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Public perception of Native American art and culture has often been derived from misunderstandings and misinterpretations, and from images promulgated by popular culture. Typically, Native Americans are grouped as a whole and their art and culture considered part of the past rather than widely present. This work challenges these assumptions by focusing on the objects as art rather than cultural or anthropological artifacts and on the multivalent creativity of Native American artists. The approach highlights the inventive contemporaneity that existed in all periods and continues today. More than 75 works in a wide range of media and scale are organized into four thematic groups: changing, expanding the imagination; knowing, expressing worldview; locating, exploring identity and place; and voicing, engaging the individual. The result is a paradigm shift in understanding Native American art.… (meer)
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"Shapeshifting celebrates Native American ideas that have crossed time and space to be continuously refreshed with new concepts and expressions. Experience this vitality through sculpture, paintings, ceramics, textiles, photographs, videos and monumental installations drawn from collections in the United States, Canada and Europe. Rarely seen historic pieces, shown alongside some of the finest contemporary works, demonstrate the diversity and continuity of Native American art and culture from 200 B.C.E. to the present."-- from publisher's web site
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"To exist is to change, to change is to mature, to mature is to go on creating oneself endlessly:' - Henri Bergson (1859-1941) The word "shapeshifting" encompasses many connotations from the physical to the magical, whether in Native American or popular culture. At its heart, however, are change and transformation, concepts that imply intent, movement, action, difference, and, inevitably, inquisitiveness. An outcome occurs, whatever the agent or reason for change. Shapeshifting: Transformations in Native American Art - in its totality as an exhibition, book, and public programming - has a clear and audacious goal: to invite and incite changes in the perception and appreciation of Native American art."
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Public perception of Native American art and culture has often been derived from misunderstandings and misinterpretations, and from images promulgated by popular culture. Typically, Native Americans are grouped as a whole and their art and culture considered part of the past rather than widely present. This work challenges these assumptions by focusing on the objects as art rather than cultural or anthropological artifacts and on the multivalent creativity of Native American artists. The approach highlights the inventive contemporaneity that existed in all periods and continues today. More than 75 works in a wide range of media and scale are organized into four thematic groups: changing, expanding the imagination; knowing, expressing worldview; locating, exploring identity and place; and voicing, engaging the individual. The result is a paradigm shift in understanding Native American art.
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