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A Thing in Disguise: The Visionary Life of Joseph Paxton

door Kate Colquhoun

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831326,751 (4.2)6
"Today one would be hard pressed to choose a "Pre-eminent Victorian," a perfect embodiment of the golden age of innovation and energy. But among the Victorians themselves, it was agreed that one figure towered above the rest. His name was Joseph Paxton (1803-1865), and he bestrode the worlds of horticulture, urban planning, and architecture like a colossus. This was the indispensable man, the self-taught polymath and can-do pragmatist who had a solution to every large-scale logistical problem, the genius whom an impossibly overworked Charles Dickens dubbed "The Busiest Man in England."" "Rising quickly from humble beginnings, Paxton, at age twenty-three, became head gardener and architect at Chatsworth, the estate of the sixth Duke of Devonshire. Under Paxton's hands, Chatsworth was transformed into the greatest garden in England, a paradise of enormous and beautiful greenhouses, gravity-defying waterworks, and exotic botanical wonders. The world, even Queen Victoria herself, came to marvel: here was Britain's answer to the hanging gardens of Babylon. Paxton also edited standard-setting garden periodicals, helped found the London Daily News, and was a Liberal MP for Coventry. But it was his design for the Crystal Palace, home of the Great Exhibition of 1851, that secured his immortality. Applying what he had learned about constructing greenhouses to the problem of erecting a monumental but temporary public space, he created the architectural triumph of the era, a magnificent and unprecedented "fairy palace" of iron and glass. Built in eight months by a team of two thousand men, it was six times the size of St. Paul's Cathedral, enclosed a space of eighteen acres, and entertained six million visitors. In the wake of its spectacular success, Paxton was in constant demand to design parks and public buildings and to propose ways to ease congestion, pollution, and filth in London, then the world's most populous city." "Drawing on personal papers and dozens of historical archives, she gives us not only Paxton the public man but also the private one - a loving husband, an indulgent father, and a loyal, generous humor-loving friend. Here is the story of a man who personified the Victorian ideals of self-improvement, resourcefulness, and civic service, and a touching portrait of a remarkably down-to-earth visionary."--BOOK JACKET.… (meer)
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This was a fascinating biography of Joseph Paxton, who began as a working-class gardener on a country estate and ended up designing the Crystal Palace for the 1851 Great Exhibition and serving as Member for Parliament. Kate Colquhoun has little to say about Joseph Paxton's origins, because the details are sketchy, but once he's older, he apprentices at the Horticultural Society, and then he is hired as head gardener by William Cavendish, Sixth Duke of Devonshire. Paxton was an intelligent, enthusiastic man whose enthusiasms fed into a positive feedback loop with the Duke. Basically, anything Paxton wanted to do with the estate, the Duke would pay for. They amassed a huge collection of orchids, racing others to cultivate and flower species new to England. Paxton got the first Victoria regia (a giant water lily several meters wide) to flower, and was also the first person to cultivate a banana in England. The bananas we eat today are the Cavendish bananas, named after Paxton's patron.

Paxton taught himself architecture to build new glasshouses for the Duke's collection, and he put in a proposal for the building to house the Great Exhibition. This thrust him into the national spotlight, and soon he was designing public parks, on the boards of railway corporations, standing for Parliament, creating a daily newspaper edited by Charles Dickens, and organizing relief efforts in the Crimea! Colquhoun's account of his rise is a fascinating look at a fascinating life, and she peppers the book with little human details ably, especially the stories of Paxton and the Duke's appreciation for each other and for plant life. Their enthusiasm for rare plants is infectious even through the printed page. I loved her accounts of Victoria's two visits to the Duke's estate, one as a young princess, one with Albert in tow. The Duke of Wellington thought Paxton's gardeners so well organized that he said Paxton would have made a good general!

Arguably, the Victorian period was the first time we really became conscious that we were moving into the future, and Paxton was one of the people trying to design that future. "The Busiest Man in England" is a great story in itself, and also filled with connections to other stories of the nineteenth century: I was pleased to see, for example, that Jane Loudon (author of The Mummy!: A Story of the Twenty-Second Century) got a couple mentions, and Paxton's life brought him into contact with Dickens, Robert Louis Stevenson, John Tenniel, and many other familiar names. A nice personal story from my favorite period of history.
1 stem Stevil2001 | Oct 12, 2018 |
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This book was originally published in the UK as A Thing in Disguise: The Visionary Life of Joseph Paxton. For its US edition, it was retitled "The Busiest Man in England": A Life of Joseph Paxton, Gardener, Architect & Victorian Visionary.
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"Today one would be hard pressed to choose a "Pre-eminent Victorian," a perfect embodiment of the golden age of innovation and energy. But among the Victorians themselves, it was agreed that one figure towered above the rest. His name was Joseph Paxton (1803-1865), and he bestrode the worlds of horticulture, urban planning, and architecture like a colossus. This was the indispensable man, the self-taught polymath and can-do pragmatist who had a solution to every large-scale logistical problem, the genius whom an impossibly overworked Charles Dickens dubbed "The Busiest Man in England."" "Rising quickly from humble beginnings, Paxton, at age twenty-three, became head gardener and architect at Chatsworth, the estate of the sixth Duke of Devonshire. Under Paxton's hands, Chatsworth was transformed into the greatest garden in England, a paradise of enormous and beautiful greenhouses, gravity-defying waterworks, and exotic botanical wonders. The world, even Queen Victoria herself, came to marvel: here was Britain's answer to the hanging gardens of Babylon. Paxton also edited standard-setting garden periodicals, helped found the London Daily News, and was a Liberal MP for Coventry. But it was his design for the Crystal Palace, home of the Great Exhibition of 1851, that secured his immortality. Applying what he had learned about constructing greenhouses to the problem of erecting a monumental but temporary public space, he created the architectural triumph of the era, a magnificent and unprecedented "fairy palace" of iron and glass. Built in eight months by a team of two thousand men, it was six times the size of St. Paul's Cathedral, enclosed a space of eighteen acres, and entertained six million visitors. In the wake of its spectacular success, Paxton was in constant demand to design parks and public buildings and to propose ways to ease congestion, pollution, and filth in London, then the world's most populous city." "Drawing on personal papers and dozens of historical archives, she gives us not only Paxton the public man but also the private one - a loving husband, an indulgent father, and a loyal, generous humor-loving friend. Here is the story of a man who personified the Victorian ideals of self-improvement, resourcefulness, and civic service, and a touching portrait of a remarkably down-to-earth visionary."--BOOK JACKET.

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