How could a book like this exist and no one told me? It will have to be added to my All Time Favorites shelf. Ms. Miller didn’t just write this book, she crafted it. She is a wordsmith. Every paragraph, every sentence, every word has been worked and re-worked and re-worked to perfection. I don’t know how any of the popular hack writers of today could read a book like this and still consider themselves ‘writers’.
If you like a lot of snappy dialogue and a fast moving, action packed plot that moves forward at the speed of light, this is not for you. In fact, I’m not sure there is a plot. I was so lost in the prose I didn’t notice.
This is a beautiful but grueling book. It’s the story of an extended family of settlers in Georgia, in the decades leading up to and at the time of the Civil War, trying to eke out a living on the land, with nothing much between themselves and the harshness of nature except what they and their families had learned the hard way.
But the prose, the world, the sheer not-Gone-With the Wind-ness of it, are reason enough to read it.
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Lamb in His Bosom is Caroline Miller’s Pulitzer prize-winning novel centered on poor farmers in the pre-Civil War South. My reaction to this novel was visceral. I am proud to say that my own heritage is rooted in just such rural people and that I could indeed see traces of my own great-uncles, grandmother and grandfather in the characters of the hard-working men and women portrayed here. It is, however, the women who capture my heart and make this novel sing personal songs to me. Cean, her mother Seen, and Margot who leaves a physically easier but morally deficient life to join them in the wilderness that borders the Okefenokee swamp, are the ones who make endurance and joy possible, bring life into being, nurture the living and prepare the dead for burial.

I could not help thinking of my own grandmother who bore eleven children and buried three of them either at birth or within a year of it. I can remember how hard-scrabble her life was, even when I was young and it must have seemed so much easier and “convenient” to her. Miller’s descriptions are vivid and detailed, so that it is easy to imagine these people at the hard labor of butchering, plowing, milking, cooking, sewing, and living. She pulls us into a world where birth and death are intimately linked and life is either a blessing or a curse depending on how capricious you believe God to be. It is also easy to find in the pages and characters the love and pleasures that are drawn from the simplest of things.

The religious element in these lives is what essentially propels them forward during the unbelievable hardships they must bear. The promise of another world that is less cruel and in which they can meet again with those they have lost energizes and motivates them to live.
“Seen would throw that promise back into God’s eternal face in the weak song of her lips. He had promised and repromised to bear her like a lamb in His bosom, never, no, never, no, never to forsake her.” One might ask where God is during all the horrors that visit these people, but one would be better to ask how they would ever have endured their lives without the promise that He was there and providing for them as they left this world for the next.

What stuck me deeply was the difference between our lives and theirs. How removed we are from everything around us compared to the way they lived within their world and part of it. Nature is their intimate provider and their constant threat. Rattlesnakes and panthers assault them, but blooming flowers enthrall them and the creatures of the woods feed them. When death comes, it is a presence. They sit with the dead, they touch them, they clean them, they dig the graves and lower the coffins. They do not assign their care to a hospice or call for a mortician.

Finally, there is the theme of home and family that runs through this story beginning to end. Seen and Vince leave Carolina to settle in Georgia because of the promise of a longer growing season and an easier life. They do not find that, but what they do find is a separation that is almost unbearable from the family and world they have left behind. Lias longs to leave this place of his birth, but in the end it is always homeward he looks. He wants those at home to always be looking for him to come and never to know of his death, because he wants never to be forgotten. In his own way, he proves the wisdom of his wish, for he is himself carrying alive in his heart the souls of those who have already passed from the earth in his absence. Cean mourns Cal’s death in the war more cruelly because he is so far from home when he meets his end. “But mayhap somebody dug a hole for him to rest in, away from their (buzzards) greedy beaks. Never did she know, and it was a sorrow to her; death is bad enough at its best, when ye can bury a body and lovingly tend the earth that lies above it…”.

Miller has a wonderful grasp of the people she portrays and uses their language with the loving touch of one who has heard these words tripping from the tongues of real people. She says she mined these stories over time from elderly people she knew, and it is obvious to me that a current of reality runs through her writing that cannot be denied. I am amazed that I had never come across this novel nor heard of it, despite its having won the 1934 Pulitzer and having inspired Margaret Mitchell’s writing of Gone With the Wind. I am grateful to the Goodreads member who suggested it as a group read and thus brought it to my attention.
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An excellent portrayal of a poor Southern family in the mid 1800's. The descriptions of the landscape, ways of life and thought, and people were vivid. The strength of people in the struggle of life was palpable. ( )

Dated, with some language if the era, but an interesting view into the Southerners pre-civil war who never came close to having the money to own slaves and really did not understand the "outside world" beyond their tiny rural community. A bit too long, and I agree with the NYT critic who found the ending rushed... ( )

Cean Carver weds Lonzo Smith on a fine Spring day in 1832, and they leave her parents’ home for the six-mile journey by ox cart to their new homestead. This 1934 Pulitzer winner deals with a backwoods country existence in rural Georgia, following the Carver / Smith families until shortly after the Civil War. Over the course of several decades, the book explores what life was like for these farmers of pre-Civil War America. They battle weather, wild animals, disease, and injuries. And, when called, the men leave to fight a war they never wanted, and have no stake in.

It takes a little while to get used to the language and style, but it’s a wonderful book. At times it’s plodding, but there are extraordinary moments of brilliant writing. Descriptions so vivid you can feel the heat, smell the blood, hear the birds or the wail of panthers. It is a simple story, of simple people, but their lives are anything but simple.

Cean Carver Smith is the focus of much of the novel. Over the course of the book she gives birth to fourteen children, mourns the death of several of her family members, endures moments of panic, and perseveres with courage and dignity. She is steadfast in her resolve to provide for her family, to love her husband and parents, and to endure.

What is so special about the book is that it gives voice to the majority of rural farmers of this era. People with limited education, no slaves, many children, and a deep faith that hard work would reap rewards. Miller was the first Georgia writer to win the Pulitzer, and the success of this novel prompted the publisher to go seeking other Southern writers. Thus, was Margaret Mitchell’s Gone With the Wind discovered. That book quickly surpassed this one in popularity, and more’s the pity in my opinion.

(NOTE: Review updated on second reading, Sept 2017) ( )

546. Lamb in His Bosom by Caroline Miller (read 24 June 1958) (Pulitzer fiction prize for 1934) I read this when I was doing the Pulitzer fiction winners. My memory is that it is quite a good book. ( )

When I tell people I'm reading all of the Pulitzers, most people get an 'ick' look on their face, or ask me what my problem is. I then enthusiastically try to convince them that they're actually almost all extremely readable and not overly 'literary'. I point out To Kill a Mockingbird and The Yearling and Middlesex and The Amazing Adventures of Kavalier and Clay and on and on until I find one they've read that they actually liked and thought was accessible.

A Lamb in His Bosom is exactly the kind of book that these people think all Pulitzers are. It's extremely slow and dull. I literally fell asleep reading it...twice! And that never happens to me!

I had high expectations for this book because I'd read that when it won the Pultizer, it got publishers interested in civil war era Southern novels. According to several sources, it directly paved the way for Gone With the Wind to win the Pulitzer in the following year. I freaking LOVE GWtW so I was stoked to read the lesser known novel that supposedly was such a sensation that it paved the way for GWtW.

I don't even know how to properly tell you what sucked so much about this book. It was basically the story of one family living in Georgia who was totally uninterested in and mostly uninvolved in the Civil War. The protagonist was a women named Cean, not to be confused with her mother, who was named Cean. Or her 3rd daughter, who was named Cean. In fact, the main Cean ended up having 16 children altogether, 4 of whom lived a week or less. The novel was basically the story of all her babies and how she kept having babies even though she didn't want babies. Also her brother-in-law was an asshole. And she worked in the fields a lot. Also she made candles from animal fat. ( )

Beautiful prose and dialectally engaging so that you truly felt the happiness, heartache, excitement and dread of this farm family lead by the main character Cean. The book reminded me a lot of Conrad Richter's Awakenings trilogy - the pioneering family of the early to mid 19th century. What struck me about Cean is her reluctance to have children - despite the fact of giving birth to more than a dozen! Some of the plot twists develop rather abruptly but effectively nonetheless. Definitely of the strong pioneering women genre. ( )