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This volume collects three Transformers-focused Revolution tie-ins, as well as the Transformers Holiday Special. Since I already reviewed the latter on its own (wish I'd known it was collected here before buying it!), I'll just be reviewing the Revolution tie-ins.

Basically, each of the Transformers ongoings gets a story that takes place during Revolution, expanding on some story details and crossing over with one of the non-Transformers titles. The subtitle-less series formerly known as Robots in Disguise tells a story about Tundercracker and Marissa Faireborn battling Dire Wraiths (from Rom); Till All Are One features Windblade on a journey to the Microverse (from Micronauts); and More than Meets the Eye has the Scavengers teaming up with a G.I. Joe member and encountering a lone Dire Wraith.

They're, uh, they're okay, I guess. The Transformers one confirmed that I am tired of John Barber's take on Thundercracker, the Decepticon-gone-native-who-has-a-dog-and-wants-to-write-screenplays-and-apparently-is-crushing-on-Marissa-Faireborn. What could have been an interesting character has Flanderized into a one-note joke.

The Till All Are One one is pretty flimsy. Windblade is summoned to Earth to communicate with Metroplex (explaining why she's there in the main Revolution story), she does so, she journeys into Microspace where she meets some people, she goes home. I think this set up something about the Micronauts or Rom in the main Revolution story, but by the time I read this, I'd forgotten most of what happened when I read Revolution. The story is pretty detached from the setting and ideas that actually drive Till All Are One, aside from Windblade herself. I guess it does point toward some growing discontent from Windblade with Optimus's leadership.

Finally, the More than Meets the Eye one doesn't have any of the Lost Light crew (how could it, they died six months ago when their planet blew up?), instead focusing on the Scavengers who come to Earth so one of their members can go on an Internet date. It's a pisstake of the whole concept of Revolution (one of the characters keeps chanting about "the Brand"); the best bits are MP3, the world's worst G.I. Joe member, and the two Scavengers pretending to be members of M.A.S.K. It's not James Roberts and Nick Roche's best work, but I enjoyed it well enough and laughed several times. Which makes it the best part of Revolution. (Which is damning with faint praise.)

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