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Airship: Design, Development and Disaster (2012)

door John Swinfield

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Airship charts the history of lighter-than-air craft from the continental pioneers of the late 19th century through to European airship stations in the Great War, Germany's pre-eminent commercial and military zeppelins, the construction of British behemoths R100 and its sister ship R101 and the calamitous losses of USS Akron in 1933 and LZ129 Hindenburg in 1937, events which ultimately heralded the end of large-scale airship production. The historical development of airships is seen to be protracted and fractious, as the armed forces of leading European and US powers toyed with commercial propositions while trying to bend them to military uses. The book examines the axial role of Count Zeppelin, the development of the Zeppelin in Germany as bomber and reconnaissance craft, and the way the British Admiralty, French, Italian and American engineers attempted to imitate German design. The airship coincided with a time of international strife- mass unemployment, General Strikes, the Wall Street Crash and the growing shadow of fascist tumult. Airship draws on original sources, official documents and private letters including interviews with figures like Mary Stopes-Roe, daughter of the airship builder Barnes Wallis. It identifies and analyses the central themes and bold personalities of the era- forming a text that is readable, entertaining and authoritative. The book is fully referenced with newly discovered first-hand material and a detailed bibliography.… (meer)
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Airship: Design, Development and Disaster by John Swinfield is a study of lighter than air ships in Europe and the United States. Swinfield holds a Master of Arts in maritime history has been widely published in newspapers as a reporter before joining ITV and the BBC.

Today the idea of lighter than ships, especially zeppelins, seem rather benign, if at all thought about beyond a great 70's rock band. In World War I, zeppelins flew well above the ceilings of aircraft of the day. They were safe from enemy attack and could stay in the clouds hidden from view. With their engines off the were completely silent until their bombs hit the ground. Although the zeppelin could not see through the clouds, it could lower a “cloud car” with a crew member 3,000 feet below the zeppelin to act as a spotter. Zeppelins were to cities what submarines were to shipping: pure terror. Britain, in turn, used its airships to spot submarines.

A good portion of the book traces Britain’s attempt develop its own airship fleet for civilian use. Britain always ended up a step behind the Germans in the airship race. The Zeppelin company was almost destroyed as a result of the the Treaty of Versailles, but an American order helped save the company. In Britain, it was a struggle to develop a peace time airship program. The government did not want and could not afford to subsidize the industry. Two competing firms vied for position and promises included carrying mail and passengers to the Americas and to India. The companies projected profits.

In America it was the rise of the Goodyear company after the U.S. purchased airships from other countries. America used helium and converted ships it bought to helium. Countries experimented with carrying planes on the zeppelins envisioning a fleet of plane carrying zeppelins, much like an aircraft carrier in the sky. Other countries joined the airship race. Italy entered and built the Norge for Amundsen to fly to the North Pole. Germany resumed the zeppelin industry with airships flying to Brazil and the United States. It was the heyday for airships, until the Hindenburg caught fire and crashed in a spectacular fireball. With the Hindenburg disaster, the airship industry also crashed. It was an end of a short era.

For a short time airships were a futuristic a terror in war and fast mode of transporting people and the mail in peace time. At over 700 feet in length, the size of an ocean liner, they were more than a bit impressive in the sky. Three times the length of a Boeing 747, twice the size of a Saturn 5 Rocket, or as long as Cleveland’s Terminal Tower is tall. To see something this size floating in the air would have been amazing. So large, it would block out the sun and cast a huge shadow when flying over an observer. Swinfield writes an interesting history of an nearly forgotten time and craft. The book is alive with competition, struggles, and some victories. A well written book with over thirty-five page of documentation and well illustrated. A very good read for aviation fans and students of the inter-war years. ( )
  evil_cyclist | Mar 16, 2020 |
John Swinfield’s Airship is a wonderful exploration of the history of airships, dirigibles, and zeppelins as they were beginning to become a fixture in history. While there is a large gray area between when a flying vessel goes from a hot-air balloon to an airship, the qualifying characteristic seems to be the inclusion of an engine to power propellers and guide the vehicle properly. William Bland’s 1851 flight with a steam engine and twin propellers fits the bill. And from there, things only got bigger and more dangerous.

Many different models were tried and abandoned in the late 19th century, but after the Wright Brothers mastered powered flight, many companies throughout Europe though they had the answer to sustained dirigible flight were vying to monopolize the airship market. Combine this with the military’s fervent interest in incorporating airship technology into their forces and you get a recipe for a veritable arms race. In an interesting parallel to the space race of the 1960’s, the airship race was one to find out who could make their vessels faster, lighter, and bigger. World War I saw the use of airships in armed campaigns on both sides of the fighting. Germany used zeppelins to bomb London and British blimps were used as scouts to find German submarines and mines. The golden age of airships, of course, ends with the highly memorable Hindenburg disaster of 1937.

Swinfield’s writing is as close to exhaustive as one can get on the topic. He details the politics, construction, and service records for just about every airship built in the early 20th century. There are commercial blimps, fighter vessels, and now blimps over major sporting events. Enthusiasts of early war air vehicles will find an immense amount of information here. Luckily for us, too, the information is also interesting. There’s good stuff in this one for historians as well as aeronautic engineering buffs; this conpendium includes a sizable list of airship teminology as well as a handy catalogue of all those involved in the early days of blimp construction. A longish but thorough book. ( )
2 stem NielsenGW | Jun 16, 2013 |
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At 7.25pm on 6 May 1937 the airship Hindenburg nosed cautiously towards the tip of her mooring mast in New Jersey, Alerica.
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Airship charts the history of lighter-than-air craft from the continental pioneers of the late 19th century through to European airship stations in the Great War, Germany's pre-eminent commercial and military zeppelins, the construction of British behemoths R100 and its sister ship R101 and the calamitous losses of USS Akron in 1933 and LZ129 Hindenburg in 1937, events which ultimately heralded the end of large-scale airship production. The historical development of airships is seen to be protracted and fractious, as the armed forces of leading European and US powers toyed with commercial propositions while trying to bend them to military uses. The book examines the axial role of Count Zeppelin, the development of the Zeppelin in Germany as bomber and reconnaissance craft, and the way the British Admiralty, French, Italian and American engineers attempted to imitate German design. The airship coincided with a time of international strife- mass unemployment, General Strikes, the Wall Street Crash and the growing shadow of fascist tumult. Airship draws on original sources, official documents and private letters including interviews with figures like Mary Stopes-Roe, daughter of the airship builder Barnes Wallis. It identifies and analyses the central themes and bold personalities of the era- forming a text that is readable, entertaining and authoritative. The book is fully referenced with newly discovered first-hand material and a detailed bibliography.

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