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Bezig met laden... The Uncanny Resurrection of Abraham Carverdoor Vincent Cross
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And it is extremely beautiful, it is very emotional. It’s intriguing to follow not because of the story per se, or because of the characters, or because of the conflict, but to see the imagery play out, so see the scene being set, the emotions be evoked. This is all about theme and aesthetic, of tone and appearance more than plot
But I’m left wondering what this is? Because is it a story? Is it long enough to be a story? Does it have an established enough plot and characters and world setting? It feels more like a snippet in a longer story, even as a short story it feels so much like a part of something greater. It’s more like an artistically crafted Vignette. An out take, a snapshot. The whole feel of the story makes me think that it’s more about an artistically crafted image more than a story. This is a scene, this is a display, a performance. It’s an artistic craft of elaborate, beautiful, stylist language with an intriguing concept and a lot of dark edginess.
It’s been pared down to just these elements with the rest dispensed with. It kind of works here because it’s clearly what the point of the book is. And it works as this. It really does – it is beautiful and stylish and quite excellent to read
But is it a story? Is being a story the point?
I mean the plot revolves around the sacrifice a woman made for her husband she loves and how that effects them
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