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American Ghost: A Family's Haunted Past in the Desert Southwest

door Hannah Nordhaus

LedenBesprekingenPopulariteitGemiddelde beoordelingAanhalingen
24819108,224 (3.44)19
Biography & Autobiography. History. New Age. Nonfiction. The dark-eyed woman in the long black gown was first seen in the 1970s standing near a fireplace. She was sad and translucent, present and absent at once. Strange things began to happen in the Santa Fe hotel where she was seen. Gas fireplaces turned off and on without anyone touching a switch. Glasses flew off shelves. And in one second-floor suite with a canopy bed and arched windows looking out to the mountains, guests reported alarming events: blankets ripped off while they slept, the room temperature plummeting, disembodied breathing, and dancing balls of light. La Posada-"place of rest"-had been a grand Santa Fe home before it was converted to a hotel. The room with the canopy bed had belonged to Julia Schuster Staab, the wife of the home's original owner. She died in 1896, nearly a century before the hauntings were first reported. In American Ghost, Hannah Nordhaus traces the life, death, and unsettled afterlife of her great-great-grandmother, Julia, from her childhood in Germany to her years in the American West with her Jewish merchant husband. As she traces the strands of Julia's life, Nordhaus uncovers a larger tale of how a true-life story becomes a ghost story and how difficult it can sometimes be to separate history and myth.… (meer)
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1-5 van 19 worden getoond (volgende | toon alle)
KIRKUS REVIEWA journalist?s account of how she went in search of the true story behind her great-great-grandmother?s life and ghostly reappearances almost a century after her mysterious death.Julia Staab was a member of the Nordhaus family tree and also ?Santa Fe?s most famous ghost.? Born to a well-to-do Jewish family in Germany in the mid-1840s, Julia eventually married a fellow German Jew who went on to become one of Santa Fe?s most prominent and scandal-ridden businessmen. As a child, Nordhaus (The Beekeeper's Lament: How One Man and Half a Billion Honey Bees Help Feed America, 2011) knew of Julia as one ancestor among others. It was only when she learned that her great-great-grandmother had begun haunting the La Posada HotelĄwhich had once been the Staab family mansionĂ‚ÂĄthat ?Julia stopped being quite so dead.? Many years later, Nordhaus came across a family history that told a fascinating story of ?forbidden love, inheritance and disinheritance, anger and madness.? Suddenly, understanding Julia?s life took on new importance, especially since the specter of personal loss had begun to cast a shadow over Nordhaus. A trained historian, the author tracked down information about Julia, the Staab family and the worlds they inhabited in archives and libraries and through testing her own DNA. The objective evidence she gathered pointed to an unhappy marriage to a solicitous but dictatorial man, a possible liaison with a powerful archbishop and an attempted suicide. Determined to also understand Julia at an emotional and spiritual level, Nordhaus also turned to psychics, mediums and ghost hunters for information. She ultimately discovered that the truth about Julia and her life did not reside in the facts but rather in the spaces between facts: In the end, she writes, those spaces contain the details ?that tell us who we are.?A thoughtful and intriguing chronicle of familial investigation.Pub Date: March 10th, 2015ISBN: 978-0-06-224921-0Page count: 336ppPublisher: Harper/HarperCollinsReview Posted Online: Dec. 6th, 2014Kirkus Reviews Issue: Dec. 15th, 2014My first read for Castle Rock Thursday evening book club on 4/21/16. An excellent read.
  bentstoker | Jan 26, 2024 |
If you’re looking for a spooky read, this is not your book. However, if you’re looking for an engaging story steeped in history, look no further. A unique look at the Wild West frontier and it’s growth. The interesting people who made it what it is today and maybe some that still remain. It’s a genealogical scavenger hunt that makes you wish for your own ancestral haunts and ghosts. ( )
  LiteraryGadd | Jan 16, 2023 |
The author's great-great-grandmother, Julia Staab, is said to haunt her old house, now a hotel in Santa Fe. The ghost stories talk of abuse and insanity, contrary to family lore, so she decides to see if she can track down the truth about her supposedly restless ancestor. All her substantial information comes from traditional sources - newspaper articles, diaries, other archives - but she also tries alternative methods, including ghost hunters and psychics. These yield interesting speculation but nothing especially helpful. That said, the rest of the book is quite interesting. It's the story of an American family: German Jews who immigrated in the 1800s and made their fortune, and what later became of them and their descendants. There are a couple of side journeys about cousins and aunts and uncles, including an especially moving part about a relative lost in the Holocaust, but it all weaves together into a single family history. The ending, which returns to the spiritualist side of things, was a tad hokey for my taste, but on the whole it was an engaging look at society life in Victorian New Mexico. Recommended. ( )
  melydia | Jan 9, 2023 |
A bit rambling but worth the listen. ( )
  fuzzipueo | Apr 24, 2022 |
I have a love hate relationship with the title of this book. I do feel almost cheated by it. I was expecting more of a ghost story. I got a haunting story of a woman searching out the truth of her great, great grandmother who it has been said, is a ghost haunting a hotel in New Mexico. I say that yet I give it high stars? Yes. I loved the story, though I did feel that it gets a little twisty at times. There is more in this book that just the story of Julia Staab. I understand it, though, because when you search out the life story of an ancestor you get stories from all the people in between you and the ancestor in question. This book is an interesting account of a young German Jewish bride coming to live in the American Southwest. At times it is a very sad tale which is why I call it haunting. I think of the bravery of this woman, yes she had no choice as a woman, but brave is what she was. I can't imagine going to a foreign country, with no real grasp of the languages, to live. And that is now, when there are so many options to to help me. If women's history interests you or history of the southwest or German Jewish people, this book will probably have something to bring you. If you are looking for a scary ghost story, even though this has moments with psychics and tv's Ghost Hunters, look for another book. This isn't that kind of story. It is a book I would recommend to book clubs though. I think it has a lot that can be discussed. I enjoyed it, taking my time with it, thinking about how things were for my female ancestors. ( )
  Wulfwyn907 | Jan 30, 2022 |
1-5 van 19 worden getoond (volgende | toon alle)
Hannah Nordhaus' new book, American Ghost, is an offbeat mishmosh of memoir, cultural history, genealogical detective story and paranormal investigation, but it opens in the classic manner of spooky tales — with a sighting....The enigmatic figure of Julia Staab has materialized, not only within the confines of La Posada but also in novels, histories of the Southwest and as a star attraction on "ghost tours" of Santa Fe....As Nordhaus points out, Julia's ghost story, like the mansion that once was her home, has been remodeled over and over to suit changing fashions....Whether you believe in ghosts or are just intrigued by their persistence in popular culture, American Ghost is itself a haunting story about the long reach of the past.
 
Journalist Nordhaus (The Beekeeper’s Lament) embarks on a “ghost hunt” for her great-great-grandmother, German immigrant Julia Schuster Staab, in this unique collision of family history, Wild West adventure, and ghost story.... Nordhaus uncovers a strain of mental illness that runs through one branch of her family, delves into the lore of the 19th-century spiritualist movement, and discovers how a true-life story can become a paranormal one. Perceptive, witty, and engaging, Nordhaus observes that “it’s not so much the ghost that keeps the dead alive... as it is the story.”
toegevoegd door Lemeritus | bewerkPublisher's Weekly (Dec 8, 2014)
 
A journalist’s account of how she went in search of the true story behind her great-great-grandmother’s life and ghostly reappearances almost a century after her mysterious death.... A trained historian, the author tracked down information about Julia, the Staab family and the worlds they inhabited in archives and libraries and through testing her own DNA. The objective evidence she gathered pointed to an unhappy marriage to a solicitous but dictatorial man, a possible liaison with a powerful archbishop and an attempted suicide....She ultimately discovered that the truth about Julia and her life did not reside in the facts but rather in the spaces between facts: In the end, she writes, those spaces contain the details “that tell us who we are.” A thoughtful and intriguing chronicle of familial investigation.
toegevoegd door Lemeritus | bewerkKirkus Reviews (Dec 6, 2014)
 
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To my father, Bob Norhaus, who gave me this story, and so much more.
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It began late at night, as these stories do. -Aura of Sadness, Chapter One
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"It is true those are heaps of unburnt bricks, nevertheless they are houses—this is the city of Santa Fe.’” It was a colony of mud. “It was possible to be utterly disgusted with it at first sight, second sight, and last sight,” wrote the Vermonter R. L. Duffus. “To enjoy it thoroughly one had to have a flair for such things. Literal-minded persons did not, puritanical persons did not.” What Julia thought of the city—whether she had a flair for such things—I don’t know.
I wondered if revisiting these sad truths restored the humanity of the lost, or if it simply served to gratify the tellers and the listeners; if the act of retelling kept those who suffered imprisoned in their unhappy endings.
Emilie had lived almost fifty years longer than her sister Julia—who, in all her sadness, had been lucky enough in the end to die with a house to haunt. Emilie had prospered in life, but she had died amid unimaginable horror: the last of the sisters, the last of her generation.
Our children always grow to live in a foreign country, removed not necessarily by ships across the sea but by era and disposition.
In Jewish tradition, it is said that we die twice. Once when we take our last breath, and again the last time somebody speaks our name.
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Biography & Autobiography. History. New Age. Nonfiction. The dark-eyed woman in the long black gown was first seen in the 1970s standing near a fireplace. She was sad and translucent, present and absent at once. Strange things began to happen in the Santa Fe hotel where she was seen. Gas fireplaces turned off and on without anyone touching a switch. Glasses flew off shelves. And in one second-floor suite with a canopy bed and arched windows looking out to the mountains, guests reported alarming events: blankets ripped off while they slept, the room temperature plummeting, disembodied breathing, and dancing balls of light. La Posada-"place of rest"-had been a grand Santa Fe home before it was converted to a hotel. The room with the canopy bed had belonged to Julia Schuster Staab, the wife of the home's original owner. She died in 1896, nearly a century before the hauntings were first reported. In American Ghost, Hannah Nordhaus traces the life, death, and unsettled afterlife of her great-great-grandmother, Julia, from her childhood in Germany to her years in the American West with her Jewish merchant husband. As she traces the strands of Julia's life, Nordhaus uncovers a larger tale of how a true-life story becomes a ghost story and how difficult it can sometimes be to separate history and myth.

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