M. Christine Boyer
Auteur van The City of Collective Memory: Its Historical Imagery and Architectural Entertainments
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The City of Collective Memory: Its Historical Imagery and Architectural Entertainments (1656) 100 exemplaren
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Variations on a Theme Park: The New American City and the End of Public Space (1992) — Medewerker — 243 exemplaren
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Le Corbusier, Homme de Lettres door M. Christine Boyer
On his French identity card, legendary architect Le Corbusier listed his profession as "Homme de Lettres" (Man of Letters). Celebrated for his architecture, which numbers fewer than sixty buildings, Le Corbusier also wrote more than fifty books, hundreds of articles, and thousands of letters. Le Corbusier, Homme de Lettres is the first in-depth study of Le Corbusier as a writer as well as an architect. Featuring more than two hundred archival images from Le Corbusier's life and work, this groundbreaking book examines his many writing projects from 1907 to 1947, as well as his letters written to two mentors: Charles L'Eplattenier and William Ritter. In Le Corbusier, Homme de Lettres author M. Christine Boyer focuses on the development of his writing style as it morphed from romantic prose to aphorisms and telegraphic bulletins. For each of his books, Le Corbusier was meticulous about the design of the page layout, the form of the type, the impact of the ideas, and even the promotional material. As a man of letters, Le Corbusier expected to contribute to the cultural atmosphere of the twentieth century. Le Corbusier, Homme deLettres shows for the first time how his voluminous outputbooks, diaries, letters, sketchbooks, travel notebooks, lecture transcriptions, exposition catalogs, journal articlesreflects not just a compulsion to write, but a passion for advancing his ideas about the relationship between architecture, urbanism, and society in a new machine age.… (meer)
Epic would be an apt word for describing this examination of "Le Corbusier's many writing projects from 1907-1947." When Swiss-born Le Corbusier became a French citizen in 1930 he indicated "homme de lettres" (man of letters) as the profession on his national identity card, rather than architect or painter. Boyer's clear text dissects the architect's evolution as an architect (and writer) through his voluminous written output: books, but also diaries, letters, sketchbooks, lectures, and essays.
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