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NEW YORK TIMES BESTSELLER ? The true tale of the 1893 World's Fair in Chicago and the cunning serial killer who used the magic and majesty of the fair to lure his victims to their death. ??Relentlessly fuses history and entertainment to give this nonfiction book the dramatic effect of a novel .... It doesn??t hurt that this truth is stranger than fiction.? ??The New York Times Combining meticulous research with nail-biting storytelling, Erik Larson has crafted a narrative with all the wonder of newly discovered history and the thrills of the best fiction.
Two men, each handsome and unusually adept at his chosen work, embodied an element of the great dynamic that characterized America??s rush toward the twentieth century. The architect was Daniel Hudson Burnham, the fair??s brilliant director of works and the builder of many of the country??s most important structures, including the Flatiron Building in New York and Union Station in Washington, D.C. The murderer was Henry H. Holmes, a young doctor who, in a malign parody of the White City, built his ??World??s Fair Hotel? just west of the fairgrounds??a torture palace complete with dissection table, gas chamber, and 3,000-degree crematorium. Burnham overcame tremendous obstacles and tragedies as he organized the talents of Frederick Law Olmsted, Charles McKim, Louis Sullivan, and others to transform swampy Jackson Park into the White City, while Holmes used the attraction of the great fair and his own satanic charms to lure scores of young women to their deaths. What makes the story all the more chilling is that Holmes really lived, walking the grounds of that dream city by the lake. The Devil in the White City draws the reader into the enchantment of the Guilded Age, made all the more appealing by a supporting cast of real-life characters, including Buffalo Bill, Theodore Dreiser, Susan B. Anthony, Thomas Edison, Archduke Francis Ferdinand, and others. Erik Larson??s gifts as a storyteller are magnificently displayed in this rich narrative of the master builder, the killer, and the g… (meer)
thatwordnerd: Both books tell a true story, with a multitude of sources, but are written in a way that makes the reader feel as if it is almost fiction. The reader (see more) is not hit over the head with facts and is able to get sucked into the story and the era.
BookshelfMonstrosity: Offering rich details of Savannah in the 1980s (Midnight in the Garden) and Chicago in the 1890s (Devil in the White City), these well-researched and dramatic recreations of terrible crimes are equally compelling, despite differences in time period and location.… (meer)
CarlT: Though AMERICAN GOTHIC is fiction and THE DEVIL IN THE WHITE CITY is non-fiction, both books are based on the Chicago World's Fair of 1893 (nicknamed "The White City") and the horrific murders committed by serial killer Henry H. Holmes.
Stbalbach: Both concern late-19th C American killers in the backdrop of a bigger social story of advancement (Chicago Fair and Oxford English Dictionary).
BookshelfMonstrosity: The Devil In the White City and The Suspicions of Mr. Whicher are compelling and richly detailed books about historical true crime. These stories present not only details about the crime but also about the social mores of the time.
In 1893, Chicago hosted the World's Fair. The Fair brought to America for the first time things that we still use today: alternating current, the moving walkway, and the Ferris Wheel (which was actually created to rival the prize jewel of the Paris World's Fair four years before: the Eiffel Tower). Almost 30 million visitors passed through its gates to see its wonders. It was also home to H. H. Holmes, a serial killer who preyed on young single women. Erik Larson's Devil In The White City takes the stories of how the Fair came to be and Holmes' activities and winds them together to create a book that looks at the at the Fair but also outside of it.
I was super looking forward to this when I started it: with the huge amount of praise it got, and how much I enjoyed Larson's most recent Dead Wake, it seemed like it was going to easily be a new favorite. But I just didn't get really into it the way I was hoping. Which doesn't mean it wasn't good! It was, quite good in fact. But Larson's threading together of the different stories wasn't quite as skilled as it was in Dead Wake. Since I was in the middle of being stressed out about planning my own event as I was reading it (less than a month before my wedding), the long recounting of the delays and problems of planning and building the Fair just gave me anxiety. But I think even without my personal baggage, I would have found this portion of the book a little overlong. I get what Larson's trying to do: you know it did come together and was successful in the end (he tells you that much right from the beginning), and as he recounts mishap after mishap, it's supposed to keep you hooked and wonder how in the world it got pulled off. But at a certain point I just wanted to the Fair to start already because I knew it was going to and I was tired of hearing about how it almost didn't.
The part of the story about the Fair is so dominant that the part about the serial killer (which was honestly the part I was most interested in) gets a little bit of the short shrift. Holmes and his story kind of lurk around the outside edges, which I suppose is appropriate since lurking around the edges of the Fair is exactly what Holmes did in real life. But every time the book turned back to the Fair from Holmes I groaned a little inside, because I found the latter so much more compelling. The book effectively ends by devoting itself to wrapping up Holmes' plotline, and it was the first time I felt reluctant to put the book down since I started it. On the whole the book is well-written, interesting, and definitely worth a read, but don't go in expecting it to be mostly about one of America's first serial killers or you might be a little disappointed. ( )
This is a non-fiction story about parallel happenings in the late Victorian era of Chicago: The World's Fair and the criminal life of serial killer H. H. Holmes who lived adjacent to the fairgrounds. I found this book to be very interesting, though some of the architecture and construction details were on the tedious side. I enjoyed how Larson used these stories to give the reader a window into American and Chicagoan society during the late 1800s. The stories unfold largely like a work of fiction, though it's not a page turner. There's definitely more content about the lead up to the fair than on the murders. It was clearly extremely well researched and there are so many cool historical tie-ins to the fair that were brought to light. A worthwhile read. ( )
Honestly, I had seen this book hyped so much that I was really a little disappointed. I found it to be very dry at times and I'm not sure that incorporating the two storylines of the creation of the World's Fair in Chicago juxtaposed against the Holmes murders really worked all that well. Ironically, I found the fair more interesting that the salacious murders. ( )
This was good, although the reason it didn't get a 4-star rating was because it was anti-climatic. I would have liked to read a little more about the reactions of the families of all the girls they knew Holmes had killed, and/or read some of the letters written about missing family members who went to the World's Fair. There was no inclusion of Burnham's view of Holmes or any awareness of what went on during that time, though Larson alludes to the fact that Burnham did know or had occasion to comment on the murders. Larson is a great writer, but the end felt rushed--he could have left out several things that seemed to drag on about the fair and included more of Holmes' atrocities to make this an equal accounting. I thought, by the title, that the book would be more about Holmes than the Fair, but that is not the case at all. It was more about the Chicago World's Fair than anything else. ( )
Mr. Larson has written a dynamic, enveloping book filled with haunting, closely annotated information. And it doesn't hurt that this truth really is stranger than fiction.
Informatie afkomstig uit de Engelse Algemene Kennis.Bewerk om naar jouw taal over te brengen.
Make no little plans; they have no magic to stir men's blood. Daniel H. Burnham
Director of Works
World's Columbian Exposition, 1893
I was born with the devil in me. I could not help the fact that I was a murderer, no more than a poet can help the inspiration to sing. Dr. H. H. Holmes
Confession
1896
Opdracht
Informatie afkomstig uit de Engelse Algemene Kennis.Bewerk om naar jouw taal over te brengen.
To Chris, Kristen, Lauren, and Erin,
for making it all worthwhile —and to Molly, whose lust for socks
kept us all on our toes
Eerste woorden
Informatie afkomstig uit de Engelse Algemene Kennis.Bewerk om naar jouw taal over te brengen.
The date was April 14, 1912, a sinister day in maritime history, but of course the man in suite 63–65, shelter deck C, did not yet know it.
Citaten
Informatie afkomstig uit de Engelse Algemene Kennis.Bewerk om naar jouw taal over te brengen.
"Suddenly New York and St. Louis wanted the fair. Washington laid claim to the honor on the grounds it was the center of government, New York because it was the center of everything. No one cared what St. Louis thought, although the city got a wink for pluck."
"Make no little plans; they have no magic to stir men's blood"
"They are blue. Great murderers, like great men in other walks of activity, have blue eyes."
"In all the workforce in the park numbered four thousand. The ranks included a carpenter and furniture-maker named Elias Disney, who in coming years would tell many stories about the construction of this magical realm beside the lake. His son Walt would take note."
Laatste woorden
Informatie afkomstig uit de Engelse Algemene Kennis.Bewerk om naar jouw taal over te brengen.
On a crystalline fall day you can almost hear the tinkle of fine crystal, the rustle of silk and wool, almost smell the expensive cigars.
NEW YORK TIMES BESTSELLER ? The true tale of the 1893 World's Fair in Chicago and the cunning serial killer who used the magic and majesty of the fair to lure his victims to their death. ??Relentlessly fuses history and entertainment to give this nonfiction book the dramatic effect of a novel .... It doesn??t hurt that this truth is stranger than fiction.? ??The New York Times Combining meticulous research with nail-biting storytelling, Erik Larson has crafted a narrative with all the wonder of newly discovered history and the thrills of the best fiction.
Two men, each handsome and unusually adept at his chosen work, embodied an element of the great dynamic that characterized America??s rush toward the twentieth century. The architect was Daniel Hudson Burnham, the fair??s brilliant director of works and the builder of many of the country??s most important structures, including the Flatiron Building in New York and Union Station in Washington, D.C. The murderer was Henry H. Holmes, a young doctor who, in a malign parody of the White City, built his ??World??s Fair Hotel? just west of the fairgrounds??a torture palace complete with dissection table, gas chamber, and 3,000-degree crematorium. Burnham overcame tremendous obstacles and tragedies as he organized the talents of Frederick Law Olmsted, Charles McKim, Louis Sullivan, and others to transform swampy Jackson Park into the White City, while Holmes used the attraction of the great fair and his own satanic charms to lure scores of young women to their deaths. What makes the story all the more chilling is that Holmes really lived, walking the grounds of that dream city by the lake. The Devil in the White City draws the reader into the enchantment of the Guilded Age, made all the more appealing by a supporting cast of real-life characters, including Buffalo Bill, Theodore Dreiser, Susan B. Anthony, Thomas Edison, Archduke Francis Ferdinand, and others. Erik Larson??s gifts as a storyteller are magnificently displayed in this rich narrative of the master builder, the killer, and the g
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Google Books — Bezig met laden...
History; Nonfiction; True Crime; Erik Larson; Daniel Stashower
3
I was super looking forward to this when I started it: with the huge amount of praise it got, and how much I enjoyed Larson's most recent Dead Wake, it seemed like it was going to easily be a new favorite. But I just didn't get really into it the way I was hoping. Which doesn't mean it wasn't good! It was, quite good in fact. But Larson's threading together of the different stories wasn't quite as skilled as it was in Dead Wake. Since I was in the middle of being stressed out about planning my own event as I was reading it (less than a month before my wedding), the long recounting of the delays and problems of planning and building the Fair just gave me anxiety. But I think even without my personal baggage, I would have found this portion of the book a little overlong. I get what Larson's trying to do: you know it did come together and was successful in the end (he tells you that much right from the beginning), and as he recounts mishap after mishap, it's supposed to keep you hooked and wonder how in the world it got pulled off. But at a certain point I just wanted to the Fair to start already because I knew it was going to and I was tired of hearing about how it almost didn't.
The part of the story about the Fair is so dominant that the part about the serial killer (which was honestly the part I was most interested in) gets a little bit of the short shrift. Holmes and his story kind of lurk around the outside edges, which I suppose is appropriate since lurking around the edges of the Fair is exactly what Holmes did in real life. But every time the book turned back to the Fair from Holmes I groaned a little inside, because I found the latter so much more compelling. The book effectively ends by devoting itself to wrapping up Holmes' plotline, and it was the first time I felt reluctant to put the book down since I started it. On the whole the book is well-written, interesting, and definitely worth a read, but don't go in expecting it to be mostly about one of America's first serial killers or you might be a little disappointed. (