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The fiftieth anniversary of a lost classic--a deceptively sophisticated tale of sexualcompulsion and one man's flight from love Yasha Mazur is a Houdini-like performer whose skill has made him famous throughout eastern Poland. Half Jewish, half Gentile, a freethinker who slips easily between worlds, Yasha has an observant Jewish wife, a Gentile assistant who travels with him, and a mistress in every town. For Yasha is an escape artist not only onstage but in life, a man who lives under the spell of his own hypnotic effect on women. Now, though, his exploits are catching up with him, and he is tempted to make one finalescape--from his wife and his homeland and the last tendrils of his father's religion. Set in Warsaw and the shtetls of the 1870s--but first published in 1960--Isaac Bashevis Singer's second novel hides a haunting psychological portrait inside a beguiling parable. At its heart, this is a book about the burden of sexual freedom. As such, it belongs on a small shelf with such mid-century classics asRabbit, Run;The Adventures of Augie March; andThe Moviegoer. As Milton Hindus wrote inThe New York Times Book Review, "The pathos of the ending may move the reader to tears, but they are not sentimental tears . . . [Singer] is a writer of far greater than ordinary powers."… (meer)
Verhaal van een "zondige" mens, Yasha Mazur, een goochelaar-acrobaat die er maar op losleeft, naast een echtgenote in elke stad een minnares heeft zitten. Het kader: het door Rusland bezette Polen, in het laatste kwart van de 19de eeuw, en dan specifiek het joodse milieu. Yasha heeft zijn joodse wortels verloochend, maar de vaststelling dat hij zijn complexe, anarchistische leven niet meer in de hand heeft, en enkele misstoten (een mislukte inbraak, een val waarbij hij zijn voet breekt, zijn minnares die zich verhangt) brengen hem tot inkeer. Hij laat zich inmetselen en wordt ironisch genoeg tot (joodse) heilige uitgeroepen. Het verhaal doet sterk aan Dostojevski of Tolstoi denken, maar dan joods ingekleurd. Goed verteld, maar soms wat langdradig uitgesponnen. Achteraf viel me ook een sterke parallel met personages van Walschap in: zoekende mensen die worstelen met het "hogere". ( )
The fiftieth anniversary of a lost classic--a deceptively sophisticated tale of sexualcompulsion and one man's flight from love Yasha Mazur is a Houdini-like performer whose skill has made him famous throughout eastern Poland. Half Jewish, half Gentile, a freethinker who slips easily between worlds, Yasha has an observant Jewish wife, a Gentile assistant who travels with him, and a mistress in every town. For Yasha is an escape artist not only onstage but in life, a man who lives under the spell of his own hypnotic effect on women. Now, though, his exploits are catching up with him, and he is tempted to make one finalescape--from his wife and his homeland and the last tendrils of his father's religion. Set in Warsaw and the shtetls of the 1870s--but first published in 1960--Isaac Bashevis Singer's second novel hides a haunting psychological portrait inside a beguiling parable. At its heart, this is a book about the burden of sexual freedom. As such, it belongs on a small shelf with such mid-century classics asRabbit, Run;The Adventures of Augie March; andThe Moviegoer. As Milton Hindus wrote inThe New York Times Book Review, "The pathos of the ending may move the reader to tears, but they are not sentimental tears . . . [Singer] is a writer of far greater than ordinary powers."
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