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Meatspace

door Nikesh Shukla

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458564,333 (3.36)4
Kitab Balasubramanyam has had a rough few months. His girlfriend left him. He got fired from the job he hated for writing a novel on company time, but the novel didn't sell and now he's burning through his mum's life insurance money. His father has more success with women than he does, and his Facebook comments get more likes. Kitab is reduced to spending all of his time in his flat with his brother Aziz, coming up with ideas for novelty Tumblrs and composing amusing tweets. But now even Aziz has left him, travelling to America to find his doppelganger. So what happens when Kitab Balasubramanyam's only internet namesake turns up on his doorstep and insists that they are meant to be friends?… (meer)
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1-5 van 6 worden getoond (volgende | toon alle)
I think maybe I just don't like books written by English people. ( )
  kimlovesstuff | Dec 31, 2023 |
This just wasn’t for me ( )
  karenshann | Dec 31, 2019 |
(Reprinted from the Chicago Center for Literature and Photography [cclapcenter.com]. I am the original author of this essay, as well as the owner of CCLaP; it is not being reprinted illegally.)

I have to admit, at first I was not a big believer in all the hype that came with Nikesh Shukla's third novel, Meatspace; for while it starts out as a funny little character-based comedy about young artists in London, it certainly doesn't seem like "the greatest book on loneliness since The Catcher in the Rye," as Gary Shteyngart breathlessly exclaims on the front cover, and it also doesn't seem to "capture a cultural moment like Generation X" like the Guardian proclaimed. But the farther you get into this witty, cleverly constructed book, the better it gets and the more it starts earning these accolades (hint -- things really start picking up once publicly exposed penises get involved); and what seems at first to be just an endless amount of trendy references to Facebook and iPhones really does start adding up to a bigger statement on society as the storyline expands in scope and stakes. A heftier novel than it might seem at first, with an ending that's surprisingly much sadder than the rest of this sometimes laugh-out-loud book would make you guess, it's one of those extremely rare books that actually gets better as it continues, and it's worth sticking in there through the admittedly only so-so beginning in order to get to the good stuff. Recommended for all, but especially to my fellow middle-agers who want a better sense of what daily life for twentysomething Millennials are like right now, where half your social life is lived on your phone and the opportunities for public embarrassment never end.

Out of 10: 9.2 ( )
1 stem jasonpettus | May 3, 2016 |
3.5 stars
"And yet, Shukla writes so wittily, and it was so funny I kept going. And I'm ever so glad I did because I grew to really like Kitab."
read more: http://likeiamfeasting.blogspot.gr/2015/04/meatspace-nikesh-shukla.html ( )
  mongoosenamedt | Apr 5, 2015 |
I have a review up on my blog: http://www.reluctantm.com/?p=2182

TL:DR - Funny until near the end. The end is just awful and you'll feel like you wasted your time. But until then, the book is amusing. ( )
  reluctantm | Sep 16, 2014 |
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Kitab Balasubramanyam has had a rough few months. His girlfriend left him. He got fired from the job he hated for writing a novel on company time, but the novel didn't sell and now he's burning through his mum's life insurance money. His father has more success with women than he does, and his Facebook comments get more likes. Kitab is reduced to spending all of his time in his flat with his brother Aziz, coming up with ideas for novelty Tumblrs and composing amusing tweets. But now even Aziz has left him, travelling to America to find his doppelganger. So what happens when Kitab Balasubramanyam's only internet namesake turns up on his doorstep and insists that they are meant to be friends?

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