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De zeevaarder uit New York (2002)

door Wayne Johnston

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558642,955 (3.53)36
Wayne Johnston's last novel, The Colony of Unrequited Dreams, was acclaimed all round the world and established him as a major literary figure. Johnston's new novel will delight everyone who loved that book and bring him thousands of new readers. At the centre of The Second Century of Devlin Stead is the rivalry between Robert Peary and Frederick Cook to be the first American to reach the North Pole. Its protagonist, however, is Devlin Stead, a young man from St John's, Newfoundland. Devlin's mother dies when he is only five, in mysterious circumstances, and he endures a lonely childhood before discovering the truth about his patentage. That discovery transforms his life: he finds his true father and embarks on a journey of unbelievable risk. His adventure brings him celebrity, acclaim from New York 'society', real love, and finally, the truth about the bitter feud between two strange, driven men. The Second Century of Devlin Stead is a story of epic sweep, thrilling adventure and heartbreaking pathos. Johnston has harnessed the scope, energy and inventiveness of the nineteenth-century novel and channelled it through the haunting and eloquent voice of his hero. His descriptions of place, whether of the frozen Arctic wastes or teeming New York, have an extraordinary physicality and conviction, recreating a time when the wide world seemed to be there for the taking. A remarkable achievement that seamlessly weaves facts and fabrication, it continues the masterful reinvention of the historical novel that Wayne Johnston began with his lavishly praised The Colony of Unrequited Dreams.… (meer)
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Historical fiction about a young man, Devlin Stead, overcoming an ignominious start in life, being viewed as “odd,” but eventually leaving behind his difficult childhood to join polar expeditions.

I had read about the controversy of Frederick Cook having claimed to be the first to reach the North Pole, later discredited, and of his rivalry with Robert Peary. I thought this book might provide some clarity as to what had really happened; however, it did not. In the author’s notes at the end, it states: “While it draws from the historical record, its purpose is not to answer historical questions or settle historical controversies.”

The book contains beautiful language, particularly the descriptions of life in New York City at the turn of the 20th century and the stark seascapes of Newfoundland. For long stretches of time, I was not sure where the plot was headed and not much happens. At times it seemed a chore; however, the pace picks in the middle and continues to the finish.

Recommended to readers of Victorian novels or those that enjoy the history of exploration.

Favorite passages:
“What is really self-knowledge is often mistaken for self-doubt.”

“Follow your heart in all things. It is not infallible, but it is yours.”

“Nothing so reminds you like the sea that the enemy of life is not death but loneliness.”

“Sky. Wind. Light. Air. Cold. Grey. Far. Salt. Smell. Now all these words meant something they had never meant before, and the word sea contained them all.” ( )
  Castlelass | Oct 30, 2022 |
2.5 stars. Too long & ultimately dreary. ( )
  Siubhan | Feb 28, 2018 |
In The Navigator of New York, Wayne Johnston weaves fictional characters and events into the race to reach the North Pole early in the 20th century. Given how closely much of that chapter in polar exploration verged on the fraudulently imaginary, there is much room for Johnston to maneuver in this arena. The highlight of the book for me was Johnston's vibrant depiction of Brooklyn, Manhattan, and New York at the turn of the century. Although his protagonist is humorlessly earnest and the plot is implausibly baroque, it all works reasonably well because, honestly, anything looks good against this race for the North Pole. The expeditions to the South Pole seem to provide a much richer vein from which to mine inspiration, with a great example being The Birthday Boys by Beryl Bainbridge, a book that arouses great empathy for these flawed explorers. In contrast, the race for the North Pole was essentially a sordid affair, featuring the vile Robert Peary and the icky Frederick Cook. It is a murky and disheartening business that seems to spawn books more along the line of Give Me My Father's Body. I was dismayed when I discovered that Frederick Cook would play a central role in this novel, sensing that our hero, not to mention the reader, was about to get "played" over the course of the next few hundred pages. This turned out to be not far from the truth. Given how prone Cook and Peary were to spinning their own fictions about themselves and their exploits, I did take some pleasure in Johnston having created his own fictional events in which these explorers come off looking so very shabby. Poetic justice I calls it. ( )
  maritimer | Jul 14, 2011 |
Good book by a good writer. ( )
1 stem charlie68 | Jun 8, 2009 |
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Wayne Johnston's last novel, The Colony of Unrequited Dreams, was acclaimed all round the world and established him as a major literary figure. Johnston's new novel will delight everyone who loved that book and bring him thousands of new readers. At the centre of The Second Century of Devlin Stead is the rivalry between Robert Peary and Frederick Cook to be the first American to reach the North Pole. Its protagonist, however, is Devlin Stead, a young man from St John's, Newfoundland. Devlin's mother dies when he is only five, in mysterious circumstances, and he endures a lonely childhood before discovering the truth about his patentage. That discovery transforms his life: he finds his true father and embarks on a journey of unbelievable risk. His adventure brings him celebrity, acclaim from New York 'society', real love, and finally, the truth about the bitter feud between two strange, driven men. The Second Century of Devlin Stead is a story of epic sweep, thrilling adventure and heartbreaking pathos. Johnston has harnessed the scope, energy and inventiveness of the nineteenth-century novel and channelled it through the haunting and eloquent voice of his hero. His descriptions of place, whether of the frozen Arctic wastes or teeming New York, have an extraordinary physicality and conviction, recreating a time when the wide world seemed to be there for the taking. A remarkable achievement that seamlessly weaves facts and fabrication, it continues the masterful reinvention of the historical novel that Wayne Johnston began with his lavishly praised The Colony of Unrequited Dreams.

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