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Bezig met laden... We Lived in a Little Cabin in the Yarddoor Belinda Hurmence
![]() Black Authors (336) Bezig met laden...
![]() Meld je aan bij LibraryThing om erachter te komen of je dit boek goed zult vinden. Op dit moment geen Discussie gesprekken over dit boek. It is so important to remember history the way that it actually happened. The best way to do that is by collecting interviews, which is how this book came to be. I have no recollection of reading a more varied, honest-sounding compilation of accounts. This book is the result of the Federal Writers' Project, which was created to provide work for historians, teachers, writers, and others while creating a series of guide books. American life histories and the histories of slaves were collected in a series of interviews, which have been edited together here. This is an invaluable resource that I stumbled upon in my local library and would not have known existed otherwise. As someone who loves actual history told by the people who lived it, I simply cherished every word that I read. It is a quick read that makes you want to track down every interview you can for the other states that are available. We Lived in a Little Cabin in the Yard is a compilation of slave narratives selected to illustrate experiences of slavery in Virginia. Why bother with this small selection of 21 narratives when a digital collection of more than 2,300 slave narratives is available in the Library of Congress’s American Memory collection? The value is in the selection and editing of the collection. Most of the selections are drawn from the 15 Virginia oral histories collected as part of the WPA’s Federal Writers’ Project and deposited in the Library of Congress. Rounding out the compilation are selections from other states whose interview subjects were born in Virginia and who described their experiences of slavery in Virginia in their interviews. The editor purposely included accounts only for those individuals who were over eighty years old at the time they were interviewed in the 1930s, reasoning that these accounts contain less hearsay than those of slightly younger interviewees. By looking at these accounts collectively, one forms an idea of what it was like to be a slave in Virginia just before and during the Civil War. This selection is well-suited for use with middle readers and above. Highly recommended. geen besprekingen | voeg een bespreking toe
In the 1930s, the Federal Writers' Project undertook a massive effort at gathering the oral testimony of former slaves. Those ex-slaves were in their declining years by the time of the Great Depression, but Elizabeth Sparks, Elige Davison, and others like them nonetheless provided a priceless record of life under the yoke: where slaves lived, how they were treated, what they ate, how they worked, how they adjusted to freedom. Here, Belinda Hurmence presents the interviews of 21 former Virginia slaves. This is a companion volume to Hurmence's popular collections of North Carolina and South Carolina slave narratives, My Folks Don't Want Me to Talk About Slavery and Before Freedom, When I Just Can Remember. Belinda Hurmence was born in Oklahoma, raised in Texas, and educated at the University of Texas and Columbia University. She has written several novels for young people, includingTough Tiffany (an ALA Notable Book),A Girl Called Boy (winner of the Parents' Choice Award),Tancy (winner of a Golden Kite Award), andThe Nightwalker. She now lives in Raleigh, North Carolina. Geen bibliotheekbeschrijvingen gevonden. |
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![]() GenresDewey Decimale Classificatie (DDC)305.5670922755Social sciences Social Sciences; Sociology and anthropology Groups of people Class Lower, alienated, excluded classesLC-classificatieWaarderingGemiddelde:![]()
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One thing that surprised me what how well most of the narrators spoke about their masters. Given the horrors of slavery, I would have expected more to depict this travesty. And yet many did not. One speaker noted that owners in Virginia tended to treat slaves better become freedom was so close – merely a few hundred miles away. I wonder if this is accurate or if this is a product of the fact the people collecting the stories were white and sought out “white people aren’t so bad” stories. Perhaps reading this authors other works (collections from North and South Carolina) would help solve this question.
The language is simple enough for younger readers, but the subject matter may require adult guidance to process. Still, I would highly recommend for educational purposes. (