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Tea at the Grand Tazi

door Alexandra Singer

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612,645,728 (2.5)2
A brilliantly authentic, well-crafted tale of naivety, betrayal and personal resolution, set against the colourful backdrop of bustling souks, Moroccan sunsets and dust-filled streets... An engrossing read. Polly Courtney  Maia is leaving London to paint in the bright sunlight and exotic setting of Morocco. Working as an assistant to a once famous Historian, she is lured in by her new surroundings, promising excitement and, more importantly, freedom.In the final days of a North African summer, a sense of boredom and unease pervades the city. Maia is drawn unwillingly into the ways in which the clientele of the renowned Grand Tazi pass their increasingly long, hot evenings.  As the intense heat wears down her resistance, Maia succumbs to vice. The light that she once sought becomes eclipsed by shadowy dealings. Can Maia take back control of her new life and, if so, does she even want to?… (meer)
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I was drawn to this book by the vivid colours of the cover and by the setting of the story, in which a young woman goes to Morocco.

Initially, I found it hard to get into, and while it did pick up a bit and become more interesting, nearly everyone was very unpleasant. Maia herself is naive and lacks insight, rather worryingly for someone with artistic ambitions. I thought the portrayal of Moroccans had rather racist overtones, although most of the Western expats were quite obnoxious. Gay/lesbian sexuality seemed to be equated with corruption.

Although I didn't like this much, I would be curious to see what the author writes next, perhaps with a stricter editor and less purple prose. ( )
1 stem elkiedee | Apr 28, 2012 |
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A brilliantly authentic, well-crafted tale of naivety, betrayal and personal resolution, set against the colourful backdrop of bustling souks, Moroccan sunsets and dust-filled streets... An engrossing read. Polly Courtney  Maia is leaving London to paint in the bright sunlight and exotic setting of Morocco. Working as an assistant to a once famous Historian, she is lured in by her new surroundings, promising excitement and, more importantly, freedom.In the final days of a North African summer, a sense of boredom and unease pervades the city. Maia is drawn unwillingly into the ways in which the clientele of the renowned Grand Tazi pass their increasingly long, hot evenings.  As the intense heat wears down her resistance, Maia succumbs to vice. The light that she once sought becomes eclipsed by shadowy dealings. Can Maia take back control of her new life and, if so, does she even want to?

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