Tim Carter (2) (1954–)

Auteur van W. A. Mozart: Le Nozze di Figaro

Voor andere auteurs genaamd Tim Carter, zie de verduidelijkingspagina.

8+ Werken 106 Leden 4 Besprekingen

Over de Auteur

Tim Carter is David G. Frey Distinguished Professor of Music at the University of North Carolina at Chapel Hill. He is the author of Rodgers and Hammerstein's Carousel (OUP, 2017), Understanding Italian Opera (OUP, 2015), and a wide range of other books on opera and musical theater.

Werken van Tim Carter

Populair Recent

W. A. Mozart: Le Nozze di Figaro (1988) 30 exemplaren

The Cambridge History of Seventeenth-Century Music (2005) 30 exemplaren

Oklahoma!: The Making of an American Musical (2007) 17 exemplaren

Understanding Italian Opera (2015) 12 exemplaren

Rodgers and Hammerstein's Carousel (2017) 8 exemplaren

Orpheus in the Marketplace: Jacopo Peri and the Economy of Late Renaissance Florence (2013) 5 exemplaren

Monteverdi and his contemporaries (2000) 3 exemplaren

Staging 'Euridice': Theatre, Sets, and Music in Late Renaissance Florence (2021) 1 exemplaar

Werk verkenner

Gerelateerde werken

Wolfgang Amadeus Mozart 1756-1791, Le nozze di Figaro : commedia per musica in quattro atti (1940) — Introductie, sommige edities — 94 exemplaren

Mozart : Die Zauberflöte : 2017/18 [programme] (2017) — Medewerker — 1 exemplaar

Drottningholms Slottsteater : Program 2007 (2007) — Medewerker — 1 exemplaar

Tagged

Trefwoordvertaling ingeschakeld

Algemene kennis

Geboortedatum: 1954
Geslacht: male
Nationaliteit: Australia
Beroepen: musicologist
David D. Grey Distinguished Professor Of Music, University of North Carolina, Chapel Hill

Leden

Besprekingen

W.A. Mozart, Le nozze di Figaro door Tim Carter

Well worth it if you're looking for a deep, but not too academic, dive into a greater understanding of what makes 'Figaro' tick.

Gemarkeerd

therebelprince | 2 andere besprekingen | Apr 21, 2024 |

Oklahoma! : the making of an American musical door Tim Carter

What Tim Carter doesn't know about Oklahoma! is no ones business. This was a dense but great resource for directors and choreographers of the show as well as dramaturgs. While the reading is challenging in some parts, it is fascinating in its detail and perspective.

Gemarkeerd

caseybp | Aug 28, 2023 |

W. A. Mozart: Le Nozze di Figaro (Cambridge Opera… door Tim Carter

Along with Lucy Beckett's "Parsifal", the best of the Cambridge Opera Handbooks -- certainly among those that I've read. My favorite sections are a careful description of the transformation of Beaumarchais' play into the Mozart/da Ponte opera, a solid summary of performance history, and, especially, a strikingly original commentary on why Mozart's version of the Classical style makes it so appropriate for opera buffa. I'm always startled when a "handbook", which I expect to be something of an anthology of received opinion, actually presents something novel -- at least novel to me. (Specialists in Mozart are probably shaking their heads at this point.)… (meer)

Gemarkeerd

jburlinson | 2 andere besprekingen | Oct 30, 2007 |

Bekijk meer besprekingen