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Bezig met laden... Composing Japanese Musical Modernity (Chicago Studies in Ethnomusicology)door Bonnie C. Wade
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Meld je aan bij LibraryThing om erachter te komen of je dit boek goed zult vinden. Op dit moment geen Discussie gesprekken over dit boek. Reviewed by W. Anthony Sheppard in Asian Music 48/1 (Winter/Spring 2017): 132-134. DOI: 10.1353/amu.2017.0010. geen besprekingen | voeg een bespreking toe
Onderdeel van de reeks(en)
When we think of composers, we usually envision an isolated artist separate from the orchestra-someone alone in a study, surround by staff paper-and in Europe and America this image generally has been accurate. For most of Japan's musical history, however, no such role existed-composition and performance were deeply intertwined. Only when Japan began to embrace Western culture in the late nineteenth century did the role of the composer emerge. In Composing Japanese Musical Modernity, Bonnie Wade uses an investigation of this new musical role to offer new insights not just into Japanese music but Japanese modernity at large and global cosmopolitan culture. Wade examines the short history of the composer in Japanese society, looking at the creative and economic opportunities that have sprung up around them-or that they forged-during Japan's astonishingly fast modernization. She shows that modernist Japanese composers have not bought into the high modernist concept of the autonomous artist, instead remaining connected to the people. Articulating Japanese modernism in this way, Wade tells a larger story of international musical life, of the spaces in which tradition and modernity are able to meet and, ultimately, where modernity itself has been made. Geen bibliotheekbeschrijvingen gevonden. |
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Google Books — Bezig met laden... GenresDewey Decimale Classificatie (DDC)780.952The arts Music Music Biography And History Asia JapanLC-classificatieWaarderingGemiddelde: Geen beoordelingen.Ben jij dit?Word een LibraryThing Auteur. |