Roger AbrahamsBesprekingen

African folktales is fairytale book about different stories that were told based around the African culture and traditions. These stories help children learn about creativity and imagination from the people that wrote the books a long time ago. In a way children learn about the varieties of stories and different aspects of what a fairytale is about.

dispassionate and systematic, which is to say loveless. i've never understood this type of presentation; everything covered in paragraphs of scholarly exposition can be easily understood by simply recording the text and providing commentary to illuminate particulars. the author seems to have been part of the first wave of philly gentrification, which is pretty uncomfortable. my preferred way to read this is to flip until i find an indented block; the recorded material buried in the ever-shifting-and-converging sands of inane freudian jargon is charming and full of life

First edition

Books of children's game songs are a challenge: They represent a tremendous amount of information in a tiny amount of space, because most of the games are just two or four or six lines long. So this thin little volume contains more than six hundred items, and (as a wild guess) maybe three thousand references.

It is a tremendous achievement, which I suspect will never be equaled. If you have an interest in children's folklore, it is vital. Unfortunately, it will leave you wanting more.

For starters, Roger D. Abrahams quotes only one text of each item, even if it's something like "Cinderella Dressed in Yellow" or "Miss Mary Mack" that has been collected dozens or hundreds of times. If Abrahams quotes other Cinderella verses, they are separate items; it is not clear that kids might take turns with "Cinderella dressed in yellow," then red, green, pink.... Also, no melodies are cited. And while Abrahams always quotes a text, and then lists books and page references for each rhyme, he does not cite which of the various sources he cites was the source of the text he quotes. (In this, he falls short of the practice of, say, Malcolm Laws, who created a somewhat-similar catalog of ballads.) And there is almost no background; Abrahams has a glossary of technical terms (e.g. "Hot peppers" making the rope twirl particularly quickly) and of characters mentioned in the pieces, but nothing about the contexts in which the rhymes arose.

These are significant weaknesses, especially the lack of clarity about which text he cites and the lack of background about the pieces. And, given that lines and couplets often "float" between these songs, he needs more cross-references, and clearer cross references (distinguishing cases where two items are "the same" and when they just share some words, or a character such as Charlie Chaplin or Shirley Temple). Which does not change the fact that this is a tremendous reference. If you are using one of the several dozen books Abrahams cites, and find in it a jump-rope rhyme and want to know if it has been found elsewhere, then Abrahams is the reference you need. It's just that you'll need to do a lot of work after finding the song in Abrahams.½

The deep forest and broad savannah, the campsites, kraals, and villages — from this immense area south of the Sahara Desert the distinguished American folklorist Roger D. Abrahams has selected ninety-five tales that suggest both the diversity and the interconnectedness of the people who live there. The storytellers weave imaginative myths of creation and tales of epic deeds, chilling ghost stories, and ribald tales of mischief and magic in the animal and human realms. Abrahams renders these stories in a narrative voice that reverberates with the rhythms of tribal song and dance and the emotional language of universal concerns.

These tales range from the earthy comedy of tricksters to stories explaining how the world was created and (fairly or unfairly) got to be the way it is to moral fables that tell of encounters between masters and slaves. They include stories set down in travelers' reports and plantation journals from the early nineteenth century, tales gathered by collectors such as Joel Chandler Harris and Zora Neale Hurston, and narratives tape-recorded by Roger Abrahams himself during extensive expeditions throughout the American South and the Caribbean. These elaborate, often exaggerated fictions were told by tale spinners mostly for the fun of it, but within them are embedded hard truths about dealing with the world of white people. They offer a robust, engaging demonstration of the ways in which an uprooted people have drawn from the traditions of their distant past to fashion a life - and with it, a new and vital culture - in the New World.

Good technical book on folk music. Includes a bibliography of regional collections and a discography.