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Kentucky by Design: The Decorative Arts and American Culture

door Andrew Kelly

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812,168,888 (4.5)2
The Index of American Design was one of the most significant undertakings of the Federal Art Project -- the visual arts arm of the Works Progress Administration. Part of President Franklin D. Roosevelt's New Deal, this ambitious initiative set out to discover and document an authentic American style in everyday objects. The curators of the Index combed the country for art of the machine age -- from carved carousel horses to engraved powder horns to woven coverlets -- created by artisans for practical use. In their search for a true American artistic identity, they also sought furniture designed by regional craftsmen laboring in isolation from European traditions. Kentucky by Design offers the first comprehensive examination of the objects from the Bluegrass State featured in this historic venture. It showcases a wide array of offerings, including architecture, furniture, ceramics, musical instruments, textiles, clothing, and glass- and metalworks. The Federal Art Project played an important role in documenting and preserving the work of Shaker artists from the Pleasant Hill and South Union communities, and their creations are exhibited in this illuminating catalog. Beautifully illustrated with both the original watercolor depictions and contemporary, art-quality photographs of the works, this book is a lavish exploration of the Commonwealth's distinctive contribution to American culture and modern design. Features contributions from Jean M. Burks, Erika Doss, Jerrold Hirsch, Lauren Churilla, Larrie Currie, Michelle Ganz, Tommy Hines, Lee Kogan, Ron Pen, Janet Rae, Shelly Zegart, Mel Hankla, Philippe Chavance, Kate Hesseldenz, Madeleine Burnside, and Allan Weiss.… (meer)
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I spent a couple of weeks working my way through this large art book, which could bear pride of place on your coffee table, or as part of a scholarly collection on the WPA, Kentucky, decorative arts . . .

I was grabbed by the Kentucky aspect. The specific KY design in question is pieces selected by the WPA Index of American Design. To quote the Index's manual, reproduced in an appendix, its aim was "to compile material for a nationwide pictorial survey of design in the American decorative, useful and folk arts from their inception to about 1890."

The lucky reader gets several scholarly, interesting articles about the project itself and its Kentucky operation, and about Shaker design (the Kentucky index gathered quite a bit from the two major Shaker settlements in the state). Then about fifty of the chosen objects are presented in their Index-created watercolor renderings, as well as in photograph, which is occasionally of another but similar object, accompanied by a short essay. Finally, in the lengthy appendixes are transcribed oral history interviews from federal archives, and the above-mentioned manual.

The main work was the most interesting to me. These fifty objects tell quite a bit about everyday life in 18th and 19th century Kentucky, especially with the accompanying essays. The photography is beautiful and the reproduced WPA illustrations are impressive. Nobody bothers to make these kin$ of illustrations any more because a photograph seems so much more efficient, but in fact many lovely, interesting details were captured only by the illustrations and not visible even in the really excellent photographs.

My only complaint was that the oral histories took up way too much of the high-quality, heavy paper, where I would have preferred more illustration and discussion of everyday Kentucky objects. ( )
  NinieB | Aug 15, 2019 |
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The Index of American Design was one of the most significant undertakings of the Federal Art Project -- the visual arts arm of the Works Progress Administration. Part of President Franklin D. Roosevelt's New Deal, this ambitious initiative set out to discover and document an authentic American style in everyday objects. The curators of the Index combed the country for art of the machine age -- from carved carousel horses to engraved powder horns to woven coverlets -- created by artisans for practical use. In their search for a true American artistic identity, they also sought furniture designed by regional craftsmen laboring in isolation from European traditions. Kentucky by Design offers the first comprehensive examination of the objects from the Bluegrass State featured in this historic venture. It showcases a wide array of offerings, including architecture, furniture, ceramics, musical instruments, textiles, clothing, and glass- and metalworks. The Federal Art Project played an important role in documenting and preserving the work of Shaker artists from the Pleasant Hill and South Union communities, and their creations are exhibited in this illuminating catalog. Beautifully illustrated with both the original watercolor depictions and contemporary, art-quality photographs of the works, this book is a lavish exploration of the Commonwealth's distinctive contribution to American culture and modern design. Features contributions from Jean M. Burks, Erika Doss, Jerrold Hirsch, Lauren Churilla, Larrie Currie, Michelle Ganz, Tommy Hines, Lee Kogan, Ron Pen, Janet Rae, Shelly Zegart, Mel Hankla, Philippe Chavance, Kate Hesseldenz, Madeleine Burnside, and Allan Weiss.

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