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Body Counts: A Memoir of Politics, Sex, AIDS, and Survival

door Sean Strub

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Sean Strub, founder of the groundbreaking POZ magazine, producer of the hit play The Night Larry Kramer Kissed Me, and the first openly HIV-positive candidate for U.S. Congress, charts his remarkable life. As a politics-obsessed Georgetown freshman, Strub arrived in Washington from Iowa in 1976, with a plum part-time job running a Senate elevator. He also harbored a terrifying secret: his attraction to men. As he explored the capital's political and social circles, he discovered a world where powerful men lived double lives shrouded in shame. When AIDS hit in the early 1980s, Strub was living in New York and soon found himself attending "more funerals than birthday parties." Scared and angry, he turned to radical activism. Strub takes readers through his own diagnosis and inside ACT UP, the organization that transformed a stigmatized cause into one of the defining political movements of our time. From the New York of Studio 54 and Andy Warhol's Factory to the intersection of politics and burgeoning LGBT and AIDS movements, Strub's story is a vivid portrait of a tumultuous era.--From publisher description.… (meer)
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Toon 5 van 5
This guy just Forrest Gumped his way through the scene, didn't he? ( )
  sublunarie | Nov 13, 2019 |
I enjoyed this book in the beginning when it was more like a memoir. About halfway through it became a bit of a slog: too much detail about every single meeting, too much name-dropping, too much about his many businesses and activism. It needed some drastic editing to give it more power. ( )
  bobbieharv | Jul 24, 2017 |
Body Counts: A Memoir of Politics, Sex, AIDS, and Survival by Sean Strub is the story of a young boy growing up in Iowa who sort of realizes he is gay but is not certain exactly what that is all about. He is very interested in politics, goes to Georgetown University but isn't interested in school. He gets a job as elevator operator in the Senate where he satisfies some of his interest in politics. During this period he comes to an understanding that he is in fact gay and he pursues a gay life. He quits school, moves to NYC where he becomes involved with pursuing the AIDS problem that he finds. He comes down with AIDS but late enough in the epidemic that treatment has improved and he lives, as an activist. I got a little tired of all the AIDS discussion and the social aspect of the book. I can't recommend the book wholeheartedly but if you are into social causes or specifically AIDS you will find it interesting. ( )
  SigmundFraud | Nov 2, 2016 |
A quick read, lots of name dropping. He seems a bit too naive at times, considering his success. Overall an engaging look into Strub's life and the AIDS crisis. ( )
  MichaelC.Oliveira | Nov 11, 2014 |
Let me open by saying that Sean Strub’s Body Counts: A Memoir of Politics, Sex, AIDS, and Survival is an essential, engaging piece of social history that belongs on everyone’s reading list. Word!

Body Counts is one of a number of books being released this spring that reflect back on major social movements of the late 20th Century. Other such titles include Eating Fire, Freedom Rider Diary, and Resister, all of which I plan to review upon their release. For some readers, these will be “history” books; for me they feel much more immediate.

My world has changed immensely over the course of my 50+ years. In high school in the late 70s, when I was drawn to gay rights issues, but didn’t yet view them as personal issues, I kept a picture of Leonard Matlovich hanging in my locker. In graduate school in the early 80s, I volunteered in support of a local non-discrimination ordinance that included gay men and lesbians. As a professional in the late 80s and 90s, I helped found the Lesbian and Gay Caucus of the Conference on College Composition and Communication (my field’s most important professional organization); co-edited The Lesbian in Front of the Classroom, the first published collection of writing by lesbian teachers; and taught several first-of-their-kind Composition courses designed to create a writers’ community among lesbians and gay men.

The years Sean Strub writes about in Body Counts are the same years I was engaged in my own activism, and his writing simultaneously makes those years feel very immediate and very removed historically. Today, at least in the liberal college community where I work, being lesbian is pretty much normal. I’m legally married (when a finance guy my wife and I were working with recently referred to us as “domestic partners,” we explained to him quite firmly that we are married and had never participated in that separate-but-equal charade). We’ll even be filing joint federal taxes this year, rendering unnecessary the asterisks and explanatory statements that have been accompanying my federal tax returns since we were married.

Strub’s book reminds us that this normalcy is quite a new phenomenon. In the period from the late 70s to the 90s we were definitely not normal. Roughly half the states in the U.S. had laws criminalizing sexual acts between people of the same gender. Not only that, but in 1986 the U.S. Supreme Court affirmed the legality of these laws. (That decision was finally overthrown in 2003.) George Moscone and Harvey Milk were murdered by Dan White, who got a minimal sentence thanks to his “Twinkies defense.” The AIDS epidemic erupted, followed by all sorts of anti-gay legislation. We had a president who refused to use the word AIDS. Congress passed laws prohibiting any AIDS research or education programs that included information on safe sexual activities for gay men or lesbian. We were—quite literally—dying by the thousands, and, as the title of Randy Shilt’s book about the AIDS epidemic made clear, “the band played on.”

I experienced these years on the “left coast,” which makes Strub’s account of gay activism in New York all the more interesting. Strub was politically active from a young age. Before he began college, he worked as an elevator attendant in the U.S. Senate, and he spent years involved in D.C. politics. Ultimately, Strub gave up on his mainstream political dreams and began working more overtly on gay rights, particularly on the fight against AIDS. He went on to found POZ magazine and continues to devote his life to activism on behalf of those who are HIV+, particularly the economically and politically marginalized. Political figures, artists, writers—Strub seems to have know almost everyone, and they all appear in the pages of Body Counts.

Reading Body Counts will give you a detailed, accurate, engaging historical overview of this period. It will remind you of the necessity of street activism, as well as more mainstream politicking. It will also point out that the struggle (and really it’s struggles plural, not struggle singular) is nowhere near over. We have much to celebrate, but we can’t afford to be complacent. ( )
  Sarah-Hope | Jan 12, 2014 |
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Sean Strub, founder of the groundbreaking POZ magazine, producer of the hit play The Night Larry Kramer Kissed Me, and the first openly HIV-positive candidate for U.S. Congress, charts his remarkable life. As a politics-obsessed Georgetown freshman, Strub arrived in Washington from Iowa in 1976, with a plum part-time job running a Senate elevator. He also harbored a terrifying secret: his attraction to men. As he explored the capital's political and social circles, he discovered a world where powerful men lived double lives shrouded in shame. When AIDS hit in the early 1980s, Strub was living in New York and soon found himself attending "more funerals than birthday parties." Scared and angry, he turned to radical activism. Strub takes readers through his own diagnosis and inside ACT UP, the organization that transformed a stigmatized cause into one of the defining political movements of our time. From the New York of Studio 54 and Andy Warhol's Factory to the intersection of politics and burgeoning LGBT and AIDS movements, Strub's story is a vivid portrait of a tumultuous era.--From publisher description.

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