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Bezig met laden... Stanley Kubrick and Me: Thirty Years at His Sidedoor Emilio D'Alessandro
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Meld je aan bij LibraryThing om erachter te komen of je dit boek goed zult vinden. Op dit moment geen Discussie gesprekken over dit boek. Interesting glimpse into Kubrick's life as he generated many of the movies he was famous for. ( ) Stanley Kubrick and Me by Emilio D'Alessandro is a very good and intimate look at Kubrick the person and the relationship with the author. This is not, and makes no claim to be, a cinematic history of Kubrick's films or an intimate look at the filmmaking process. This also doesn't claim to be a biography of Kubrick. To complain about what the book never tried to do as though that is a failing of the book is actually more a statement about a reader's inability to read what a book is about before choosing it. So if you want film stuff, steer clear of this. If you want to know about Kubrick when he wasn't on set (and there is some insight to be had about his processes here, just not explicitly laid out as such) then you should give this book a try. I found this book to offer a wonderful glimpse at Kubrick behind the scenes, in the life he guarded fiercely. If you know Kubrick's films well, you will make some possible connections between life and film but these are not the point of the book and they are also only possibilities and not definitive links. In some ways it was looking for the director within this personal life that represented half the fun. This is very much about both Kubrick and D'Alessandro so if you don't want contextualization for the Kubrick parts you may be less pleased, but you'll also miss out on the dynamics of a long term relationship between the two and how each influenced the other. I would recommend this to readers who like their film histories well-rounded and not just about films as objects. If you don't care so much about really getting to know the people involved in film, Kubrick in this case, then this may not be for you since this looks at Kubrick in relation to people, to friends and family, and not as though his life were lived in a vacuum. Reviewed from a copy made available by the publisher via Edelweiss. geen besprekingen | voeg een bespreking toe
"This intimate portrait by his former personal assistant and confidante reveals the man behind the legendary filmmaker--for the first time. Stanley Kubrick, the director of a string of timeless movies from Lolita and Dr. Strangelove to A Clockwork Orange, 2001: A Space Odyssey, Full Metal Jacket, and others, has always been depicted by the media as the Howard Hughes of filmmakers, a weird artist obsessed with his work and privacy to the point of madness. But who was he really? Emilio D'Alessandro lets us see. A former Formula Ford driver who was a minicab chauffeur in London during the Swinging Sixties, he took a job driving a giant phallus through the city that became his introduction to the director. Honest, reliable, and ready to take on any task, Emilio found his way into Kubrick's neurotic, obsessive heart. He became his personal assistant, his right-hand man and confidant, working for him from A Clockwork Orange until Kubrick's death in 1999. Emilio was the silent guy in the room when the script for The Shining was discussed. He still has the coat Jack Nicholson used in the movie. He was an extra on the set of Eyes Wide Shut, Kubrick's last movie. He knew all the actors and producers Kubrick worked with; he observed firsthand Kubrick's working methods down to the smallest detail. Making no claim of expertise in cinematography but with plenty of anecdotes, he offers a completely fresh perspective on the artist and a warm, affecting portrait of a generous, kind, caring man who was a perfectionist in work and life. "-- Geen bibliotheekbeschrijvingen gevonden. |
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Google Books — Bezig met laden... GenresDewey Decimale Classificatie (DDC)791.4302The arts Recreational and performing arts Public performances Film, Radio, and Television Film Techniques, procedures, apparatus...LC-classificatieWaarderingGemiddelde:
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