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Bark: Stories (2014)

door Lorrie Moore

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6533535,676 (3.5)25
Fiction. Literature. HTML:

"Fifty years from now, it may well turn out that the work of very few American writers has as much to say about what it means to be alive in our time as that of Lorrie Moore" (Harper's).

A literary event—a new collection of stories by one of America's most beloved and admired short story writers, her first collection in fifteen years.

In these eight masterful stories, Lorrie Moore, in a perfect blend of craft and bewitched spirit, explores the passage of time and summons up its inevitable sorrows and hilarious pitfalls to reveal her own exquisite, singular wisdom.

In "Debarking," a newly divorced man tries to keep his wits about him as the United States prepares to invade Iraq, and against this ominous moment, we see—in all its irresistible hilarity and darkness—the perils of divorce and what can follow in its wake. In "Foes," a political argument goes grotesquely awry as the events of 9/11 unexpectedly manifest at a fund-raising dinner in Georgetown. In "The Juniper Tree," a teacher, visited by the ghost of her recently deceased friend, is forced to sing "The Star-Spangled Banner" in a kind of nightmare reunion. And in "Wings," we watch the unraveling of two once-hopeful musicians who neither held fast to their dreams nor struck out along other paths as Moore deftly depicts the intricacies of dead ends and the workings of regret.

Gimlet-eyed social observation, the public and private absurdities of American life, dramatic irony, and enduring half-cracked love wend their way through each of these narratives in a heartrending mash-up of the tragic and the laugh-out-loud—the hallmark of Lorrie Moore–land.

.
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Engels (34)  Italiaans (1)  Alle talen (35)
1-5 van 35 worden getoond (volgende | toon alle)
The problem here is that I read this a while back and all the remains in my memory is the grim horror of the Rat King in the central story Wings. I know there is more here, dark stories about relationships and humans trying not to be alone, but all I'm left with is the Rat King. ( )
  AlisonSakai | Dec 30, 2023 |
This collection of short stories is about all those messy, complicated real lives that happen after we are no longer young adults, when our lives have begun to crystallize into the much more limited range of real options we actually get to choose from, rather than the vast universe of possibilities life seemed to hold when we were younger. Happy endings in this collection are only happy within a narrow definition of happy, or with a few caveats and footnotes, but life does not just stop after one is no longer a young adult, and the characters in these stories are busy maintaining, remaking, and enjoying their adult lives to the extent that they can. Death happens, divorce happens, kids turn out to be mentally ill, and romantic encounters that younger lovers might imagine as destined and forever turn out to be just temporary or not nearly as idyllic as they 'ought' to be. But life goes on. ( )
  JBarringer | Dec 15, 2023 |
I enjoyed this, but after some years since reading it, I don't recall enough to discuss it. ( )
  mykl-s | Aug 13, 2023 |
This book was underwhelming. It seemed as though Moore made a list of clichés of the literary genre and tried to check them all off as she wrote. In other words, this book is full of ennui-induced navel-gazing and overly introspective, depressed divorcés. Not my cup of tea.
  beckyrenner | Aug 3, 2023 |
What a terrific book. I loved every story in it. Great writer, very funny without any cruelty. ( )
  steve02476 | Jan 3, 2023 |
1-5 van 35 worden getoond (volgende | toon alle)
"As Coleridge famously remarked of Wordsworth that one might recognize his poetry anywhere, so readers of Lorrie Moore are likely to recognize her prose instantaneously: a unique combination of wit, caustic insight, sympathy for the pathos of her characters’ lives, and that peculiar sort of melancholy attributable to time too long spent in the northern Midwest where late-afternoon snow acquires a spectral blue tinge. "
 
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I shall still be here . . . growing my bark around the wire fence like a grin.
Caroline Squires, "An Apple Tree Spouts Philosophy in an Office Car Park"

In the splitting up dream we were fighting over who would keep the dog, Blizzard. You tell me what that name means. He was a cross between something big and fluffy and a dachshund. Does this have to be the male and female genitalia? Poor Blizzard, why was he a dog? He barely touched the hummus in his dogfood dish.
Louise GlĂĽck, from "Vita Nova"

Don't be gruff. Anything that falls on the floor is mine.
Amy Gerstler, :Interview with a Dog"
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for Deborah Rogers and Deborah Treisman
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Fiction. Literature. HTML:

"Fifty years from now, it may well turn out that the work of very few American writers has as much to say about what it means to be alive in our time as that of Lorrie Moore" (Harper's).

A literary event—a new collection of stories by one of America's most beloved and admired short story writers, her first collection in fifteen years.

In these eight masterful stories, Lorrie Moore, in a perfect blend of craft and bewitched spirit, explores the passage of time and summons up its inevitable sorrows and hilarious pitfalls to reveal her own exquisite, singular wisdom.

In "Debarking," a newly divorced man tries to keep his wits about him as the United States prepares to invade Iraq, and against this ominous moment, we see—in all its irresistible hilarity and darkness—the perils of divorce and what can follow in its wake. In "Foes," a political argument goes grotesquely awry as the events of 9/11 unexpectedly manifest at a fund-raising dinner in Georgetown. In "The Juniper Tree," a teacher, visited by the ghost of her recently deceased friend, is forced to sing "The Star-Spangled Banner" in a kind of nightmare reunion. And in "Wings," we watch the unraveling of two once-hopeful musicians who neither held fast to their dreams nor struck out along other paths as Moore deftly depicts the intricacies of dead ends and the workings of regret.

Gimlet-eyed social observation, the public and private absurdities of American life, dramatic irony, and enduring half-cracked love wend their way through each of these narratives in a heartrending mash-up of the tragic and the laugh-out-loud—the hallmark of Lorrie Moore–land.

.

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