Peggy SeegerBesprekingen

Peggy Seeger saw a lot of life, and made a lot of music. Her family (including much older half-brother, Pete Seeger) were musicians, and friends of musicians. She spent time in some mighty heady company, and contributed her own talents to the "scene". I will forever be grateful to her for inspiring one of my all-time favorite love songs---"The First Time Ever I Saw Your Face". This autobiography reads like a ramble through her memories, and at times I got the feeling she was sliding over some of the tough bits. It also could have used a bit more editing in some places, and possibly less in others (assuming some of the things that got short shrift may have been due to the editor's discretion?). In any case, if you lived through the 1960's, or just love the music and mythos of that turbulent time, you may find this an interesting, if somewhat unsatisfying read.
Review written in March 2018

This autobiographical memoir of folk singer Peggy Seeger offers a view of the American and British folk music world of the 1960s and later.
She led an interesting life, although many will wonder at some of her decisions, it seems to have worked out. The writing is authentic and personal if a bit choppy. There is surprisingly little about music,but lots about family (including older half-brothe Pete), other musicians and making do on little money and lots of love and energy. High marks for good stories, a bit lower for organization. Worth a read if you are at all into life stories or classic British folk music.

The banjo Method with a fine collection of Folk Songs

First Time Ever is the autobiography of folk musician Peggy Seeger, who acted as singer, songwriter, and pioneer of the British folk revival, along with her husband, Ewan MacColl. It’s a chatty, somewhat impressionistic and disjointed but honest and revealing account that begins with her colorful family (father was a musicologist, mother was “the most significant American female composer of the twentieth century” per the Library of Congress, brothers Mike and Pete were also musicians). Her life with MacColl and their children (as well as stepdaughter Kirsty MacColl) as well as their work together are documented, as well as the subsequent years after his death, when Peggy continued as a musician on her own. I didn’t know a lot about the folk music scene of the 1960s so I enjoyed this account, particularly the musical politics, the logistics of gigs and touring, and specifics related to particular songs (MacColl wrote their biggest hit, “The First Time Ever I Saw Your Face,” for her to sing; at that time he was married to someone else). Seeger also includes domestic details like the difficulty of making ends meet and the near-constant presence of her mother-in-law. I also enjoyed her account of making the Radio Ballads, described by the BBC as “masterpieces of radio, weaving the voices of rarely-heard communities with songs written from and about the recorded experiences of the interviewees.” At the end of the book, you feel you’ve been on the journey with her (even the harrowing parts). Those interested in Seeger and her life and music may be interested in the double CD set she released in tandem with this book, which includes 38 songs in the order they are mentioned in the memoir, available on Bandcamp.

I received a free Early Reviewers copy of this book in exchange for an honest review.

Peggy Seever is an engaging author, and I learned a lot about folk music and performance from this book. Seever and her family and friends are interesting characters, even beyond their importance to folk music. At some points, I thought the book dragged a bit, with lots of detail, especially in the early years. For a person who grew up in that time period, though, reading those chapters would probably be quite nostalgic. I came away from the book with a new appreciation of folk music, and of the people who preserve the traditional songs and and create music within that tradition.

This book first showed up on LibraryThing Early Reviewers, and I signed up. After all, I'm a logical reviewer -- I'm a folk music scholar. I have many MacColl/Seeger records, and I've seen them perform. I have never met any of their family, but I've known people who know them. And I know much of the background of both the Seeger family and the Miller family (Ewan MacColl's proper name). And -- like many in the folk music community -- I have many questions about the background of their music.

So, naturally, I didn't get the book. I've gotten lots of far less interesting volumes from the Early Reviewers program, but not the one I was meant to get.

Which, obviously, meant that I had to get it just to give a proper review. And was very surprised at what I found.

First, the trigger warnings. If you know Peggy Seeger (or any Seeger, really) and Ewan MacColl, you probably know that they are from the far left. But this is an utterly frank, open memoir. If you aren't up for mentions of extra-marital sex, lesbianism, abortion, and other hot button issues, stay away. You have been warned.

But you will also get an insight into America's first family of folk music that you won't get anywhere else. Yes, Pete Seeger wrote more -- but he's a generation older, and more reserved about his own life. Peggy doesn't hide who she is.

It's not a perfect book. She says at the beginning that the manuscript was heavily cut by the editor, and the chopping is much more evident in the second half. The first half flows smoothly, although you'll often have questions as to why Peggy did this or that crazy thing. And, sometimes, you'll lose track of who a particular person is. (An index would really help.) In the second half, the chronology gets hard to follow; events race along, then slow down. It's like a traditional ballad, "leaping and lingering," on some things such as MacColl's death -- but sometimes the leaps are too far.

Oddly, one of the things that is most absent seems to be her music. All the Seegers have tremendous innate musical talent -- almost a savant skill. Yet Peggy tells us almost nothing about how she learned most of her instruments. She tells us nothing at all about her relationships with her instruments. (If you don't know what I mean by a relationship with an instrument, all I can say is, you've never really gotten to know one.) She quotes snippets of traditional songs, and songs she wrote, but often without much context. She talks a lot about touring, and its problems, and even about performing, but only occasionally about getting into a song. Her emotional language is... curious. Which may be why it's so much easier to understand some of the things she did than others.

There is a pattern here. The special skills -- not just in music, though those are the most extreme. The perfectionism and black-and-white thinking that, even as a child, caused her to run off-stage when she made a misstep in a school play, and then refused to go to school the next day because it was so painful. The wild decision to, in effect, run off to Europe -- where she fell in love with and got pregnant by a man twenty years her senior who was already married to someone else! The passion for organizing things in a particular way. The slight hints of gender fluidity. Signs of problems establishing her identity, particularly after MacColl died. It all adds up. And it makes Seeger a very interesting, very unusual person.

She may not be your sort of person, especially if you are culturally conservative. But, by reading her words, you will definitely get a chance to see the world in a different way.

[CORRECTIONS and CHANGES:

11/20 - Changed "gender dysphoria" to "gender fluidity" and removed explanation of the term; "gender dysphoria" is an explicit diagnosis which requires distress, and Seeger does not suffer distress; the term was misleading. Added reference to identity.]½

For me this was a book that needed a bit more editing down especially in the second half. Auto-biographies can be tricky stuff to do well IMO and this book for me was another example of an one that comes up short. FWIW I'd never really listened to any of Peggy Seeger's music before reading the book and I found that a lot of that is worth checking out and in that respect the book could be helpful as a primer to something like that. So it's not like I didn't get anything out of it. Short analysis---her music is better than her book.½

First Time Ever is Peggy Seeger's autobiography and is, I think, a wonderful example of what an autobiography can be. A fascinating life, with many professional and personal ups and downs.

One aspect of a good autobiography (or biography for that matter) is that the life examined has been full of peaks and valleys, even more interesting when many of the names are recognizable. Seeger's life absolutely qualifies in this respect and she provides many wonderful stories in the process of telling her larger overarching story. Some passages were simply stunning in both the writing and the reflective insight.

What I think sets this autobiography above so many others is Seeger's willingness to expose her own blemishes as well as her positives. Many readers may decide they don't care for aspects of her personality or some decisions and actions she made during her life. The fact Seeger herself is the one who presented the insight to allow such a view of her is, I believe, a positive about the book itself, aside from what one may think of her personally.

I would highly recommend this not only to folk music fans and music historians but also to readers who enjoy autobiographies, biographies, and memoirs. The work goes beyond just being a chronological retelling of her life into the realm of reflection. Like all of us I think Seeger is less than 100% critical of herself when reflecting but, the part with which I am impressed, she is honest and frank enough to allow readers to make their own conclusions about her life and her actions. Far too many autobiographies gloss over things that would elicit any negative response, Seeger did not do that to her readers.

Reviewed from a copy made available by the publisher via LibraryThing Early Reviewers.

I doubt very much I would like Peggy Seeger if I met her in person, but this is an interesting, well-written, very honest memoir.

She was raised in an unconventional household. Pete Seeger was her half-brother by her father's first marriage. At 20, after spending 3 years at Radcliffe, she dropped out and went to Europe.

There she fell in love with Ewan MacColl, a married (for the second time) man with a young son, who was 20 years her senior. She battled his wife Jean for his love and affection, especially at the beginning of their relationship. Becoming pregnant with MacColl's child, Seeger entered into a sham marriage with a mutual friend so she could move to the UK with MacColl. Jean gave birth to her second child with MacColl shortly after the birth of Ewan and Peggy's oldest child. She also renounced her American citizenship.

She and MacColl were important figures in the British folk music scene.

This is an interesting account of her life and times.

Peggy Seeger writes lyrically about life as part of the famous Seeger family, whose father collected authentic American folk music (like Alan Lomax) and whose mother was a gifted composer in her own right. Her half-brother Pete was the most famous member of the family as a folk singer. I learned so much about the folk revival in England and she certainly lived a fascinating life, unconventional to say the least.

First Time Ever: A Memoir by Peggy Seeger
Faber & Faber, 2017
978-0-571-33679-1

“First Time Ever” is an incredible book written with honesty and candor by one of the seminal figures in the folk music scene. Peggy Seeger comes from a musical family, her parents Charles and Ruth and her brothers Mike and Pete and was exposed during her childhood to some of the most influential artists of that era. We get to see that parade of people through her eyes in this wonderful book and also insights into the postwar era of America. She also lets us into her personal world with honest observations about the world that she has travelled in during her life as a musician. She recalls her years with writer and performer Ewan MacColl; their love and their collaborations. I recommend this book highly not only to those who love folk music but those who love life.

I was rather surprised by this book. At first I was a little annoyed because I thought the book was about Pete Seeger's daughter. Having lived in the Hudson Valley I thought it would be an interesting read. Once I realized who Peggy Seeger was and what song she was most famous for, I actually looked forward to reading the book. Having been born at the end of this musical era I was both intrigued and surprised about it and enjoyed the story that Peggy told. It was an excellent read and I'm happy to have read it. If you love and enjoy a wide variety of music you would certainly enjoy this book.

A wonderful memoir written by Peggy Seeger, half sister of Pete Seeger. Such an honest, beautiful woman. I enjoyed learning about the details of her life.. as I have for many years liked her music. What an interesting life!

Peggy Seeger has fit a lot of music and life into her eighty plus years, and she certainly isn’t done yet. Born in 1935, the half-sister of Pete Seeger, she grew up with music as the core value in her life. Her father, Charles Seeger, was a folklorist and musicologist (and probably a member of the Communist Party). Her mother, Ruth Porter Crawford, called Dio, was a pianist, composer and the first woman to win a Guggenheim fellowship. It wasn’t unusual to have Woody Guthrie and Leadbelly visiting her house...music happened!

Peggy Seeger’s beautiful new memoir, First Time Ever, is a pleasure to read and learn from. Together with Ewan MacColl, who became her musical collaborator, fellow political activist, lover and husband until his death in 1989, she helped define and launch the British folk revival.

There has been a lot of “learn by experience” in her life, and her experience has gifted us with a catalogue of songs that will survive all our lifetimes.