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Moll Flanders [Norton Critical Edition] (1722)

door Daniel Defoe

Andere auteurs: Edward Kelly (Redacteur)

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459754,049 (3.47)1
Whether or not the main source for Moll herself was a female criminal Defoe may have known personally in Newgate Prison, such as Moll King, his heroine's adventures echo events in the popular criminal biographies of the day. It is clear, moreover, that Defoe drew upon his own earlier periodical writings for a number of the episodes in the novel. The Backgrounds and Sources section provides material that influenced the conception of Moll Flanders. The Criticism section offers one of the most comprehensive selections of opinion on the novel yet available in a single volume. In addition to a general survey of the eighteenth- and nineteenth-century appraisals of Defoe and the novel, the selections include commentary on problems that have concerned modern critics of the novel, such as ironic intent, the structure of the novel, thematic and philosophical insights, and character evaluations. Among the critics represented are Virginia Woolf, E.M. Forster, James Joyce, G.A. Starr, Alan McKillop, Ian Watt, Terence Martin, Wayne C. Booth, Martin Price, Arnold Kettle, Maximillian Novak, Robert Alan Donovan and Michael Shinage.… (meer)
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My, my, my.....how can one woman survive all of these crimes and husbands, incest and deportation, and still live happily ever after? Maybe it is the close brush with death by hanging that brought about fairly devout penitence? Tough to say, but nonetheless, it was a delightful read! One could wax poetic about the sexism, but what's the point when it was written in the 1700s? Just sit back and give yourself over to this rollicking read! ( )
  hemlokgang | Feb 7, 2015 |
I've probably read no other fiction with such attention to details, or written as many notes in the margins, as with this old edition of Moll Flanders. It's a fascinating mess, and I adore it. That said, it's going into the trade pile. It's time to say goodbye, Moll. She says, "And now withstanding all the Fatigues, and all the Miseries we have both gone thro', we are in good Heart and Health." ( )
  Richard.Greenfield | Nov 21, 2012 |
The plot of this novel is best summarized by its extended title: "The Fortunes and Misfortunes of the Famous Moll Flanders, Etc. Who was born in Newgate, and during a life of continu'd Variety for Threescore Years, besides her Childhood, was Twelve Year a Whore, five times a Wife (whereof once to her own brother), Twelve Year a Thief, Eight Year a Transported Felon in Virginia, at last grew Rich, liv'd Honest and died a Penitent. Written from her own Memorandums." More specifically, Moll's life started off tragically for when she was born she was immediately given to a nurse by whom she was raised. Moll's mother was convicted of a petty felony when she was pregnant and was sent to a Virginia plantation right after Moll was born. When Moll's nurse dies, Moll is sent to live with a prominent family where she learns how to be a "gentlewoman" along side the daughters of the family. She then falls in love with one of the sons in the family and becomes his mistress. When Moll is jilted by her lover, she is forced to marry his brother. This is her first marriage in a long line of tragic marriages and failed relationships.

Though this story had more substance than Fanny Hill, I was a bit disappointed because it was written 30 years after Fanny Hill yet there were few improvements made to the story. While Fanny Hill was more crude and sexually explicit, Moll Flanders was more character driven. Still, there are few difference between the two. Both women are naive and deceived by the world in such a way that causes them to act in immoral ways in order to survive. Though this is exciting at first and both women appear almost adventurous, it gets tedious. Still, both of these novels were revolutionary for their time and should be regarded as such.

www.iamliteraryaddicted.blogspot.com ( )
1 stem sorell | Feb 28, 2010 |
Considered one of the first English novels, Daniel Defoe's "Moll Flanders" was published in 1722. To put that date in perspective, Moll first appeared about 100 years after Shakespeare died and forty years before "Tristam Shandy" made his debut.

Given the amount of time that separates our world from Defoe's, one of the most striking things is how approachable, accessible, readable, and downright entertaining "Moll Flanders" is. It's both a page-turner and an august member of the High Canon of Literature, which is a more rare combination than one would hope.

Moll is a fully realized character, a woman you could easily imagine stepping off the page and into the world. Defoe of course doesn't engage in any psychological exploration of her motives or feelings, which seems a bit foreign for a modern reader. But there is something rather refreshing about a novel in which the characters aren't absorbed in self reflection. The details of Moll's life -- from the art and craft of being a cut-purse, to the abandonment of the old world for the newly minted America -- are plenty engrossing.

While I enjoy modern historical fiction, there is nothing quite like seeing the past through the eyes of an author for whom it was the present. ( )
1 stem ElizabethChapman | Nov 7, 2009 |
A great trip through seventeenth century England. ( )
  charlie68 | Jun 8, 2009 |
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» Andere auteurs toevoegen

AuteursnaamRolType auteurWerk?Status
Daniel Defoeprimaire auteuralle editiesberekend
Kelly, EdwardRedacteurSecundaire auteuralle editiesbevestigd

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My true name is so well known in the records or registers at Newgate and in the Old Bailey, and there are some things of such consequence still depending there, relating to my particular conduct, that it is not to be expected I should set my name or the account of my family to this work.
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Do Not Combine: This is a "Norton Critical Edition", it is a unique work with significant added material, including essays and background materials. Do not combine with other editions of the work. Please maintain the phrase "Norton Critical Edition" in the Canonical Title and Publisher Series fields.
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Whether or not the main source for Moll herself was a female criminal Defoe may have known personally in Newgate Prison, such as Moll King, his heroine's adventures echo events in the popular criminal biographies of the day. It is clear, moreover, that Defoe drew upon his own earlier periodical writings for a number of the episodes in the novel. The Backgrounds and Sources section provides material that influenced the conception of Moll Flanders. The Criticism section offers one of the most comprehensive selections of opinion on the novel yet available in a single volume. In addition to a general survey of the eighteenth- and nineteenth-century appraisals of Defoe and the novel, the selections include commentary on problems that have concerned modern critics of the novel, such as ironic intent, the structure of the novel, thematic and philosophical insights, and character evaluations. Among the critics represented are Virginia Woolf, E.M. Forster, James Joyce, G.A. Starr, Alan McKillop, Ian Watt, Terence Martin, Wayne C. Booth, Martin Price, Arnold Kettle, Maximillian Novak, Robert Alan Donovan and Michael Shinage.

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