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Fotografie: Sherrill Milnes

Werken van Sherrill Milnes

Requiem / Pelleas et Mélisande / Pavane [sound recording] (1991) — Performer — 20 exemplaren
American Aria: Encore (2007) 7 exemplaren
Met Legends: Sherrill Milnes (1999) 2 exemplaren
Verdi: I vespri siciliani (2004) 1 exemplaar
Abide with me 1 exemplaar
Recital 2 1 exemplaar
Recital 1 (1997) 1 exemplaar
The Joy of Prayer (1981) 1 exemplaar

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Aida [sound recording] (1990) — Amonasro, sommige edities191 exemplaren
Lucia di Lammermoor [sound recording] (1964)sommige edities124 exemplaren
Don Carlos (sound recording) (1985) — Artist, sommige edities110 exemplaren
La forza del destino (sound recording) (1862) — Don Carlo, sommige edities99 exemplaren
Salome [sound recording] (1972) — Baritone vocals [Jochanaan, Il Profeta], sommige edities81 exemplaren
Macbeth (sound recording) (1958) — Artist, sommige edities66 exemplaren
Simon Boccanegra : melodramma in un prologo e tre atti (1857) — Actor — 66 exemplaren
Ernani (sound recording) (1985) — Don Carlo, sommige edities50 exemplaren

Tagged

Algemene kennis

Geboortedatum
1935-01-10
Geslacht
male
Nationaliteit
USA
Beroepen
operatic baritone
Organisaties
Metropolitan Opera

Leden

Besprekingen

Milnes was, for decades a leading baritone at the Metropolitan Opera and someone I watched dozens of times as he helped define many, many of the great roles in opera.
As a huge opera fan, I was eager for lots of behind the scenes stories. He does recount many and there are some genuinely “laugh out loud” moments (which is particularly awkward on a bus or subway!). The most personal and moving chapter is the “Decade of Panic” in which he describes the chronic throat ailment that ultimately derailed his Met career.
That said, the book was disappointing. In many ways it’s just a catalog of events in his life and career with no real analysis. He glosses over the major events (both personal and professional), not so much describing them, but listing them. Several of the stories he recounts are done so in a fairly blatantly self-serving way. For example, he clearly has an ax to grind with some of the folks at the Met and those stories and people are presented with a very obvious bias. I also would have liked to read a bit more of his thoughts on music, opera and his roles. Still, it was a fun read.
P.S. If anyone was an "Odd Couple" fan, you might be interested to know that, gleaning from the book, I'm guessing that Milnes was the baritone originally cast for the "Rigoletto" episode - the one in which Richard Fredricks starred.
… (meer)
 
Gemarkeerd
plt | Feb 19, 2012 |

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Statistieken

Werken
11
Ook door
17
Leden
51
Populariteit
#311,767
Waardering
½ 4.3
Besprekingen
1
ISBNs
2

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