Alan Powers (1)

Powers had to learn the composition program Finale to write this book. Not all books on bird vocalization feature the author's renditions of microtonal birdtalk; Powers must compete with Leonard Bernstein, who began in publishing by notating jazz solos etc. Bernstein wins. Still, this book's ideal reader knows a bit of music; otherwise, the numerous discussions of diatonic scales and intervals will take getting used to. Powers keeps the intro simple, defining intervals through the expedient of the National Anthem.
Powers' best paragraphs may be on what birds do NOT talk about--sports, investments, most all of TV. What they DO talk about I leave to readers of the book.
Birdtalk received some reviews and notices--the Leonard Lopate Show (WNYC), Radio Uno (Milano), Birding magazine, Amherst magazine, a couple others; and whistling lectures were delivered, largely readings from the book, with some spiced additional poem recitations. Dickinson's various bird poems, The Blue Jay, the Oriole, and the Robin were recited in the garden of the Dickinson home 10 July 2005.
Schuyler Matthews century-old book notates birdtalk as does Powers, but Matthews often remarks the birds' failure to use the diatonic scale. Absolutely true. They glissando and slide around pitch, very meaningfully. Powers, as a trombonist, understands glissandos.
One of his best points compares the Dawn Chorus of birds to Giovanni Capurro's Neapolitan song, "O Sole Mio." In the 1920's, after Capurro had died, the Italians won a gold medal at the Olympics in the Netherlands (maybe). The band did not know the (newish) Italian national anthem, so they played "O Sole Mio," and the whole stadium erupted in song.… (meer)