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Wanneer de feiten veranderen beschouwingen 1995-2010

door Tony Judt

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Tony Judts meesterwerk, Na de oorlog, gaat over de Europese geschiedenis na 1945. Maar de meest geruchtmakende stukken die Judt schreef, gingen over Israël en Palestina. Het was zijn bedoeling om over deze kwestie een boek te schrijven. Helaas werd die tijd hem niet gegund; in 2010 stierf hij aan ALS. Maar het materiaal lag er, en historicus Jennifer Homans - Judts weduwe - heeft de taak op zich genomen om er een boek van te maken. Wanneer de feiten veranderen is het resultaat. Het boek gaat over de manier waarop de gevolgen van de Tweede Wereldoorlog over de hele wereld een rol zijn blijven spelen. Met zijn enorme kennis, zijn visie en zijn bezieling schetst Judt een breed historisch beeld.… (meer)
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    De vergeten twintigste eeuw nieuwe wereldgeschiedenis door Tony Judt (Johannes99)
    Johannes99: Both books share the depth and clarity of thinking of Tony Judt.
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Could it be? A book that is precisely the sum of its parts, neither more nor less? Facts collects a bunch of book reviews and short essays, mostly written for the usual suspects (NYRB). Most of them are solid. A few are great. A few don't really bear re-reading.

The most fun are the straight book reviews, all from before 9/11 and the invasion of Iraq. Judt destroys Norman Davies and other writers on Eastern Europe; fans of the take-down will enjoy that. The most relevant are the pieces that lead up to Judt's defense of social democracy, including the pooterish essays on trains, and 'What is Living and What is Dead in Social Democracy,' which is a nice, short version of Ill Fares the Land.

In between are two sections sure to upset most people. Judt's writings on Israel and Palestine are fascinating, and perhaps the only example in this volume of Judt actually changing his mind when the facts change. They're also sure to enrage the pro-Israel types so common in the U.S., and probably some pro-Palestinians as well. His writings on the 'war on terror' and the Bush II presidency should upset everyone, because the whole thing was such a waste of breath, and he could have been writing about something else. A friend of mine says that the invasion of Iraq might be the only event of our lifetime in which his original, gut-level, unjustified moral and intellectual response is identical with his later, hindsight-informed, 'objective' moral and intellectual response, and that seems right. It was transparently a stupid thing to do, and an immoral thing to do, and spending hundreds of NYRB pages reviewing books saying either that or the opposite was a waste of time. Granted, people did need to be making the moral points. But reading them now is dreary to say the least.

The book closes with three eulogies for Furet, Kolakowski, and Amos Elon (of whom I'd never heard). It's nice to end with them, because they're good reminders that Judt wasn't always right. Judt more or less saints Furet without considering the links between Furet's kind of revisionism and the hyper-individualism that is the target of the social democracy essays; at least here Judt shows that he, like everyone else, could stay wrapped up in long-dead polemic. Nice to know he was human. ( )
  stillatim | Oct 23, 2020 |
Tony Judt is a name Europeanists (historians of Europe) regularly encounter. "Postwar" has almost become a standard text in many ways. As with many historians in their own right, Judt has opinions on many issues, events, and personalities (whether they are part of his main concentration or not) and shares them with aplomb, for the most part. This collection of book reviews, essays, and a few personal tracts written after the deaths of three well-known and respected historians are an interesting foray into the life of Judt, his ideas and the stances he took on a variety of contemporary topics. The book is split into five parts. The first is entitled '1989: Our Age'; 'Israel, the Holocaust, and the Jews'; '9/11 and the New World Order'; 'The Way We Live Now'; and 'In the Long Run We Are All Dead.' These titles are mainly self-explanatory but personally I found one review and one lecture to be the stand outs.

The review of Norman Davies's 'Europe: A History' is absolutely phenomenal. This is a hack of an historian who has received undeserved praise for reasons that I cannot even begin to fathom and yet his shoddy work is some of the worst drivel I've seen published in the past few decades. Judt takes him to task for the mediocrity he is and the numerous mistakes, omissions, and worthless excuses for arguments he makes (his more recent 'No Simple Victory: World War II in Europe, 1939-1945' is no better). As well, 'What is Living and What is Dead in Social Democracy?' was a lecture Judt gave at New York University in 2009 that deals with issues we've recently witnessed revolving around debates about economics, private vs. public, the role of government, etc. Judt is very much of the opinion that what was done in the wake of the First and Second World Wars throughout Europe and America has slowly been undone since the Thatcher-Reagan era and has caused numerous problems for our society today, which will only continue to get worse. One argument discussed how corrupt and inefficient publicly run municipalities/works fail to improve when sold to private entities as these sales include large commissions for banks and are a result of selling at a loss. Additionally they are only approved when these private institutions are assured that in the case of their own failure the tax-payers will bare the burden while the private sector continues to reap any and all rewards. The numerous safety nets created by governments come at a price, one that we as a society should be happy to pay and to see that others take up a similar cause when we are in need and suffering. But in a society reared on 'An Army of One' that kind of mentality falls on deaf ears as 'crony capitalism' and 'greed' have created an image in people's minds where the government can do nothing right and corporations are people too. While these were the most interested pieces, I also found his stance on the issue of where this country was going after 9/11, the usefulness of the UN, and the use of torture worth reading as well.

While the above are some of the more interesting and poignant pieces offered, there are some weaknesses, at least in my opinion. The sections on Israel are rife with contempt for Israeli policies, whether deserved or not, but wholly omit the responsibilities of the other side in this equation. Judt makes it seem as if Israel has consistently held all the cards in the situation it has found itself in without any agency being given to the Palestinians or their various representatives, nor is any mention made of the numerous states that surround Israel and the role they have played when it comes to both Israeli security and the evolution of terrorism. Although this collection is entitled 'When The Facts Change' it seems that some facts do not change for Judt when it comes to Israel. Finally, much of the information presented is fascinating and one begins to crave more, but foot/endnotes are few (partly explained by the fact that these were, again, book reviews, essays and lectures). Even so, considering there was an editor to this collection, a greater number of citations could have resulted in a better resources for those interested in some of the topics discussed. ( )
1 stem Kunikov | Feb 13, 2016 |
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Tony Judts meesterwerk, Na de oorlog, gaat over de Europese geschiedenis na 1945. Maar de meest geruchtmakende stukken die Judt schreef, gingen over Israël en Palestina. Het was zijn bedoeling om over deze kwestie een boek te schrijven. Helaas werd die tijd hem niet gegund; in 2010 stierf hij aan ALS. Maar het materiaal lag er, en historicus Jennifer Homans - Judts weduwe - heeft de taak op zich genomen om er een boek van te maken. Wanneer de feiten veranderen is het resultaat. Het boek gaat over de manier waarop de gevolgen van de Tweede Wereldoorlog over de hele wereld een rol zijn blijven spelen. Met zijn enorme kennis, zijn visie en zijn bezieling schetst Judt een breed historisch beeld.

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