Afbeelding van de auteur.

Maura Laverty (1907–1966)

Auteur van Never No More

17+ Werken 221 Leden 14 Besprekingen

Over de Auteur

Bevat de naam: MAURA LAVERTY

Werken van Maura Laverty

Never No More (1942) 97 exemplaren
No More Than Human (1944) 47 exemplaren
Maura Laverty's Cookbook (1947) 14 exemplaren
Full and Plenty (1662) 14 exemplaren
The Queen of Aran's Daughter (1996) 6 exemplaren
Liffey Lane (1947) 3 exemplaren
Alone We Embark (1944) 3 exemplaren
Kind Cooking 3 exemplaren
The Cottage in the Bog (1992) 2 exemplaren
Touched by the Thorn (1943) 2 exemplaren
Geliebtes Leben (1967) 1 exemplaar
Das Mädchen aus Dublin (1946) 1 exemplaar

Gerelateerde werken

The Lucky Bag: Classic Irish Children's Stories (1984) — Medewerker — 23 exemplaren
Food in Vogue: Six Decades of Cooking and Entertaining (1976) — Medewerker — 8 exemplaren

Tagged

Algemene kennis

Geboortedatum
1907-05-25
Overlijdensdatum
1966-07-26
Graflocatie
Glasnevin Cemetery, Dublin, Ireland
Geslacht
female
Nationaliteit
Ireland
Geboorteplaats
Rathangan, County Kildare, Ireland
Woonplaatsen
Rathangan, County Kildare, Ireland
Dublin, Ireland
Opleiding
convent school
Beroepen
journalist
playwright
novelist
children's book author
Relaties
Castle, Barry (daughter)
Korte biografie
Maura Laverty, née Kelly, was born in County Kildare, Ireland, and trained as a teacher. She moved to Spain at age 17 to work as a governess and later as a private secretary for Prince Antoine Bibesco, husband of the writer Elizabeth Bibesco. Eventually, she became a journalist and filed stories for Irish newspapers from Madrid. In 1928, on her return to Ireland, she married James Laverty, a fellow journalist, with whom she had three children; one of them was Barry Castle, who grew up to be an artist and illustrate some of her mother's work. She soon went to work as a journalist and broadcaster for the national radio station, RTÉ. Maura Laverty became a household name in Ireland during a time when very few women there participated in public life. Her first novel, Never No More (1942) received widespread acclaim. It was followed by others, such as Touched by the Thorn (aka Alone We Embark, 1943), the semi-autobiographical No More than Human (1944), and Lift Up Your Gates (1946). Some of her novels were banned in the Irish Republic for their frankness. She also wrote children's books, including The Cottage in the Bog (1946) and The Green Orchard (1949). She became the writer for Ireland's first television soap opera, Tolka Row, an adaptation of her play Liffey Lane; it originally aired from 1964 to 1968. She also had a great interest in food and cooking, and wrote several cookbooks, beginning during World War II with Flour Economy (1941). Full & Plenty, first published in 1960, is still popular in many Irish households.

Leden

Besprekingen

young woman's memories of rural Ireland and her strong Gran
 
Gemarkeerd
ritaer | 4 andere besprekingen | May 3, 2021 |
This book was an achingly beautiful bildungsroman of a young girl who, following the death of her father and because of her tenuous relations with her mother, chooses to go live with her grandmother in a provincial village on the edge of the Bog of Allen. The setting is authentically Irish with a host of interesting characters whose lives make up the fabric of village life. But it is the chronicle of Delia's relationship with Gran that gives the book its depth and beauty.
 
Gemarkeerd
Chateauneuf | 4 andere besprekingen | Oct 21, 2019 |
The sequel to Laverty's earlier 'Never No More', which followed teenage Delia Scully growing up in a 1920s Irish village and ended with her Gran's death.
Now we see her aged 17 and setting off on the adventure of life as a governess in Spain. In the 20s it seems Irish girls were quite in demand for this role here, bringing with them the combination of a Catholic upbringing and fluent English:
'It was funny to hear those scions of the Spanish nobility deliver their English in a thick Irish brogue. The heir of Sus Exelencias Los Condes de Villa Hermosa would come running up to his Antrim governess with "Mees, thon boy's after tekken ma wee ball.'"

And in this exotic environment she must steer a path between the prudence and caution advocated by her fellow teachers, and the romance and excitement which her teenage self craves. The children don't get much mention, as Delia Scully is more involved with the adults around her, from the Irish spinsters, each with her own story, to the employers, the men she meets, and the locals- landladies, servants and others. When governessing proves too constricting, she moves on, but with freedom comes the responsibility of providing for herself.
I preferred this slightly to its prequel. Give a vivid picture of the Madrid of a hundred years ago.
… (meer)
1 stem
Gemarkeerd
starbox | 3 andere besprekingen | Jul 29, 2018 |
I read this while on holiday in Ireland, and it was a good choice. In an apparently largely autobiographical novel, the author describes her teens in a 1920s Irish village. When her widowed mother sets off for the city with her other children, narrator Delia Scully is thrilled to be allowed to remain behind with her beloved grandmother. Rural life of yesteryear is brought to life: the peat cutting, the meals (Gran - and Maura Laverty - were enthusiasts for cookery), school, the Catholic church... Stories of the local people- idiots, lovers, revolutionaries - give a further depth to the narrative. Immensely enjoyable, heart warming read.… (meer)
½
 
Gemarkeerd
starbox | 4 andere besprekingen | Jul 29, 2018 |

Lijsten

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Gerelateerde auteurs

Barry Castle Illustrator
Pat Donlon Foreword
Maeve Binchy Introduction
Louis le Brocquy Illustrator
Sybil Le Brocquy Contributor

Statistieken

Werken
17
Ook door
2
Leden
221
Populariteit
#101,335
Waardering
4.0
Besprekingen
14
ISBNs
17

Tabellen & Grafieken