Afbeelding van de auteur.

Stephen Greenblatt

Auteur van De zwenking hoe de wereld modern werd

74+ Werken 15,767 Leden 242 Besprekingen Favoriet van 12 leden

Over de Auteur

Stephen Greenblatt is a literary critic, theorist and scholar. He is the author of Three Modern Satirists: Waugh, Orwell, and Huxley (1965); Renaissance Self-Fashioning: From More to Shakespeare (1980); Learning to Curse: Essays in Early Modern Culture (1990); Redrawing the Boundaries: The toon meer Transformation of English and American Literary Studies (1992); The Norton Shakespeare (1997); Will in the World: How Shakespeare Became Shakespeare (2004); Shakespeare's Freedom (2010); and The Swerve: How the World Became Modern (2011). (Bowker Author Biography) toon minder
Fotografie: Bachrach

Werken van Stephen Greenblatt

De zwenking hoe de wereld modern werd (2011) 3,609 exemplaren
The Rise and Fall of Adam and Eve (2017) 434 exemplaren
Tyrant: Shakespeare on Politics (2018) 412 exemplaren
Hamlet in Purgatory (2001) 259 exemplaren
The Norton Shakespeare: Tragedies (1997) — Redacteur — 187 exemplaren
The Norton Shakespeare: Comedies (1997) — Redacteur — 166 exemplaren
The Norton Shakespeare: Romances and Poems (1997) — Redacteur — 134 exemplaren
The Norton Shakespeare: Histories (1997) — Redacteur — 129 exemplaren
The Norton Shakespeare Vol. 2: Later Plays (2008) — Redacteur — 93 exemplaren
The Norton Shakespeare: The Essential Plays / The Sonnets (2008) — Redacteur — 85 exemplaren
The Norton Shakespeare Vol. 1: Early Plays and Poems (1860) — Redacteur — 80 exemplaren
New world encounters (1986) 38 exemplaren
Allegory and Representation (1981) 37 exemplaren
Cultural Mobility: A Manifesto (2009) 25 exemplaren
The Greenblatt Reader (2005) 24 exemplaren
The Norton Shakespeare: Two Volume Set (2015) — Redacteur — 5 exemplaren
The Uncoupling 1 exemplaar

Gerelateerde werken

The Complete Works of Wlliam Shakespeare (1589) — Redacteur, sommige edities31,837 exemplaren
Religio Medici and Urne-Buriall (New York Review Books Classics) (2002) — Redacteur, sommige edities238 exemplaren
Criticism: Major Statements (1964) — Medewerker — 223 exemplaren
Staging the Renaissance (1991) — Medewerker — 76 exemplaren
Reynard the Fox: A New Translation (2015) — Voorwoord, sommige edities74 exemplaren
A New History of Early English Drama (1997) — Voorwoord, sommige edities57 exemplaren

Tagged

16e eeuw (374) 17e eeuw (344) Biografie (625) Bloemlezing (980) Brits (377) Britse literatuur (484) E-boek (122) Elizabethaans (200) Engeland (315) Engels (378) Engelse literatuur (852) Fictie (1,742) Filosofie (235) gelezen (184) Geschiedenis (1,089) Harde Kaft (238) in bezit (191) Klassiek (825) Klassieke literatuur (167) Klassieken (1,047) Komedie (215) Kritiek (129) Leerboek (184) Literaire kritiek (367) Literatuur (1,890) naslagwerk (267) Non-fictie (902) ongelezen (159) poëzie (2,248) Renaissance (537) sonnetten (161) te lezen (1,097) Theater (972) toneel (2,668) toneelstuk (474) toneelstukken (1,878) Tragedie (206) Verzameling (274) Vroeg-modern (147) William Shakespeare (3,618)

Algemene kennis

Gangbare naam
Greenblatt, Stephen
Officiële naam
Greenblatt, Stephen Jay
Geboortedatum
1943-11-07
Geslacht
male
Nationaliteit
USA
Geboorteplaats
Boston, Massachusetts, USA
Woonplaatsen
Boston, Massachusetts, USA
Cambridge, Massachusetts, USA
Berkeley, California, USA
Opleiding
Yale University (B.A.|1964|Ph.D|1969)
Pembroke College, Cambridge (M.Phil.|1966)
Beroepen
professor
literary critic
scholar
Relaties
Targoff, Ramie (wife)
Organisaties
University of California, Berkeley
Harvard University
Modern Language Association of America
Prijzen en onderscheidingen
American Academy of Arts and Sciences (1987)
American Philosophical Society (2007)
American Academy of Arts and Letters (2008)
James Russell Lowell Prize (1989 and 2011)
Erasmus Institute Prize (2002)
Mellon Distinguished Humanist Award (2002) (toon alle 12)
William Shakespeare Award for Classical Theater (2005)
Wilbur Cross Medal (2010)
National Book Award for Nonfiction (2011)
Pulitzer Prize for General Non-Fiction (2012)
Holberg Prize (2016)
Accademia degli Arcadi
Agent
Jill Kneerim
Korte biografie
Stephen Greenblatt is the John Cogan University Professor of the Humanities at Harvard University as well as a finalist for the Pulitzer Prize and the National Book Award for Nonfiction. He is the General Editor of The Norton Shakespeare and the General Editor of The Norton Anthology of English Literature. He divided his time between Cambridge, Massachusetts, and Vermont. [from The Swerve (2011)

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Besprekingen

Would have made a good magazine article. The preface and chapters 8, 10 & 11 were the interesting parts for me; all the rest was a too academic review of 15th century Italian whatever. It was not what I expected from the title.

I was not previously aware of the content of Lucretius' poem but am always blown away by how the ancient Greeks, just by thinking about things, had everything figured out, right down to atoms & evolution.
 
Gemarkeerd
Abcdarian | 142 andere besprekingen | May 18, 2024 |
I don't necessarily agree with all of Greenblatt's arguments, but he creates here a worthy portrait and discussion to add to the vast database of information and theories on Shakespeare's life and times.
 
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therebelprince | 58 andere besprekingen | Apr 21, 2024 |
This book is subtitled “How the Renaissance Began”, which is a heck of a stretch. Setting that aside, this is an absolutely fascinating history of the re-discovery in the early 1400s of a long-lost work from antiquity, and about the life and times of its discoverer. Whether this work really helped trigger the Renaissance is another matter, but it certainly contributed.

The work was Lucretius’ De Rerum Natura (“On the Nature of Things”), and it was written some time in the first century BC. Only a very few copies (literally copies which had been made and remade by scribes in monasteries over the centuries) survived until the 15th Century.

One of those copies was found by a remarkable man, Poggio Bracciolini. A great deal of The Swerve is about this man and his life, who acted as principal secretary to a series of Popes over a period of 50 years.

Lucretius was a follower of the philosopher Epicurius, who lived two centuries earlier, and his poem De Rerum Natura is perhaps the most beautiful expression of the Epicurian philosophy.

Among the many radical thoughts which Lucretius expressed were (as set out by Greenblatt in The Swerve):

• Everything is made of tiny invisible particles.

• These particles are indivisible and eternal.

• The particles are infinite in number but come in a limited number of shapes and sizes.

• All particles are in motion in an infinite void.

• The universe has no creator or designer.

• Nature ceaselessly experiments with different shapes and configurations of animals.

• The universe was not created for humans.

• Humans are not unique. We’re similar to other animals.

• Human society did not begin in a Golden Age from which it has declined, but in a battle for survival.

• There is no afterlife.

• Death is nothing to us, because experience ceases.

• All religions are delusions.

That these ideas are remarkably modern, even though set out more than 2,000 years ago by a Roman citizen, should be obvious. What is also obvious is how subversive they were to the mediaeval scholars reading them, contradicting the prevailing Judeo-Christian view of the world.

That nevertheless these ideas were able to spread in those times once Lucretius’ poem was rediscovered is perhaps even more remarkable.

There’s much, much more in The Swerve. A really excellent and fascinating book. A candidate for my best read of the year so far, competing with The Vital Question and A God in Ruins.

I’m glad I unearthed it in a second-hand bookshop in Bendigo, at least faintly mirroring the unearthing of De Rerum Natura in the library of a mediaeval monastery by Poggio Bracciolini.
… (meer)
 
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davidrgrigg | 142 andere besprekingen | Mar 23, 2024 |
Going into this book, I suspected that I would not find the author's conclusion (that Lucretius' poetic explication of Epicurean philosophy, On the Nature of Things was a keystone of modern materialistic thought) compelling. And that suspicion was correct. But the book was enjoyable, nonetheless.
[Audiobook Note: The reader, Edoardo Ballerini, was great. He deftly handled all the Latin, Italian, German and French text. (Although I do have one quibble. Like most English-speakers, he put the emphasis on Epicurus' name on the 3rd syllable, instead of the 2nd where it belongs.)]… (meer)
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Treebeard_404 | 142 andere besprekingen | Jan 23, 2024 |

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Statistieken

Werken
74
Ook door
8
Leden
15,767
Populariteit
#1,443
Waardering
½ 4.3
Besprekingen
242
ISBNs
255
Talen
18
Favoriet
12

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