New Paths, the seventh volume in the Writings of the Orpheus Institute, is a result of the third International Orpheus Academy for Music Theory. Five renowned scholars discuss a variety of topics related to romanticism, focusing especially on the years 1800-1840. In a much-needed historical and critical overview of the concept of organicism, John Neubauer ranges from its origins in Enlightenment biology to its aftermath in postmodernism.Janet Schmalfeldt shows that Beethoven's op.47 not only should be called the Bridgetower rather than the Kreutzer Sonata, but also that this makes a difference