Michael C. Bailey

Note: I did receive an advance reader copy of the book from the Author, asking for my honest and complete review.

This was the best of the trilogy! Often, the last book in a series is the worst. It is like the author gets tired, or the story gets lost, or the characters no longer care. Not in this case! Everyone is fresh and sassy, and ready to fight. There is love, and death, and strange moments in strange light. And there are a lot of really cool sword fights.
My only sadness when I finished was that it was ll done and there won't be any more. Or, maybe, there will?… (meer)

Note: I did receive an advance reader copy of the book from the Author, asking for my honest and complete review.

I loved it! This was a great follow up to the first book about these characters, and is even better than before.

The story line is very compelling. The plot never falters, not even stumbling a at any point. It kept me enthralled to the last page.

There are still a lot of hooks to lead to other stories, which is fabulous as sequels are *wanted*, but nothing was left as a gaping hole, which is always a nice feeling.… (meer)

Note: I did receive an advance reader copy of the book from the Author, asking for my honest and complete review.

I loved it! And I think Laurel Thatcher Ulrich would like it too; someone should share it with her! She is, obviously, an admirer of strong women and would, I think, enjoy this story very much.

I thought this was a well-built story. The language flows nicely, as does the story. A few segues were rough, but none of them halted me in charging on ahead, the tale was just so compelling. There are enough hooks to lead to other stories, which is fabulous as sequels are *wanted*, but nothing was left as a gaping hole, which is always a nice feeling.

I really liked that Julie did not use contractions in her speech. It was a very subtle way to set her up as sightly higher class and different, "not from around here". It also did not surprise me in the slightest who Isabel turned out to be; it was fairly obvious, especially in retrospect. But I am still curious who Erkan was. There were probably several big clues, but I couldn’t think of anyone. Maybe a later book will give a hint?

When will the next one be ready?!?!? Yeah, it was that good, but I am trying to be patient.… (meer)

My fourth book by this author, all of which were a part of this series.

Unfortunately, I don’t really know what to say. The writing seemed stronger in this one. Some of the characters somewhat faded into the background while some others had deeper characterizations.

At one point I was beginning to think that I’d end up rating this quite poorly. Two different issues drove that thought – different plot points I mean. I do not exactly recall now what they were, though I know once I was anticipating something that might cause me deep issues/problems with liking the book. But the book veered away from that specific track. Then the other issue was going to leave me making some comment like ‘of course it’s the lesbian who goes evil’, but to a large extent that was both unfair and not fully encapsulating what occurred even when I had those thoughts while reading. This is all really really vague, I know.

In this fourth book, Carrie, the lead point of view, is nearing the end of her sophomore year at high school. At one point Carrie is relaying everything that had happened, and then made a comment about how full a year she had. And it has only been a year since the first book (which presents its own issues since the first book had a prologue wherein Carrie is relaying what had happened the past year, meaning that I’m not sure that we are even up to the present of that prologue).

The team is attempting to regroup after all the issues that have hit them over the past year. Matt’s attempting to get over the fact that his father cheated on his mother, they separated, and now they’re back together. In meantime he has been training and transforming himself from something of a geeky kid into a strong-man ultimate fighter type. While also working as an intern for Edison . . . um, whatever Concorde’s human name is. At his company. Carrie’s training with Concorde, attempting to get better at fighting in the sky; continuing her relationship with her older boyfriend Malcolm; and attempting to function with all the stress that everything she is doing is putting on her (hero work/school work/job/relationship/friend activities). Missy is somewhat off to the side, not sure if she really is going to come back to the superhero business. And enjoying spending time with her father. Stuart . . . um . . . continues to exist? He, as far as I know, doesn’t have a girlfriend, troubles at home (beyond that which lingers from the dead brother), nor an internship. Nor does he feel he needs to train. So he’s busy with . . . school work, mostly. And being lazy. Sara is continuing to refine her mind powers. Deal with the crap that comes with her dickish father – who can find nothing but fault with his daughter regardless of what she does and is always berating her, loudly. While also trying to keep Matt off of her, who feels that he loves her, and Carrie, who feels like Matt loves Sara and Sara’s too much of chicken to go for it.

And that’s, what, hmm. Well, somewhere near the beginning of the book, first third of the book? Fairly shortly thereafter, though, things begin to break down, somewhat, for two of the hero squad. The first blow, beyond the continued abuse Sara is suffering from her father that has been ongoing pre-book star, occurs when Carrie’s grandfather dies. Beyond being a loving family member, he acted as something of the peace-keeper in-between Carrie and her mother, and with his passing, how will they survive? That’s something of a tipping balance that eventually leads to Carrie wondering if she should even continue being a superhero, though that thought occurs after other events unfolded. Well, how to relay that non-spoiler-y. Events unfold which begin to break apart the foundation that Carrie has developed for herself in her new life as a superhero, the daughter of divorce, and the attempt at rededication to not being the bitch she became in her last school. Before the parents split. And her friends dumped her.

Sara, though, suffers the most in this book. There’s the ongoing abuse from her father (and the spineless passivity of her mother). Then a villain calling himself ‘the King of Pain’ attacks her. He’s the guy who every superhero, without exception, fears. He directly and indirectly causes superhero deaths. So she starts to become unglued. Then she lets slip exactly why Matt really isn’t suitable for a potential boyfriend, at least for her. Let’s slip in front of her father that she is a lesbian. Who explodes. Sara ends up having to hide out from her family at Carrie’s place. Both hiding from the King of Pain, and from her father.

I’m leaving stuff out and being quite vague. This isn’t an easy book to comment on because some major events occur which morph the team. Some of the major events are not possible to be relayed without spoiling, while others build upon things which cannot be named. Let’s just say that, for most of the book, things progress, relationship wise, between Carrie and Malcolm; Carrie and Ben (Carrie’s mother’s boyfriend); and after a particular revelation, between Carrie and her mother . . . to a certain extent. Plus Sara’s world implodes. The other hero squad members mostly fade into the background in this one. There was a third plot, a ‘will Missy actually return to the superhero business, or not?’ that never really developed too far into being a major subplot.

I liked the book well enough. And would recommend it. To those who have read the prior books. In order. The series is that kind of series. Things build on each other.

On a side note – most of the time I understand the book covers. I do not know who is supposed to be on the cover this time, though. The main villain in this one is a man. Concorde wears a tech-based flight system, and is a man. Manticore – similarly to Concorde (though there are wings, and the wings do take some damage, like the wings on the cover). The ‘obvious’ choice for who the cover is supposed to be showing would be the one female who flies in the book. Major character, I mean. And there are references to how pale she is in passing (her Irish-German background). But she doesn’t have black hair (has blonde hair, as two of the other covers show). Isn’t an albino (again, as two of the other covers show). And does not include wings in her superhero outfit. So I really have no clue who that is supposed to be on the cover of ‘Cruel Summer’. And that vaguely annoys me.

January 4 2016… (meer)