George Bruce (2) (1898–1974)

“Kansas City Confidential” is a cracking piece of film noir from director Phil Karlson that served as partial inspiration for Quentin Tarantino’s “Reservoir Dogs”. The set-up sees mysterious gang boss Foster (Preston Foster) recruiting three tough guy cons - Pete Harris (Jack Elam), Tony Romano (Lee Van Cleef) and Boyd Kane (Neville Brand) - to pull off a bank job. Wearing masks, so that only Foster knows their identities, and following the successful robbery, they agree to meet up in Tijuana to allow Foster to split the $1.2m take from the robbery with them. Unfortunately for the gang they frame Joe Rolph (John Payne) a war vet, with a criminal past who's now trying to go straight as a fall guy for the job. Payne is pulled in by the cops and although eventually released he ends up losing his job. Angered at being set-up he sets off to track down the mobsters and finds his way to Tijuana and the gang. But things begin to get really complicated in Tijuana, when he falls for Foster's daughter Helen (Coleen Gray). The screenplay by George Bruce and Harry Essex is imaginative and provides for a neat little crime caper. Phil Karlson’s direction provides a grim, brutal atmosphere and plenty of pace and momentum. The film contains many of the typical noir themes, so there’s an anti-hero in the wrong place at the wrong time; plenty of hard-boiled dialogue and no real moral distinction between the police and the criminals. From a visual perspective, however, Karlson avoids most of the typical noir visual elements, so few dark shadows and innovative camera angles; instead there is plenty of brutal and visceral violence and a simmering sense of resentment. Karlson does an excellent job in maintaining a sense of tension, particularly as the identities of the gang members are known throughout. John Payne is an excellent leading man - charming, tough and decisive, while Jack Elam, Lee Van Cleef and Neville Brand are the epitome of the '50's tough guy thugs. Overall "Kansas City Confidential" is a tightly plotted and taught noir, with plenty of brooding atmosphere and a real sense of barely suppressed violence. Although probably not in the very top ranks of the film noir genre, it is still a superior piece of work that provides a brutal lesson in straight-talking film noir style and ethics.… (meer)