Edgardo Rodriguez Julia

The year is 1753 in colonial Puerto Rico. Bishop Larra, desperate to bring calm to a slave population on the verge of revolt, arranges a marriage between Baltasar Montanez, a poor slave leader and Josefina Prats, the wealthy and white daughter of the secretary of state. The idea is to make the destitute population believe they can too can marry their way into wealth and equality; to calm black indignation and for a while it seems to work. There is peace in the community because if Baltasar can marry up.... Until Montanez's true personality comes to light. He is not the hero everyone thinks he is. [As an aside, I tracked all of the different words and phrases used to describe Baltasar: enigma, hero, declasse, upstart, benefactor, traitor, puppet, emancipated slave, peacemaker, verbsoe, rhetorical, slightly pompous, of great intelligence, well-pleased, cynical, intruder, black, cane-cutter, handsome, a figure of profound historical significance...I could go on.] Here is a commentary on not only Puerto Rico's political climate in the eighteenth century, but a study in human nature. Was the marriage orchestrated by Bishop Larra? Was the bride's father involved from the beginning? Who holds the lie and who lives the truth?
A word of warning. Obviously, as most arranged marriages go, Baltasar and Josefina's marriage is not a sexual one. Her enjoyment comes from peeping through the keyhole to spy on Baltasar's legendary yet unimaginative orgies.… (meer)