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Movies of the 50s

door Jürgen Müller

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At a time when people were terrified of UFOs and Communism, the film industry was busy producing movies that ranged from film noir to grandiose musicals. The paranoid public in the 1950s apparently craved family entertainment and dark, brooding pictures in equal doses. The result is a decade's worth of truly monumental cinema, from Hitchcock masterpieces (Vertigo, Psycho, Rear Window) to comedy classics (Tati's Mr. Hulot's Holiday, Billy Wilder's Some Like It Hot), from groundbreaking Nouvelle Vague films (Truffaut's The 400 Blows) to profound, innovative dramas like Antonioni's L'avventura, Fellini's La Strada, John Huston's Misfits, and Kubrick's Paths of Glory. Though censorship kept sex safely offscreen, the smoldering James Dean, Marlon Brando, and Marilyn Monroe provided plenty of heat. This survey of the most important films of the fabulous fifties covers the wholesome, subversive, artistic, thrilling, and mysterious trends in cinema across the globe. This encyclopedia profiles each movie masterpiece through stills, a synopsis, and cast, crew, and technical listings. Whether you're a rebel without a cause or a gentleman who prefers blondes, this is a must-have for any film fan. About the series Bibliotheca Universalis -- Compact cultural companions celebrating the eclectic TASCHEN universe!… (meer)
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A decade of contrasts: the 1950s in cinema At a time when people were terrified of UFOs and Communism, the movie industry was busy producing movies that ranged from film noir to suspense to grandiose musicals; apparently the paranoid public in the 1950s wanted family entertainment and dark, brooding pictures in equal doses. The result is a decade's worth of truly monumental cinema, from Hitchcock masterpieces (Vertigo, Psycho, Rear Window) to comedy classics (Tati's Mr. Hulot's Holiday, Billy Wilder's Some Like it Hot) to groundbreaking nouvelle vague films (Godard's Breathless, Truffaut's The Four Hundred Blows) and profound, innovative dramas such as Antonioni's L'Avventura, Fellini's La Strada, John Huston's Misfits, and Kubrick's Paths of Glory. Though censorship kept sex safely off-screen, sexy stars such as James Dean, Marion Brando, and Marilyn Monroe provided plenty of heat in Rebel Without a Cause, A Streetcar Named Desire, and Gentlemen Prefer Blondes respectively. This survey of the most important films of the 1950s covers all the wholesome, subversive, artistic, thrilling, and mysterious trends in cinema worldwide.
100 A-Z film entries include: Synopsis Film stills and production photos Cast/crew listings Box office figures Trivia Useful information on technical stuff Actor and director bios Plus: a complete Academy Awards list for the decade ( )
  wiegandf | Apr 22, 2014 |
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At a time when people were terrified of UFOs and Communism, the film industry was busy producing movies that ranged from film noir to grandiose musicals. The paranoid public in the 1950s apparently craved family entertainment and dark, brooding pictures in equal doses. The result is a decade's worth of truly monumental cinema, from Hitchcock masterpieces (Vertigo, Psycho, Rear Window) to comedy classics (Tati's Mr. Hulot's Holiday, Billy Wilder's Some Like It Hot), from groundbreaking Nouvelle Vague films (Truffaut's The 400 Blows) to profound, innovative dramas like Antonioni's L'avventura, Fellini's La Strada, John Huston's Misfits, and Kubrick's Paths of Glory. Though censorship kept sex safely offscreen, the smoldering James Dean, Marlon Brando, and Marilyn Monroe provided plenty of heat. This survey of the most important films of the fabulous fifties covers the wholesome, subversive, artistic, thrilling, and mysterious trends in cinema across the globe. This encyclopedia profiles each movie masterpiece through stills, a synopsis, and cast, crew, and technical listings. Whether you're a rebel without a cause or a gentleman who prefers blondes, this is a must-have for any film fan. About the series Bibliotheca Universalis -- Compact cultural companions celebrating the eclectic TASCHEN universe!

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