The short film is based on O. Henry's classic tale, with some adjustments for more pathos and the addition of a Christian element not present in the original, but not inappropriate. The production is well-done and the actors are adequate; Carney, now in his later years, gives a sober performance that belies his slapstick reputation, even with a faux French accent.
The evocation of 19th century urban life is good.
William S. Porter (writing as O. Henry) was not a painter, but he had been an artist when young; however, even Michelangelo won't get oils to stick to a brick wall in the rain.

Watched again 2019-12-10; still a great tear-jerker. ( )