Michael Turner (3) (1962–)
Auteur van The Pornographer's Poem
Voor andere auteurs genaamd Michael Turner, zie de verduidelijkingspagina.
Over de Auteur
Comic book artist and writer Michael Turner was born in Crossville, Tennessee on April 21, 1971. He had been a pre-medicine student at the University of Tennessee before moving to Aspen and San Diego, where he taught martial arts. At the 1993 Comic-Con in San Diego his artistic talent was toon meer discovered by the staff of Top Cow Productions. Turner illustrated backgrounds for Top Cow titles before co-creating the popular comic book character Witchblade, who was named for the supernatural weapon that affixed itself to the arm of New York homicide detective Sara Pezzini. In 1998 he debuted the aquatic Fathom character, whose secret identity was marine biologist Aspen Matthews. In 2002 Turner left Top Cow to found his own entertainment publishing company, Aspen MLT Inc. In 2004 he began contributing art to DC Comics and Marvel Comics, including cover designs for issues of the Teen Titans, Superman, Identity Crisis, The Flash, Supergirl, Wolverine, Civil War, Incredible Hulk, Black Panther, and Sub-Mariner. In 2004 he provided the cover art and co-wrote the Superman "Godfall" story arc, and Soulfire began publication. Turner died at age 37 of complications from bone cancer and is survived by his family and fiancée, Kelly Carmichael. (Bowker Author Biography) toon minder
Werken van Michael Turner
Vulnerable Light 1 exemplaar
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Algemene kennis
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Besprekingen
The Pornographer's Poem: A Novel door Michael Turner
Basically 'I am the Cheese' meets 'Go ask Alice' with better prose than the latter. It seems as regrettable that the author wasted his effort on such an insipid, moralistic story as that I wasted my time reading such an insipid, moralistic story.
A collection of snippets, some stories, some just descriptions without evident story arc. Some characters vaguely echoed in other bits. Sort of a precise impressionism.
Very good. The second last one had a more conventional arc, with a satisfying ending. Probably even more satisfying because so rare. Most never arrived at the ending by the time they finished.
Very good. The second last one had a more conventional arc, with a satisfying ending. Probably even more satisfying because so rare. Most never arrived at the ending by the time they finished.
A collection of snippets, some stories, some just descriptions without evident story arc. Some characters vaguely echoed in other bits. Sort of a precise impressionism.
Very good. The second last one had a more conventional arc, with a satisfying ending. Probably even more satisfying because so rare. Most never arrived at the ending by the time they finished.
Very good. The second last one had a more conventional arc, with a satisfying ending. Probably even more satisfying because so rare. Most never arrived at the ending by the time they finished.
"I think it is best to start with the publisher's description, because if I had been handed this book without recommendation or any idea what to expect, I would have been quite confused.
One thing that is odd now that I think about it, is that there were no physical descriptions of appearances. I didn't even find myself wanting them. What I did find myself wanting was a name or a specific trait to classify them (purely to remember them by).
The tales are certainly not linear and to be honest, the themes of war and migration didn't jump out at me. Although I think this is to the book's credit; the themes and ideas portrayed aren't shoved down your throat by repetition.
The book left me with a sense of wanting to know more. I felt, unfulfilled because there were a number of characters I would love to know the whole story for. However, despite wanting more, I think that the book was a good length and snapshot just as it was. Anything lengthier in the same format and with the same narrative structure would have started to grate on my nerves. I would have become frustrated that none of my questions or wants were fulfilled. So yes, the story left me wanting more details and information about the events, but it was satisfying in itself. Hard to describe!
Read my full review on my blog: http://www.monniblog.com/2010/03/8-x-10-by-michael-turner/"… (meer)
One thing that is odd now that I think about it, is that there were no physical descriptions of appearances. I didn't even find myself wanting them. What I did find myself wanting was a name or a specific trait to classify them (purely to remember them by).
The tales are certainly not linear and to be honest, the themes of war and migration didn't jump out at me. Although I think this is to the book's credit; the themes and ideas portrayed aren't shoved down your throat by repetition.
The book left me with a sense of wanting to know more. I felt, unfulfilled because there were a number of characters I would love to know the whole story for. However, despite wanting more, I think that the book was a good length and snapshot just as it was. Anything lengthier in the same format and with the same narrative structure would have started to grate on my nerves. I would have become frustrated that none of my questions or wants were fulfilled. So yes, the story left me wanting more details and information about the events, but it was satisfying in itself. Hard to describe!
Read my full review on my blog: http://www.monniblog.com/2010/03/8-x-10-by-michael-turner/"… (meer)
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Statistieken
- Werken
- 8
- Leden
- 337
- Populariteit
- #70,620
- Waardering
- 3.6
- Besprekingen
- 12
- ISBNs
- 198
- Talen
- 6