020 |
“A human being should be able to change a diaper, plan an invasion, butcher a hog, conn a ship, design a building, write a sonnet, balance accounts, build a wall, set a bone, comfort the dying, take orders, give orders, cooperate, act alone, solve equations, analyze a new problem, pitch manure, program a computer, cook a tasty meal, fight efficiently, die gallantly. Specialization is for insects.”

In “Time Enough for Love” by Robert A. Heinlein

This my favourite Heinlein quote.

I really am the competent man; the only thing from Heinlein's Dictum that I cannot and have not done, is conn a spaceship, and butcher a hog (but I have seen it being done); I don’t know about the part of dying gallantly. I’ll tell you afterwards…I wasn't brought up on a farm or in the middle of nowhere. I'm from a large town, Lisbon. It's about learning and honing skills, and treating every opportunity as a chance to try them out. For example, I learned the praxis of trigonometry (not just the theoretical part) before I learned it in high-school. It's all very well just knowing it but to be a capable man you need to go further. This allowed me design a trebuchet in my 12th year in physics and make predictions on its performance, then build it and test it. Thus causing me to learn many different subjects and skills (up to and including gaining permission from the school) just to test my math. It's not location, it's the outlook that counts.

I think to view Heinlein’s list above as literal is a bit of a mistake anyway. The point is, I think, that a person should be able to assimilate and adapt to new tasks. You may not be able to build a wall right now but you should have a broad idea of what things are about and be able to acquire or intuit a lot of the details. Everyone who has ever worked in IT knows what I’m talking about.

Now I wonder if the Asimov’s character Golan Trevize, the arrogant and intuitive man whose actions shaped the future of Foundation isn’t a riff on that Competent Man. He fits all these criteria but he is arrogant and self-centered to the point where everyone kind of hates him. Still, in the end, his character arc ends up with him changing and realizing some pretty important stuff about the place of Man in the galaxy. But, I’m just saying that... who knows?

The 'Common Man' still exists though, in SF and when you run across one you know the story is going to be bad. Only now they're called 'Mary Sue' and 'Marty Stu'. Seeing the Common Man in action in Mundane Fiction is equally bad. I feel like the "Competent Man" critique isn't fair. These protagonists often start incompetent. Lazarus learned lessons the hard way over hundreds of years. Mike knows basically nothing about anything. Johnny from “Starship Troopers” joins the Mobile Infantry (considered the lowest rung of the military) because he has no qualifications for anything else.

Jubal isn't also the “The Competent Man” archetype either. Jubal is the "Old Man" archetype, which is often seen as the characters representing Heinlein himself. Jubal and the Professor (Moon) are examples (and one or more teachers/instructors in Starship). They're usually wise old characters who are dissidents/non-conformists in some way (politically, culturally), and they often spend a lot of time monologuing philosophy. Mike from Stranger isn't apparent as a "Competent Man" because by the time he becomes the Competent Man, the story is focusing on other characters' POV. Some of Heinlein's books are solely focused on a protagonist's journey into becoming the Competent Man by overcoming obstacles (often internal/mental).

Incest? FFS! Many people cite the incest in Heinlein's novel as a type of perversion but in Heinlein's view of the future genetic imperfections are eliminated that made the incest taboo necessary in the first place. In "Time Enough for Love" Lazarus and Dora had to explain to their children why incest was improper, even exaggerating the chances of birth defects in order to discourage relations between them. Don't even suggest Heinlein was an advocate of incest.

Heinlein is a shining example of the importance of zeitgeist. Much of what he wrote was very progressive or even controversial for the time. In a modern context, his social stances look occasionally offensive and often backwards or ignorant, and always flawed. But you have to keep the context of the original writing in mind. Society marches on, propelled in part by authors like Heinlein forcing people to confront the absurdities of the prevailing mindsets of the time (and highlighting those absurdities with deliberate flaws meant to show just how twisted such thinking is). You must always remember what society was like at the time of a piece's writing when you evaluate it, because that will tell you far more than any perspective you might gain from how society is at the time of review.

Heinlein is only controversial to those who are anti-liberty and anti-self-reliance. ( )
  antao | May 29, 2019 |
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» Andere auteurs toevoegen (6 mogelijk)

AuteursnaamRolType auteurWerk?Status
Robert A. Heinleinprimaire auteuralle editiesberekend
Giancola, DonatoArtiest omslagafbeeldingSecundaire auteursommige editiesbevestigd
James, LloydVertellerSecundaire auteursommige editiesbevestigd
Lundgren, CarlArtiest omslagafbeeldingSecundaire auteursommige editiesbevestigd
Pennington, BruceArtiest omslagafbeeldingSecundaire auteursommige editiesbevestigd
Stawicki, MattArtiest omslagafbeeldingSecundaire auteursommige editiesbevestigd
Sweet, Darrell K.Artiest omslagafbeeldingSecundaire auteursommige editiesbevestigd
Warhola, JamesArtiest omslagafbeeldingSecundaire auteursommige editiesbevestigd
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Time Enough for Love is the capstone and crowning achievement of Heinleins famous Future History series.

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